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SHOOT DIRECTORS Print Issue
Cover Date:
October 21
Space Reservations:
contact Roberta Griefer for space availability
Final Ad Material Extension:
Monday, Oct. 17, midnight
Bonus Distribution:
Hollywood Post Alliance (HPA) Awards,
Los Angeles, Nov. 10
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SHOOT Directors >e.dition
email newsletter Date:
October 24
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October 20
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In today's competitive environment, getting your Company noticed by potential clients in the Advertising & Entertainment Production/Post Industries is no easy feat. They are bombarded with sales promotion material, pitches & reels via email, posts, tweets and other social and mobile media. The SURE WAY to break through the clutter and stand out from the competition is to advertise in SHOOT's Fall DIRECTORS ISSUE that provides the ideal conducive envrionment for you to reach potential clients with your own message.
GREAT MARKETING OPPORTUNITY...
An Ad in this issue is a direct link to inspire prospective clients to want to connect with your company, talent roster, services, products or locations-- or-- pique their curiosity in a subtle way with something provocative or fun. For 50 years, SHOOT's Directors issues are the talk of the industry when first published and are referred to long after the issue date! Be part of this exciting issue that cover to cover has an upbeat positive vibe that's all about great talent & great work! It's the ideal environment in which to promote your company!
Kicking off in the SHOOT's Fall Directors Issue will be the first installment of a special feature series: "The Road to Oscar"
This entertainment Awards Season Preview series of articles will appear in SHOOT through the 2012 Academy Awards. We'll delve into the filmmakers and artists behind the features and shorts starting to emerge as contenders this upcoming awards season. We'll be introducing you to talented artisans and we'll provide information about and coverage of the various award shows leading up to the big Oscar night.
Also in the Directors Issue....
>Leading Directors Profiles
Profiles of leading commercial, feature film and video directors including insights from them about their most recent notable work, their professional endeavors and aspirations. Directors being profiled include...
> Joanna Bailey, Bare Films, London, whose latest Cancer U.K. Research spot, "Couples," attains a poignancy and humanity facilitated by her roots in documentary filmmaking.
>Ringan Ledwidge, Smuggler, bicoastal, and Rattling Stick, London. Ledwidge directed Puma's "After Hours Athlete" which won this year's Film Craft Grand Prix at the Cannes Lions International
Festival of Creativity.
>Adrian Moat, RSA Films, an accomplished commercialmaker on both sides of the Atlantic who made his major long-form debut with "Gettysburg," which last month won four primetime Emmy Awards, including the statuette for Outstanding Nonfiction Special.
>Chris Milk, @radical.media, who redefined the music video discipline with his interactive clips "The Johnny Cash Project" and Arcade Fire's "The Wilderness Downtown" which were both honored at this year's AICP Next Awards.
>Bennett Miller. The director of "Moneyball," which has debuted to rave reviews, adding to a filmography which also includes the lauded "Capote" (five Oscar nominations, one win) as well as the documentary "The Cruise." During what have been lengthy interims between these long-form endeavors, Miller has directed numerous commercials, initially through Hungry Man and more recently via his current roost, Smuggler.
>Phil Morrison, Epoch Films. Having just wrapped an episode of the new HBO series "Enlightened" starring Laura Dern in a funny yet at times heartbreaking role, Morrison is back in the commercialmaking loop where his recent endeavors include work for AT&T, Norton, and ongoing "Mayhem" for Allstate and Leo Burnett. Earlier this year, his "Mayhem" spots "Teen Driver," "Flag" and "Douglas Fir" won the best in show Advertising Excellence/Campaign honor at the AICP Show.
>The Rauch Brothers, Rauch Brothers Animation, a directorial duo whose character animation shorts for StoryCorps, including three moving pieces to commemorate the 9/11 anniversary, have gained
widespread acclaim, giving new momentum to animation as a means to advance the documentary discipline.
>Mark Romanek, Anonymous Content. This pioneering, breakthrough music video director hasn't directed a clip in six years yet he's still making an indelible mark with a diverse range of projects from the feature "Never Let Me Go" to the buzz-generating Kia commercial featuring dancing hamsters who help turn mercenary robots into fun-loving hoofers, to a real people/documentary-style H&R Block "Never Settle For Less" campaign which scored a Silver Lion and two Bronze Lions at this year's Cannes Festival of Creativity. What's next on his plate? Perhaps a definitive live-action version of "Cinderella" for Disney.
>Up-And-Coming Directors
A look at commercial & indie film rising stars, many of whom are still under the industry radar, who likely will make a mark in spots, branded content and/or entertainment. We keep the names of who we are covering under wraps until the issue is published but we can tell you that we'll be profiling four directors, one directing team and a directing collective in this special feature on emerging directorial talent.
>Cinematographers & Cameras
A look through the viewfinder at leading cinematographers and their recent projects, including experiences with various cameras. Look forward to reading about an accomplished and exciting group of DPs this issue. Cinematographers being profiled include...
>Ben Seresin, BSC. Currently, Seresin is in New York working on a film noir crime thriller, "Broken City," directed by Allen Hughes and starring Mark Wahlberg, Russell Crowe and Catherine Zeta-Jones. It's the latest entry to a feature filmography that includes Tony Scott's "Unstoppable," Michael Bay's "Transformers: Revenge of the Fallen" and Gore Verbinski's "Pirates of the Caribbean: At World's End." And on the commercialmaking front, Seresin's assorted jobs include Puma's "After Hours Athlete" which this year earned an AICP Show honor as well as a Cannes Gold Lion for best cinematography.
>Ben Smithard, BSC. Smithard shot "My Week With Marilyn," which is generating early Oscar buzz. His recent ad exploits include shooting a couple of spot
assignments for Tom Hooper who earlier this year won the Oscar and DGA Award for Best Feature Director on the basis of "The King's Speech."
>Stephen Windon, ACS, who won this year's ASC Award For TV Miniseries on the strength of HBO's "The Pacific." Established in commercials Down Under and in Europe, he has started to make inroads into American advertising. And at press time, he was wrapping lensing of the Paramount Pictures feature, "GI Joe: Cobra Strikes," directed by Jon Chu.
Additional Features, NEWS, Great New Work & Columns....
>The latest industry news
>SHOOT Columns:
Spot.com.mentary, POV, Short Takes, Top Spot of the Week & The Best Work you May Never See, Produce Stand, Flash Back, Street Talk, Rep Report & Bulletin Board.
>PRINT ADVERTISER BONUS!
All Advertisers:
PDF verison of your ad with URL link will appear in two PDF versions of the Directors issue that will available 10/24 on SHOOTonline for readers to view/download
Full & Jr. Page Advertisers:
234x60 Bottom Banner space on SHOOTonline from 10/21-11/20 ($800. value)
>BONUS DISTRIBUTION!
Hollywood Post Alliance (HPA) Awards, Los Angeles, November 10th
For information, rates & space reservations,
Please contact marketing@shootonline.com
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> Company heads, production executives at movie studios, broadcast / cable / online / mobile networks
>Commercial & entertainment production & post companies: owners, eps, directors, dps, editors, colorists, VFX supervisors, etc
>production executives at brand marketers
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