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    Home » ACE Eddie Award Noms Include “The Irishman,” “Joker,” “Parasite,” “The Farewell”

    ACE Eddie Award Noms Include “The Irishman,” “Joker,” “Parasite,” “The Farewell”

    By SHOOTWednesday, December 11, 2019Updated:Tuesday, May 14, 2024No Comments3397 Views
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    "Parasite" editor Jinmo Yang

    "Chernobyl," "Fleabag," "Russian Doll," "When They See Us" among TV nominees for Outstanding Editing

    LOS ANGELES --

    American Cinema Editors (ACE), the honorary society of the world’s top film editors, unveiled nominations for the 70th Annual ACE Eddie Awards recognizing outstanding editing in 11 categories of film, television and documentaries. 

    For the first time in ACE’s 70-year history, three foreign language films are among the nominees including The Farewell, I Lost My Body and Parasite, despite there not being a specific category for films predominantly in a foreign language. 

    Dramas nominated for Best Edited Feature Film are Ford v Ferrari, The Irishman, Joker, Marriage Story and Parasite.

    Comedies up for Best Edited Feature are Dolemite is My Name, The Farewell, Jojo Rabbit, Knives Out and Once Upon a Time….in Hollywood.

    Nominations in the TV categories span such shows as Barry, Chernobyl, Fleabag, Killing Eve, Russian Doll, Watchmen and When They See Us.

    Winners will be revealed during ACE’s annual black-tie awards ceremony on Friday, Jan. 17 in the International Ballroom of the Beverly Hilton Hotel and will be presided over by ACE president, Stephen Rivkin, ACE. Final ballots open Dec. 16 and close on Jan. 6.  
     
    NOMINEES FOR THE 70th ANNUAL ACE EDDIE AWARDS:
     
    BEST EDITED FEATURE FILM (DRAMA):

    Ford v Ferrari
    Michael McCusker, ACE & Andrew Buckland
     
    The Irishman
    Thelma Schoonmaker, ACE
     
    Joker 
    Jeff Groth
     
    Marriage Story
    Jennifer Lame, ACE
     
    Parasite
    Jinmo Yang
     

    BEST EDITED FEATURE FILM (COMEDY):
    Dolemite is My Name
    Billy Fox, ACE
     
    The Farewell
    Michael Taylor & Matthew Friedman
     
    Jojo Rabbit
    Tom Eagles
     
    Knives Out
    Bob Ducsay
     
    Once Upon a Time in Hollywood
    Fred Raskin, ACE
     
     
    BEST EDITED ANIMATED FEATURE FILM:
    Frozen 2
    Jeff Draheim, ACE
     
    I Lost My Body
    Benjamin Massoubre
     
    Toy Story 4
    Axel Geddes, ACE
     
     
    BEST EDITED DOCUMENTARY (FEATURE):
    American Factory
    Lindsay Utz
     
    Apollo 11
    Todd Douglas Miller
     
    Linda Ronstadt: The Sound of My Voice
    Jake Pushinsky, ACE & Heidi Scharfe, ACE
     
    Making Waves: The Art of Cinematic Sound
    David J. Turner & Thomas G. Miller, ACE
     
     
    BEST EDITED DOCUMENTARY (NON-THEATRICAL):
    Abducted in Plain Sight
    James Cude
     
    Bathtubs Over Broadway
    Dava Whisenant
                
    Leaving Neverland
    Jules Cornell
     
    What’s My Name: Muhammad Ali
    Jake Pushinsky, ACE
     
     
    BEST EDITED COMEDY SERIES FOR COMMERCIAL TELEVISION:
    Better Things: “Easter”
    Janet Weinberg, ACE
     
    Crazy Ex-Girlfriend: “I Need To Find My Frenemy” 
    Nena Erb, ACE
     
    The Good Place: “Pandemonium” 
    Eric Kissack
     
    Schitt’s Creek: “Life is a Cabaret”
    Trevor Ambrose
     
     
    BEST EDITED COMEDY SERIES FOR NON-COMMERCIAL TELEVISION:
    Barry: “berkman > block”
    Kyle Reiter, ACE
     
    Dead to Me: “Pilot”
    Liza Cardinale
     
    Fleabag: “Episode 2.1”
    Gary Dollner, ACE
     
    Russian Doll: “The Way Out”
    Todd Downing
     
     
    BEST EDITED DRAMA SERIES FOR COMMERCIAL TELEVISION: 

    Chicago Med: “Never Going Back To Normal”
    David J. Siegel, ACE
     
    Killing Eve: “Desperate Times”
    Dan Crinnion
     
    Killing Eve: “Smell Ya Later”
    Al Morrow
     
    Mr. Robot: “401 Unauthorized”
    Rosanne Tan, ACE 
     
    BEST EDITED DRAMA SERIES FOR NON-COMMERCIAL TELEVISION:
    Euphoria: “Pilot””
    Julio C. Perez IV
     
    Game of Thrones: “The Long Night”
    Tim Porter, ACE
     
    Mindhunter: “Episode 2”
    Kirk Baxter, ACE
      
    Watchmen: “It’s Summer and We’re Running Out of Ice”
    David Eisenberg
     
     
    BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
    Chernobyl: “Vichnaya Pamyat”
    Jinx Godfrey & Simon Smith
     
    Fosse/Verdon: “Life is a Cabaret”
    Tim Streeto, ACE
     
    When They See Us: “Part 1”
    Terilyn A. Shropshire, ACE
     
     
    BEST EDITED NON-SCRIPTED SERIES:
    Deadliest Catch: “Triple Jeopardy”
    Ben Bulatao, ACE, Rob Butler, ACE, Isaiah Camp, Greg Cornejo, Joe Mikan, ACE
     
    Surviving R. Kelly: “All The Missing Girls”
    Stephanie Neroes, Sam Citron, LaRonda Morris, Rachel Cushing, Justin Goll, Masayoshi Matsuda, Kyle Schadt
     
    VICE Investigates: “Amazon on Fire”
    Cameron Dennis, Kelly Kendrick, Joe Matoske, Ryo Ikegami

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    Category:News
    Tags:ACE Eddie AwardsAmerican Cinema EditorsParasiteThe FarewellThe Irishman



    Director Dylan Bradshaw Joins PARAGON For Commercials and Branded Content

    Monday, November 17, 2025

    Production studio PARAGON has added director Dylan Bradshaw to its roster for advertising and branded content collaborations. Bradshaw is a next-gen director blending cinematic storytelling with viral internet culture. He broke out after teaming with co-director Nate Norell to win the 2025 Doritos Crash The Super Bowl contest with “Abduction.” The self-funded spot made its mark, reaching a mega Super Bowl audience and gaining industry recognition. “Dylan represents the new wave of filmmaking we’re most excited about, where cinema and internet culture blur together with precision and next-gen creativity,” commented PARAGON founder/executive producer Jack Linderman. “He’s fearless, curious, and constantly pushing what storytelling can be. Partnering with directors like Dylan keeps us sharp and inspired, and we’re looking forward to what we’ll create together.” Born and raised in Columbus, Ohio, Bradshaw grew up with a passion for storytelling inspired by filmmakers like Steven Spielberg and George Lucas. Encouraged to pursue storytelling with unrestricted imagination, Bradshaw directed projects from a young age, finding joy in bringing people together in the creative process. Witnessing the emergence of YouTube creators--“overly caffeinated people like me who love creating films with their friends”--he was inspired to follow suit in his own way. Moving to Los Angeles, Bradshaw became a director at King Studio, home of TikTok’s most-viewed video. He went on to direct global campaigns for brands like CeraVe, the NFL, and PepsiCo, with work featuring Tom Brady, MrBeast, and Charli D’Amelio. Bradshaw then harnessed this experience as an independent director and was thrust into the creative spotlight with the Doritos Crash The Super Bowl... Read More

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