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    Home » AFI Awards Releases Selections For The Year’s 10 Best Movies and 10 Best TV Programs

    AFI Awards Releases Selections For The Year’s 10 Best Movies and 10 Best TV Programs

    By SHOOTThursday, December 4, 2025No Comments115 Views
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    Oscar Isaac as Victor Frankenstein in a scene from "Frankenstein" (photo courtesy of Netflix)
    LOS ANGELES --

    The American Film Institute (AFI) has unveiled the AFI Awards 2025 honorees. The recipients include 10 outstanding motion pictures and 10 outstanding television programs deemed culturally and artistically representative of this year’s most significant achievements in the art of the moving image.

    THE AFI MOTION PICTURES OF THE YEAR 

    AVATAR: FIRE AND ASH

    BUGONIA

    FRANKENSTEIN

    HAMNET

    JAY KELLY

    MARTY SUPREME

    ONE BATTLE AFTER ANOTHER

    SINNERS

    TRAIN DREAMS

    WICKED: FOR GOOD

     

    AFI TELEVISION PROGRAMS OF THE YEAR

    ADOLESCENCE

    ANDOR

    DEATH BY LIGHTNING

    THE DIPLOMAT

    THE LOWDOWN

    THE PITT

    PLUR1BUS

    SEVERANCE

    THE STUDIO

    TASK

     

    AFI SPECIAL AWARD

    IT WAS JUST AN ACCIDENT

     

    “For more than a quarter of a century, AFI AWARDS has held the flag high for community without competition,” said Bob Gazzale, AFI president and CEO. “It is AFI’s honor to celebrate these creative ensembles as one, as together they have proved the power of art in challenging times.”

    Honorees will gather and be recognized on Friday, January 9, 2026, at the annual AFI Awards private luncheon at the Four Seasons Hotel Los Angeles at Beverly Hills–an event favored by the entertainment community for its informal intimacy and its inclusive acknowledgement of excellence.

    AFI Awards celebrates film and television arts’ collaborative nature and is the only national program that honors creative teams as a whole, recognizing those in front of and behind the camera. All of the honored works advance the art of the moving image, inspire audiences and artists alike and enhance the rich cultural heritage of America’s art form. When placed in a historical context, these stories provide a complex and rich visual record of our modern world.

    AFI Awards selections are made through a jury process where AFI Trustees, artists, critics and scholars determine the year’s most outstanding achievements and provide artistic and cultural context for the selection of each honoree.

    This year’s juries–one for motion pictures and one for television–included artists Lily Gladstone, Lauren LeFranc, Patton Oswalt and Thomas Schlamme; scholars Mark Harris, Leonard Maltin and more from Syracuse University, the University of Southern California, the University of California, Los Angeles and the University of California, Santa Cruz; members of the AFI Board of Trustees; critics Ann Hornaday, Janet Maslin, Peter Travers and others from TV Guide, Vanity Fair and more. The juries were chaired by AFI Board of Trustees member Jeanine Basinger (chair emerita and founder of the Film Studies Department, Wesleyan University) and AFI Board of Trustees vice chair Richard Frank (former chairman of Walt Disney Television, president of Walt Disney Studios, president of the Academy of Television Arts and Sciences).

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    Category:News
    Tags:AFI AwardsAmerican Film Institute



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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