Sam Mendes additionally named best director; Quentin Tarantino earns distinction for best screenplay
By Jake Coyle, Film Writer
BEVERLY HILLS, Calif. (AP) --The 77th Golden Globes were meant to be a coronation for Netflix. Instead, a pair of big-screen epics took top honors Sunday, as Sam Mendes’ technically dazzling World War I tale “1917” won best picture, drama, and Quentin Tarantino’s radiant Los Angeles fable “Once Upon a Time … in Hollywood” won best film, comedy or musical.
The wins for “1917” were a surprise, besting such favorites as Noah Baumbach’s “Marriage Story” (the leading nominee with six nods) and Martin Scorsese’s “The Irishman.” Both are acclaimed Netflix releases but they collectively took home just one award, for Laura Dern’s supporting performance as a divorce attorney in “Marriage Story.” “The Irishman” was entirely shut out.
“1917” also won best director for Mendes. The film was made in long takes, giving the impression of it unfolding in one lengthy shot.
“Once Upon a Time … in Hollywood” had easier path than the more competitive drama category. Brad Pitt won for best supporting actor, his first acting Globe since winning 1996 for “12 Monkeys,” padding his front-runner status for the Oscars.
“I wanted to bring my mom, but I couldn’t because any woman I stand next to they say I am dating so it’d just be awkward,” said Pitt.
Ricky Gervais, hosting the NBC-telecast ceremony for the fifth time, began the evening with an expletive-laden plea against hypocrisy, telling winners to stick to thanking their agent and their god. But throughout the night, those who took the stage used the moment to speak on matters including the currently raging Australian wildfires, destabilization in Iran, women’s rights, the importance of LGBT trailblazers, and even, the importance of being on time.
Gervais also argued that Netflix had taken over Hollywood, given the streaming service’s commanding 34 nominations, in film and TV, coming into the Globes. But the awards were widely spread around among traditional Hollywood studios, indie labels like A24, cable heavyweights like HBO and relative newcomers like Hulu.
As always at the Globes, there were surprises. Mendes’ best director ‘prize bested the likes of Martin Scorsese (“The Irishman”), Tarantino and Bong Joon Ho (“Parasite”). The award was well-timed for “1917,” which expands nationwide Friday.
“There is not one director in the world that is not in the shadow of Martin Scorsese,” a plainly surprised Mendes said.
Awkwafina, the star of the hit indie family drama “The Farewell,” became the first woman of Asian descent to win best actress in a comedy or musical. “If anything, if I fall upon hard times, I can sell this,” said Awkwafina, holding the award.
No other category has been more competitive this year than best actor. On Sunday, Joaquin Phoenix won for his loose-limbed performance in the divisive but hugely popular “Joker” in a category that included Adam Driver (“Marriage Story”)
Gervais opened the 77th Golden Globes by declaring movies irrelevant, pretending to confuse Joe Pesci for Baby Yoda, calling the Hollywood Foreign Press Association racist and declaring Netflix’s takeover of Hollywood complete.
Gervais, who has a series on Netflix, said he could summarize the three-hour award show with a simple phrase: “Well done, Netflix. You win.” The streaming giant came into the Globes with a commanding 34 nods: 17 in film categories and 17 in television categories.
Hosting the Globes for the fifth, and according to him last time, Gervais was perhaps even more cutting than before. He told executives in the room that journalist Ronan Farrow, who has exposed cases of sexual misconduct, was coming for them. He said something vulgar that got bleeped about Judi Dench’s part in “Cats.” And most of all, he mocked Hollywood hypocrisy, skewering stars for working for companies like Apple, Amazon and the Walt Disney Co. while giving speeches urging social change.
“If ISIS started a streaming service, you’d call your agent,” Gervais told the starry crowd Sunday at the Beverly Hilton in Beverly Hills, California.
Laura Dern, the best supporting actress front-runner for her performance as a divorce attorney in “Marriage Story,” won her fifth Globe. (Dern even served as Miss Golden Globe at age 15.) Her win denied Jennifer Lopez, the “Hustlers” star, her first major acting award.
The first award of the night went to a streaming service series. Ramy Youssef won best actor in a TV series comedy or musical for his Hulu show “Ramy.” Best actor in a limited series went to Russell Crowe for the Showtime series “The Loudest Voice.” He wasn’t in attendance because of raging wildfires in his native Australia.
“Make no mistake, the tragedy unfolding in Australia is climate-changed based,” Crowe said in a statement read by presenters Jennifer Aniston and Reese Witherspoon.
Ahead of Sunday’s show, some wondered how much the rising tensions with Iran would be talked about following the United States’ targeted killing on Friday of Iranian Gen. Qassem Soleimani. That went unmentioned until more than halfway through when Patricia Arquette, a winner for her performance in Hulu’s “The Act,” said history wouldn’t remember the day for the Globes but will see “a country on the brink of war.” She urged all to vote in November’s presidential election.
Phoebe Waller-Bridge followed up her Emmy haul by winning best comedy series and best actress in a comedy series. She thanked former President Barack Obama for putting “Fleabag” on his best-of-2019 list. With a grin, she added: “As some of you may know, he’s always been on mine.”
Waller-Bridge’s co-star Andrew Scott (of “hot priest” fame) missed out on the category’s supporting actor award, which Stellan SkarsgÃ¥rd took for HBO’s “Chernobyl.”
HBO was also triumphant in best TV drama, where the second season of “Succession” bested Netflix’s “The Crown” and Apple TV Plus’ first Globe nominee, “The Morning Show.” Brian Cox, the Rupert Murdoch-like patriarch of “Succession,” also won best actor in a drama series. “The Crown” took some hardware home, too, with Olivia Colman winning best actress in a drama series, a year after winning for her performance in “The Favourite.”
Best foreign language film went to Bong Joon Ho’s “Parasite,” the Cannes Palme d’Or winning sensation from South Korea. Despite being an organization of foreign journalists, the HFPA doesn’t include foreign films in its top categories, thus ruling out “Parasite,” a likely best picture nominee at next month’s Oscars.
“Once you overcome the inch-tall-barrier of subtitles, you will be introduced to so many more amazing films,” said Bong through a translator.
Tom Hanks, also a nominee for his supporting turn as Fred Rogers in “A Beautiful Day in the Neighborhood,” received the Cecil B. DeMille lifetime achievement award. The Carol Burnett Award, a similar honorary award given for television accomplishment, was given to Ellen DeGeneres. She was movingly introduced by Kate McKinnon who said DeGeneres’ example guided her in her own coming out.
“The only thing that made it less scary was seeing Ellen on TV,” said McKinnon.
Hanks’ speech had its own emotional moment. Just as he was beginning comments that would touch on the importance of actors being on time, Hanks caught sight of his wife and four children at a table near the stage and choked up.
“A man is blessed with the family’s sitting down front like that,” said Hanks.
Elton John and Bernie Taupin won the evening’s most heavyweight battle, besting Beyonce and Taylor Swift. Their “I’m Gonna Love Me Again” won best song. “It’s the first time I’ve ever won an award with him,” said Elton of his song-writing partner. “Ever.”
The Golden Globes, Hollywood’s most freewheeling televised award show, could be unusually influential this year. The roughly 90 voting members of the Hollywood Foreign Press Association have traditionally had little in common with the nearly 9,000 industry professionals that make up the Academy of Motion Picture Arts and Sciences. The HFPA is known for calculatingly packing its show with as much star power as possible, occasionally rewarding even the likes of “The Tourist” and “Burlesque.”
Sunday’s show may have added to that history with an unexpected award for “Missing Link” for best animated feature film over films like “Toy Story 4” and “Lion King.” No one was more surprised than its director, Chris Butler. “I’m flabbergasted,” he said.
But the condensed time frame of this year’s award season (the Oscars are Feb. 9) brings the Globes and the Academy Awards closer. Balloting for Oscar nominations began Thursday. Voters were sure to be watching.
The dearth of nominations for female filmmakers stoked more backlash than anything else at this year’s Globes. Only men were nominated for best director (just five women have ever been nominated in the category), and none of the 10 films up for best picture was directed by a woman, either. Time’s Up, the activist group that debuted at the black-clad 2018 Globes, was highly critical of the HFPA for the omission, calling it “unacceptable.”
Last year’s telecast, hosted by Andy Samberg and Sandra Oh, held steady in TV ratings, averaging 18.6 million viewers.
GOLDEN GLOBE WINNERS
FEATURE FILM CATEGORIES
Comedy or Musical
“Once Upon a Time … in Hollywood”
Drama
“1917”
Lead Actress in a drama
Renée Zellweger, “Judy”
Lead Actor in a drama
Joaquin Phoenix, “Joker”
Lead Actress in a musical/comedy
Awkwafina, “The Farewell”
Lead Actor in a comedy/musical
Taron Egerton, “Rocketman”
Supporting Actress
Laura Dern, “Marriage Story”
Supporting Actor
Brad Pitt, “Once Upon a Time … in Hollywood”
Director
Sam Mendes, “1917”
Screenplay
“Once Upon A Time In Hollywood,” Quentin Tarantino
Original Score
“Joker,” Hildur Guðnadóttir
Original Song
“I’m Gonna Love Me Again” – "Rocketman," Elton John, Bernie Taupin
Animated Feature
“Missing Link”
Foreign Language Film
“Parasite”
TELEVISION CATEGORIES
Drama Series
“Succession”
Comedy Series
“Fleabag”
Miniseries or Television Film
“Chernobyl”
Lead Actress in a drama
Olivia Colman, “The Crown”
Lead Actor in a drama
Brian Cox, “Succession”
Lead Actress in a comedy
Phoebe Waller-Bridge, “Fleabag”
Lead Actor in a comedy
Rami Yousef, “Rami”
Lead Actress in a comedy
Phoebe Waller-Bridge, “Fleabag”
Lead Actor in a miniseries or television film
Russell Crowe, “The Loudest Voice”
Lead Actress in a miniseries or television film
Michelle Williams, “Fosse/Verdon”
Supporting Actor
Stellan SkarsgÃ¥rd, “Chernobyl”
Supporting Actress
Patricia Arquette, “The Act”
Full Lineup Set For AFI Fest; Official Selections Span 44 Countries, Include 9 Best International Feature Oscar Submissions
The American Film Institute (AFI) has unveiled the full lineup for this year’s AFI Fest, taking place in Los Angeles from October 23-27. Rounding out the slate of already announced titles are such highlights as September 5 directed by Tim Fehlbaum, All We Imagine As Light directed by Payal Kapadia, The Luckiest Man in America directed by Samir Oliveros (AFI Class of 2019), Zurawski v. Texas from executive producers Hillary Clinton, Chelsea Clinton and Jennifer Lawrence and directors Maisie Crow and Abbie Perrault, and Oh, Canada directed by Paul Schrader (AFI Class of 1969). A total of 158 films are set to screen at the 38th edition of AFI Fest.
Of the official selections, 48% are directed by women and non-binary filmmakers and 26% are directed by BIPOC filmmakers.
Additional festival highlights include documentaries Architecton directed by Victor Kossakovsky; Cheech & Chong’s Last Movie directed by David Bushell; Devo directed by Chris Smith about the legendary new wave provocateurs; Gaucho Gaucho directed by Michael Dweck and Gregory Kershaw; Group Therapy directed by Neil Berkeley with Emmy® winner Neil Patrick Harris and Tig Notaro; No Other Land directed by a Palestinian-Israeli team comprised of Basel Adra, Yuval Abraham, Rachel Szor and Hamdan Ballal; Pavements directed by Alex Ross Perry; and Separated directed by Errol Morris. Notable narrative titles include Black Dog (Gou Zen) directed by Guan Hu; Bonjour Tristesse directed by Durga Chew-Bose with Academy Award® nominee Chloë Sevigny; Caught By The Tides directed by Jia Zhangke; Hard Truths directed by Mike Leigh with... Read More