By Hilary Fox
"Grey's Anatomy" has long championed women's rights and female leadership on and offscreen — not only does the long-running hospital drama cover contentious topics like abortion, but it also offers women on the show a chance to expand their roles behind the scenes.
Kim Raver is the latest cast member in that spotlight, playing both the new hospital chief in front of the camera and a first-time director behind it. Raver, who portrays surgeon Teddy Altman, has directed "Training Day," an episode airing Thursday with a storyline that discusses reproductive rights.
This season, the series has not shied away from addressing the conflict between anti-abortion and abortion-rights advocates stirred up by the overturning of Roe v. Wade last June, and the resulting change in abortion access. At the start of season 19, the gynecology staff at Grey Sloan Memorial swapped from pink scrubs to black, as one character explained: "the female body has become a war zone in this country and pink is a peacetime color."
"I feel fortunate that we can bring these stories to light. They're not easy," Raver said in a recent interview.
She believes that show creator Shonda Rhimes has always had the power to deliver hot topics — "hot not like trendy but hot that kind of ignite very extreme feelings on both sides."
Then the audience is left to decide for themselves how they feel.
"That's really important in storytelling and that we have that, that we have that freedom to approach different uncomfortable storylines where we're all bound to, you know, disagree," Raver said. "But I think it's discussions that we need to have."
For the actor, directing is the accumulation of over three years' work shadowing directors on set and being mentored by actor, director and executive producer Debbie Allen, who plays Catherine Fox.
"There's this thing that we say on 'Grey's' in terms of in medicine, 'see one, do one' and that's what doctors do, right? That's what the interns do with the attendings," Raver explained. "There are many women doing many different roles on set. So 'see one, be one,' right? I see other female directors, I see female editors, I see female boom operators, I see female camera operators and female DPs."
She said that the feeling of possibility is fostered by showrunners, executives, writers and producers of "Grey's" like Allen, Rhimes, Betsy Beers, Krista Vernoff and Meg Marinis, which Raver appreciates after coming up in a time when she says female performers were expected to "stay in that lane."
"It wasn't like, 'Oh, well, you know … let's give her a tiny little episode and see,'" she said. "They gave me a huge episode with like two stunts, a birth … (guest star) Kate Walsh came back. It was massive. And all the while they were like, 'You've got this. We know you can do it.'"
Not only is the actor calling the shots on set as director, she is also running things in the show, as Altman is the new chief of surgery at Grey Sloan Memorial.
She takes over as boss from Meredith Grey, the woman who has been at the heart of the hospital series for nearly two decades. As star Ellen Pompeo stepped back from the show, her character moved to Boston.
Raver doesn't see huge changes happening with both Pompeo's departure (she stays an executive producer and possible guest star) and showrunner Vernoff leaving at the end of this season, as the majority of the team who work on the show will remain.
Raver laughs off the suggestion of taking over Meredith's iconic voiceovers or rebranding the show as "Altman's Anatomy," calling it an ensemble series — although she is enjoying being in charge.
"It is really fun being chief," Raver says. "That's a really fun thing to explore of what is it being a woman kind of leading the troops and juggling motherhood and work and also still being a surgeon and wife and friend."
"How do you want to be a leader?"
Apple’s “Fuzzy Feelings” Wins Primetime Commercial Emmy Award
Apple’s “Fuzzy Feelings” won the primetime commercial Emmy this evening (9/7) during the first of two Creative Arts Emmy Awards ceremonies being held this weekend in the Peacock Theater at LA Live. The yuletide film out of TBWAMedia Arts Lab was directed by Lucia Aniello via Hungry Man in tandem with stop-motion animator Anna Mantzaris of Passion Pictures.
“Fuzzy Feelings” introduces us to an office worker by day and stop-motion artist by night. As an employee, she works for a boss whom she’s grown to hate. So at night, her stop-motion creations put him in dire straits. The young woman makes her stop-motion fare by deploying the iPhone 15 Pro camera and a MacBook Air with M2 to edit it. However, when the woman's day job takes a turn and she starts to see her boss in another light, so too do her stop-motion endeavors as we see the value of working towards a kinder world, and what better time to start than during the holiday season?
Director Aniello is no stranger to the Emmy proceedings. As creator of the HBO Max series Hacks, she has won two Emmys (writing and directing) as well as a DGA Award. This year she is nominated for three more Emmys on the strength of Hacks--Outstanding Comedy Series as well as writing and directing for a comedy series.
This marks the second straight year that an Apple film has won the coveted primetime commercial Emmy. Back in January 2024, Apple’s “The Greatest,” directed by Kim Gehrig of Somesuch, came away with the Emmy.
This time around, “Fuzzy Feelings” topped a field of nominated commercials consisting of: Apple’s “Album Cover” from Apple’s in-house creatives and directed by David Shane of O Positive; Uber One | Uber Eats’ “Best Friends,” also... Read More