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    Home » “The Accountant” Tops Box Office Tally With $24.7 Million

    “The Accountant” Tops Box Office Tally With $24.7 Million

    By SHOOTSunday, October 16, 2016Updated:Tuesday, May 14, 2024No Comments2639 Views
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    In this image released by Warner Bros. Pictures, Ben Affleck appears in a scene from "The Accountant." (Chuck Zlotnick/Warner Bros. Pictures via AP)

    By Lindsey Bahr, Film Writer

    LOS ANGELES (AP) --

    Ben Affleck is still a box office draw outside of the bat suit.

    His new thriller "The Accountant" opened to a chart-topping $24.7 million this weekend, according to studio estimates Sunday. Gavin O'Connor directed the R-rated thriller, starring Affleck as an autistic mathematician. The film didn't play especially well with critics, but audiences, who were 58 percent male and 68 percent over the age of 35, gave it a promising "A'' CinemaScore.

    It's the continuation of what proves to be a long and fruitful partnership between Affleck and Warner Bros. Although "The Accountant," which cost a reported $40 million to produce, didn't quite hit the heights of "Gone Girl's" $37.5 million opening, it is in the range of some of his other R-rated fall openings with the studio. "Argo," for instance, launched to $19.5 million in 2012, and "The Town," took in $23.8 million in 2010.

    "The Accountant" also far-surpassed Warner Bros.' early predictions for the film, which had it in the $15 to $20 million range.

    "We're in the Ben Affleck business, and we're proud of it. We've had a lot of movies with him, and we have a lot of movies coming up with him," said Jeff Goldstein, Warner Bros. president of domestic distribution. "Audiences just love him."

    Affleck's mob drama "Live By Night," which he wrote, directed and stars in, opens on Christmas. He also has the DC comics films with the studio.

    The weekend's other new star-driven project, "Kevin Hart: What Now?" narrowly took second place over last week's champ "The Girl on the Train." The Kevin Hart concert film, which Universal Pictures distributed, took in $11.98 million. The comedian's 2013 concert film "Kevin Hart: Let Me Explain" opened to a similar $10 million in 2013.

    "We love Kevin Hart and we love our association with him. This is our fourth collaboration with him this year alone," said Nick Carpou, Universal's president of domestic distribution. "He is tireless in the way that he promotes his projects and the way that he's always working. It's really a pleasure to be part of it."

    In third place, "The Girl on the Train" netted $11.975 million for Universal, bringing its domestic total to $46.6 million. With such a minuscule difference, the Universal films could easily switch places when final numbers come in on Monday.

    Holdovers "Miss Peregrine's Home For Peculiar Children" and "Deepwater Horizon" rounded out the top five with $8.9 million and $6.4 million, respectively.

    The weekend's other new opener, the Mattel-inspired "Max Steel," bombed with only $2.2 million. Open Road distributed the film starring Ben Winchell, which currently has a zero percent on Rotten Tomatoes.

    Overall, the year is still up 3.5 percent, but the fall season is down from last year, according to box office tracker comScore.

    "In the wake of the summer season, the fall always seems a little slow. This year is sort of typical in that way. We haven't had an October breakout hit like we had with 'Gravity' and 'The Martian,'" said Paul Dergarabedian, comScore's senior media analyst. So far, the fall's top-grossing film is "Sully," which has grossed $118.4 million to date.

    "I'm thinking we're going to have a renaissance at the box office in a week or two and things could turn around," he added, noting big upcoming films like "Jack Reacher: Never Go Back," ''Doctor Strange," and "Fantastic Beasts and Where to Find Them."

    Internationally, "Inferno," starring Tom Hanks, opened in 53 territories to $50 million in advance of its North American release on Oct. 28.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

    1. "The Accountant," $24.7 million ($2.8 million international).

    2."Kevin Hart: What Now?" $11.98 million.

    3."The Girl on the Train," $11.975 million ($7.8 million international).

    4."Miss Peregrine's Home for Peculiar Children," $8.9 million ($23.5 million international).

    5."Deepwater Horizon," $6.4 million ($4.2 million international).

    6."Storks," $5.6 million ($10.6 million international).

    7."The Magnificent Seven," $5.2 million ($3.5 million international).

    8."Middle School: The Worst Years of My Life," $4.3 million.

    9."Sully," $3 million ($1.3 million international).

    10."The Birth of a Nation," $2.7 million.

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:

    1. "Inferno," $50 million.

    2. "Miss Peregrine's Home for Peculiar Children," $23.5 million.

    3. "Operation Mekong," $21 million.

    4. "The BFG," $13.5 million.

    5. "Luck-Key" $12.6 million.

    6. "Storks," $10.6 million.

    7. "Bridget Jones's Baby," $10.4 million.

    8. "The Girl on the Train," $7.8 million.

    9. "I Belonged to You," $7 million.

    10. "Finding Dory," $6.4 million.

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    Category:News
    Tags:Ben Affleckbox officeThe Accountant



    Director Juliana Curi Joins Honor Society x MacGuffin

    Monday, January 12, 2026

    Juliana Curi, a Brazilian director who gained her first U.S. representation in 2019 when she joined Honor Society, has now returned to the company which has since evolved into Honor Society x MacGuffin. The move also marks her return to the U.S. market after spending considerable time honing her skills and creative vision internationally.

    Curi traveled extensively, developing projects across different cultures--which established her multicultural and global signature. The most significant milestone was her feature-length directorial debut, Uýra - The Rising Forest. Shot in the Amazon, Uýra captivated audiences worldwide, reaffirming that an authentic point of view and emotional resonance remain at the core of Curi’s craft.

    The film has been showcased at venues including the Barbican in London, BAM in Brooklyn, Fondazione Prada in Milan, and the DGA Theater in Los Angeles, and earned awards recognition, including a GLAAD Media Award nomination for Outstanding Documentary, a Special Programming Award win at LA Outfest, and the London Film Week Jury Prize. Watching a story born in the Amazon resonate with audiences around the world--from New York to Geneva--affirmed her storyteller’s path: creating work that is culturally grounded, emotionally truthful, and globally relevant.

    The director’s experience creating Uýra further developed her storytelling, craft, and emotional architecture instincts, which then enriched the way she directs for brands--especially in collaborative branded content environments working directly with agencies. The film allowed her to approach commercial and branded content with a deeper narrative maturity, and challenged a long-held segmentation: that socially driven narratives can’t... Read More

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