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    Home » ABC News Spends “A Year in Uvalde”; Documentary Shares Stories of Survivors, Families of Shooting Victims

    ABC News Spends “A Year in Uvalde”; Documentary Shares Stories of Survivors, Families of Shooting Victims

    By SHOOTFriday, May 19, 2023Updated:Tuesday, May 14, 2024No Comments1638 Views
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    Abel Lopez, right, father of Xavier Lopez who was killed in the shootings in Uvalde, Texas, holds a banner honoring the victims after a Texas House committee voted to take up a bill to limit the age for purchasing AR-15 style weapons in the full House in Austin, Texas, Monday, May 8, 2023. For a year, ABC News kept a team in Uvalde. The result is a nuanced portrait of what happens over time to a suffering community, as seen in the two-hour documentary, “It Happened Here — A Year in Uvalde,” that airs first Friday on ABC and Saturday on Hulu. (AP Photo/Eric Gay, File)

    By David Bauder, Media Writer

    NEW YORK (AP) --

    After most mass shootings that capture the public's attention, national news organizations will send reporters for a few days, a week maybe, before moving on. There's always another community, another tragedy.

    ABC News tried something different after 19 elementary school students and two teachers were shot and killed in Uvalde, Texas, last May.

    The journalists stayed.

    For a year, ABC News kept a team in Uvalde. The result is a nuanced portrait of what happens over time to a suffering community, as seen in the two-hour documentary, "It Happened Here — A Year in Uvalde," that airs Friday on ABC and Saturday on Hulu.

    "What we discovered has been profoundly moving and inspiring and, we hope, useful," said ABC News President Kim Godwin.

    The story's richness is in the details: There are the children's rooms left undisturbed since May 24, 2022, the brush a parent can't give up because it contains a dead girl's hair, the survivor made upset by the sound of a block of ice being cracked, and the once-carefree boy who worries a lot. And we see a father who sits at his daughter's grave each night to talk to her.

    There are those who lived but deal every day with survivor's guilt, and there's the mother who torments herself for not letting her daughter come home with her after a morning awards assembly.

    ABC's idea was born out of a desire to bring something new to stories that have taken on a numbing familiarity.

    "I don't think that any community should be defined by a tragedy that befalls it," said Cindy Galli, executive producer of ABC's investigative unit.

    A core team of about a dozen people were assigned to the project, a significant commitment at a time when ABC News, like many other news organizations, is cutting staff. The team, with reporters John Quinones, Maria Elena Salinas and Mireya Villarreal, rotated in and out depending on other assignments.

    The project enabled the journalists to get to know community members and build trust by talking to them without cameras running all the time, she said.

    "One of the aspects of being in a small community is that we would run into people at Starbucks or the grocery store," Galli said. "They knew that we were there and knew that we were there for the long haul."

    That was important to families dealing with their grief, said Kimberly Rubio, whose daughter Lexi was killed in the attack. Rubio was featured in a segment early in the film, talking about how she uses time spent jogging to reflect upon what happened to her daughter.

    "It also helped that it wasn't different reporters all the time," Rubio said. "I had two that I worked with. It made it much easier for me to be vulnerable."

    The ABC team filed more than 200 stories during its time in Uvalde, Galli said. Their presence enabled them to break news, such as when Quinones got the first interview with a woman falsely accused of leaving a door open at the school that the killer used for access.

    Questions about why it took police more than an hour to enter the affected classrooms kept Uvalde in headlines longer than most mass shootings. ABC's access deepened the documentary's narrative retelling of the story, with recordings of a chilling 911 call from a trapped girl pleading for a police response to the gunman.

    "I had a pencil," said Arnie Reyes, a teacher injured that day whose recovery is followed by ABC. "It's not the same battle."

    The documentary talks about tensions in Uvalde between affected parents and people who supported school administrators and police. That aspect of the story points out a hole in ABC's reporting, although it's not necessarily their fault: The network had trouble getting people in law enforcement and their supporters to talk.

    Lexi's dad, Felix Rubio, eventually resigned his job as a deputy police officer, explaining that he couldn't go back to work with people who didn't rush into the school to try and save the children.

    The film also traces the growing activism of Kimberly Rubio and 10-year-old Caitlyne Gonzales in seeking legislation to prevent future school shootings.

    "There are vital details, nuances that are missed, when we as reporters parachute in and out" of a story, Quinones said.

    The extended assignment meshed with how Quinones likes to report such stories. He doesn't see the point of reporters trying to force themselves on people when they don't want to talk. There were times when he had to step away, like when a family he'd been talking to learned that their child might have survived if police had moved more quickly.

    The entire experience was eye-opening for the network, Galli said. Following the Uvalde team's lead, an ABC digital team is spending time in Buffalo, where 10 people were killed in a mass shooting, also in May 2022.

    Quinones, a Mexican American who grew up in nearby San Antonio, said the extended Uvalde assignment has been the most powerful story he's ever been involved in.

    "There's no doubt in my mind that this is the kind of story that will live with me forever," he said.

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    Category:News
    Tags:ABC NewsIt Happened Here--A Year in Uvalde



    Director Andzej Gavriss Joins Rogue For U.K. Representation

    Tuesday, May 12, 2026

    Rogue has added director Andzej Gavriss to its roster for representation in the U.K. spanning commercials, branded content and music videos. He had previously been repped in the U.K. market by Pulse Films.

    Gavriss brings to Rogue his distinctive, emotionally driven approach to storytelling. It’s an approach that's rooted in empathy and observation, drawing on the nuances of real people and lived experience to shape both narrative and performance.

    Gavriss’ standout projects include the UN Refugee Agency short film Uprooted, the music videos “You’re Born” for electronic hip-hop duo Aigel, and “We Will Become Better” for Russian band Sansara, and such commercials as “Aldi’s “Sweet Stuff” and World of Tanks’ “No Going Back.”

    “I’m driven by feeling,” said Gavriss. “Almost like a perfumer building a fragrance, I’m trying to create something that lingers, something that reaches people on a deeper level.

    “The technical and strategic side is something you develop over time. But the emotional instinct that’s the alchemy. That’s what drives me.”

    Gavriss’ work has earned multiple awards including Silver for Direction at Cannes Lions 2022, Bronze in Film at Cannes Lions 2022, Silver at Cannes Lions in 2020 as well as 2021, and Gold Screen at YDA 2020.

    Kate Taylor, partner and managing director at Rogue, commented, “I met Andzej a number of years ago when he won a Gold Screen at the YDAs in Cannes. I was impressed by him then, and I’m even more impressed by him now. His work is full of emotion with a clear point of view, he has a knack for capturing feeling and translating it into beautiful, cinematic work. He makes original and arresting images, and he’s got a head chock-... Read More

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