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    Home » 40 Creatives From The U.S. Join D&AD Awards 2026 Jury

    40 Creatives From The U.S. Join D&AD Awards 2026 Jury

    By SHOOTThursday, February 5, 2026No Comments128 Views
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    D&AD Film Jury president Brent Anderson, global CCO of TBWA\Media Arts Lab

    Leading international experts from across agencies, indie studios and brands set to judge the competition

    LONDON --

    The jury for the 2026 D&AD Awards has been unveiled, consisting of leading creatives from more than 40 countries who will judge the very best in commercial creativity.

    For 2026, 40 creatives from the U.S. will join the international jury, including nine jury presidents, reflecting the country’s continued influence across design, craft and creative innovation. The lineup includes Rehanah Spence and Shannon Jager (OpenAI), Becca Morton (Pinterest), Ricardo Casal (GUT), Jonathan Santana (Johannes Leonardo), Daniel Lobaton (DAVID), Matt Sia (Pearlfisher) and Eden Yeung (Spotify), alongside senior creatives from Apple, Mother Design, Dazed and INNOCEAN.

    This year’s jury reflects the changing shape of the creative industry. For 2026, independent studios now make up around half of the jury, alongside an increased number of brand-side representatives, including creatives from global brands such as Lego, Unilever and adidas, reflecting the breadth of creative leadership today, spanning world-class agencies, brands and independent studios, while maintaining the rigorous standards for which D&AD is known.

    The D&AD Awards 2026 also reflect the organization’s provocation to the industry. In line with its recent Creativity is Alive manifesto, the D&AD Awards challenge creatives, brands and studios to demonstrate that creativity is alive through action, nurturing and making world-class work.

    The D&AD Awards return in May 2026, with live judging taking place from May 17-20 and winners announced on May 20. Running alongside this, the D&AD Festival will take place across the Southbank on May 19-20, featuring Insight Sessions exploring the work judges championed and challenged, the debates inside the jury rooms, and the themes and trends that emerged.

    The Festival will also include keynote talks curated by D&AD president Lisa Smith, alongside the Yellow Pencil Showcase, where the winning work for 2026 will be revealed and explored with insight from the jury presidents.

    This year, D&AD will also offer a number of free festival tickets to support creatives who have recently been made redundant, reinforcing its commitment to the creative community during a challenging period for the industry.

    The Black Pencil, D&AD’s highest honor, along with the President’s Award, individual rankings and Company of the Year, will be announced and celebrated separately in September.

    Across 46 categories, juries will assess work against the core principles that have defined D&AD for more than six decades: originality, craft and creative excellence. The judging process remains peer-led and focused on work that pushes the industry forward.

    In 2025, there were 501 winning entries from the U.S., reinforcing the country’s standing on the global creative stage.

    The current list of over 300 international judges can be found on the D&AD website with more to be added in the coming days.

    Donal Keenan, COO, D&AD, said, “As a global non-profit, D&AD exists to uphold creative standards for the industry. The awards are judged by creatives, for creatives and this year’s jury reflects the reality of how great work is made today, while maintaining the rigor and integrity that have defined D&AD for more than six decades.”

    Smith, D&AD president and Uncommon global chief design officer, said, “Creativity thrives when it’s actively supported, challenged and put into practice. This year’s jury brings together people who are deeply involved in making great work happen and who understand the responsibility that comes with recognizing and championing creative excellence.”

    D&AD Awards 2026 is now open for entry.

    Here is a full rundown of jurors and jury presidents from the U.S.:

    JURORS

    Art Direction
    Rehanah Spence
    Design Lead / Art Director, OpenAI

    Book Design
    Linda Huang
    Art Director, Penguin Random House

     

    New Brand Identity
    Alex Center
    Founder & Creative Director, CENTER

     

    Brand Identity Refresh
    Shannon Jager
    Design Director, OpenAI

     

    Brand Transformation
    Matt Sia
    Executive Creative Director, Pearlfisher

     

    Commerce
    Hope Nardini
    Global Executive Creative Director, Grey

     

    Creator Content
    Becca Morton
    Executive Creative Director, Pinterest

     

    Digital Marketing
    Ricardo Casal
    Chief Creative Officer, GUT

     

    Digital Experience Design
    Cheyney Robinson-Andre
    Product Design Executive & Consultant, Freelance

     

    Direction
    Michael Refuerzo
    Global Head of Production, Apple Beats by Dre

     

    Editing
    Mah Ferraz
    Co-Founder & Film Editor, Church Edit

     

    Editing
    L’Jai Brown
    Producer & Director, Omnicom Production

     

    Entertainment
    Jonathan Santana
    Chief Creative Officer, Johannes Leonardo

     

    Experiential: Activation & Participation
    Gio Serrano
    Creative Director, Translation

     

    Film
    Jason Sperling
    Chief Creative Officer, INNOCEAN USA

     

    Gaming & Virtual Worlds
    Daniel Lobaton
    Chief Creative Officer North America, DAVID

     

    Gaming & Virtual Worlds
    Jarell Thompson
    Vice President, Havas Play

     

    Graphic Design
    Alisa Wolfson
    EVP Head of Design, Leo Chicago

     

    Graphic Design
    Bruno Oppido
    Global Group Design Director, Wieden+Kennedy

     

    Health
    Angela Williams
    SVP, Group Creative Director, Fifth Element

     

    Illustration
    Veronica Padilla
    VP, Head of Design, Favorite Child/Betty

     

    Impact
    Gian Lanfranco
    Co-Founder & Chief Creative Officer, L&C

     

    Impact
    Kwame Taylor-Hayfor
    Founder, Kin

     

    Luxury
    Bunny Kinney
    Global Executive Creative Director, Dazed

     

    Radio & Audio
    Eden Yeung
    Creative Director, Spotify

     

    Type Design & Lettering
    Mark Sloan
    Head of Design, Mother Design

     

    Visual Effects
    Lez Rudge
    Head of Color & Group Creative Director, Prose on Pixels (Havas)

     

    Visual Effects
    Ajit Menon
    Visual Effects Supervisor, Arc Creative

     

    Writing for Advertising
    Kevin Mulroy
    Partner & Executive Creative Director, Mischief

     

    Writing for Advertising
    Olga Pope
    Creative Director, Freelance

     

    Writing for Design
    Talia Cotton
    Founder & Principal, Cotton

     

     

    D&AD JURY PRESIDENTS

    New Brand Identity
    Cat How
    Chief Executive Officer, Founder & Executive Creative Director, How&How

     

    Brand Identity Refresh
    Teemu Suviala
    Global Chief Creative Officer, Landor

     

    Cultural Influence
    Geoff Edwards
    Managing Director, Creative, GALE

     

    Digital Experience Design
    Teo Connor
    Vice President of Design, Airbnb

     

    Direct
    Danilo Boer
    Global Creative Lead & Partner, President of the Global Creative Council, McCann

     

    Film
    Brent Anderson
    Global Chief Creative Officer, TBWA\Media Arts Lab

     

    Health
    Eric Weisberg
    Global Chief Creative Officer, Havas Health

     

    Media
    Resh Sidhu
    Senior Global Director, Innovation & Marketing, Snap Inc.

     

    Music Videos
    child.
    Director, De La Revolución

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    Category:News
    Tags:D&AD Awards



    “F1,” “KPop Demon Hunters” and “The Pitt” Among Winners At Cinema Audio Society Awards

    Sunday, March 8, 2026
    Members of the CAS Award-winning sound mixing team on “F1” (l-r): Foley mixer Elizabeth Marston; ADR mixer Michael Miller CAS; re-recording mixer Gary A. Rizzo CAS; re-recording mixer Juan Peralta; and production sound mixer Gareth John

    The sound mixing team on F1 topped the live-action motion picture category at the 62nd Annual Cinema Audio Society (CAS) Awards on Saturday night (3/7) at the Beverly Hilton International Ballroom. The evening honored excellence in sound mixing across motion pictures, television, and non-fiction programming, with industry leaders and acclaimed filmmakers gathering to celebrate the art and craft of sound. KPop Demon Hunters won the animated motion picture competition while Becoming Led Zeppelin took the feature documentary honor. Television winners included The Pitt, The Studio and Adolescence. Hosted by comedian, actor, writer and producer Chris Hardwick, the ceremony recognized outstanding achievements across seven competitive categories, along with the presentation of three special honors: the CAS Career Achievement Award, the CAS Filmmaker Award, and the inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology. The CAS Career Achievement Award was presented by Benny Safdie to Academy Award®–winning re-recording mixer Skip Lievsay CAS (Gravity, No Country for Old Men, Roma). Academy Award®–winning director Guillermo del Toro (Frankenstein, The Shape of Water, Pan’s Labyrinth) was honored with the CAS Filmmaker Award, presented by Jon Favreau and Scott Gershin. Presenters throughout the evening included Jaimie Alexander, Eric André, Doug Jones, Kevin Nealon, Tig Notaro, Ron Perlman, Karolina Wydra, and “Weird Al” Yankovic. As previously announced, the Cinema Audio Society also presented the inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology, honoring transformative achievements in non-linear technology for sound recording, editing, and mixing.... Read More

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