By Jake Coyle, Film Writer
NEW YORK (AP) --After a decade of development and several postponements, the long-awaited Stephen King adaptation "The Dark Tower" debuted with an estimated $19.5 million in North American ticket sales, narrowly edging out the two-week leader "Dunkirk."
The modest result for "The Dark Tower," starring Idris Elba and Matthew McConaughey, was in line with expectations heading into the weekend but well shy of initial hopes for a possible franchise-starter.
J.J. Abrams and Ron Howard are among the directors who previously tried to tackle King's magnum opus, a seven-book series that melds sci-fi with horror and other genres.
But the long battle to make "The Dark Tower" ended with poor reviews and few fireworks. Still, the movie was made for a relatively modest amount: about $60 million, or half of what many other summer movies cost. Sony Pictures also split costs with Media Rights Capital.
"It was always an ambitions and bold undertaking but it was made at the right price," said Adrian Smith, president of domestic distribution for Sony Pictures.
By comparison, the recent flop "Valerian and the City of a Thousand Planets," which opened with $17 million, cost at least $180 million to make.
Christopher Nolan's World War II epic "Dunkirk" slid to second with $17.6 million in its third week. It's now made $133.6 million domestically. Other holdovers — "The Emoji Movie" ($12.4 million in its second week) and "Girls Trip" ($11.4 million in its third week) followed.
Another long-delayed film also made its debut. The Halle Berry thriller "Kidnap" opened with $10.2 million. The film, styled after the Liam Neeson "Taken" series," was released by the new distributor Aviron Pictures after it bought the North American rights from Relativity. Before entering bankruptcy, Relativity had scheduled the film's release for 2015.
But "Kidnap" still outperformed the week's other new wide release, the far more anticipated "Detroit." The Kathryn Bigelow-directed docudrama is also the first release for an upstart distributor.
The first film distributed by Megan Ellison's Annapurna Pictures, "Detroit" debuted with a disappointing $7.3 million after a limited release last week. As a producer, Ellison, the Oracle heiress, has been behind some of the most acclaimed films in recent years, including "Foxcatcher" and "American Hustle."
"Detroit," the third collaboration between Bigelow and screenwriter Mark Boal ("The Hurt Locker," ''Zero Dark Thirty"), reimagines the terror-filled events around the Algiers Motel incident during the 1967 Detroit riots.
"We wish more people had showed up this weekend but we are really, really proud of the movie," said Erik Lomis, Annapurna's distribution chief. "The movie got an A-minus CinemaScore and the reviews have been spectacular."
Though hard-hitting, auteur-driven films are typically fall material, Annapurna timed the release of "Detroit" to the 50th anniversary of the riots. Lomis said the intention was to bring the film to as broad an audience as possible.
"We believe that smart audiences actually want and will see great movies all year round," he said.
In limited release, Taylor Sheridan's Indian reservation thriller "Wind River," starring Jeremy Renner, debuted with a strong per-screen average of $13,053 in four theaters. The Weinstein Co. release was written and directed by Sheridan, the screenwriter behind the Oscar-nominated "Hell or High Water."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters according to comScore. Where available, the latest international numbers also are included. Final domestic figures will be released Monday.
1. "The Dark Tower," $19.5 million ($8 million international).
2. "Dunkirk," $17.6 million ($25 million international).
3. "The Emoji Movie," $12.4 million ($12 million international).
4. "Girls Trip," $11.4 million ($1.7 million international).
5. "Kidnap," $10.2 million.
6. "Spider-Man: Homecoming," $8.8 million ($9.6 million international).
7. "Atomic Blonde," $8.2 million ($5 million international).
8. "Detroit," $7.3 million.
9. "War for the Planet of the Apes," $6 million ($31.5 million international).
10. "Despicable Me 3," $5.3 million ($21.2 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Wolf Warrior 2," $163 million.
2. "Once Upon a Time," $38 million.
3. "War for the Planet of the Apes," $31.5 million.
4. "A Taxi Driver," $25.2 million.
5. "Dunkirk," $25 million.
6. "Despicable Me 3," $21.2 million.
7. "The Emoji Movie," $12 million.
8. "Valerian and the City of a Thousand Planets," $11 million.
9. "Spider-Man: Homecoming," $9.6 million.
10. "Cars 3," $9.6 million.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More