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    Home » AFI DOCS Sets Special Screenings Lineup, Opening & Closing Films

    AFI DOCS Sets Special Screenings Lineup, Opening & Closing Films

    By SHOOTThursday, May 9, 2019Updated:Tuesday, May 14, 2024No Comments8489 Views
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    A scene from "Raise Hell: The Life & Times Of Molly Ivins" (courtesy of AFI DOCS/New York Times)
    WASHINGTON, D.C. --

    AFI DOCS, the American Film Institute’s annual documentary celebration in the nation’s capital, has announced the Opening and Closing Night films as well as the Special Screenings for its 17th annual edition.  

    AFI DOCS 2019 will open with the world premiere of HBO’s True Justice: Bryan Stevenson’s Fight For Equality, directed by Peter Kunhardt, George Kunhardt and Teddy Kunhardt, and will close with Raise Hell: The Life & Times Of Molly Ivins, directed by Janice Engel. AFI DOCS runs June 19–23, 2019, in Washington, DC, and Silver Spring, MD.

    This year’s program also includes five Special Screenings: Sea of Shadows, Chasing The Moon, American Factory, Toni Morrison: The Pieces I Am and Ruth–Justice Ginsburg In Her Own Words.

    “We found ourselves this year with a wealth of powerful films focused on the most intriguing individuals, from a crusader for justice in Alabama to a brazen political commentator in Texas,” said Michael Lumpkin, director of AFI Festivals. “We are thrilled to invite our audiences to share in the extraordinary journeys of Bryan Stevenson and Molly Ivins, two unique personal portraits that also explore the society in which we all live.”

    The Opening Night screening of True Justice: Bryan Stevenson’s Fight For Equality will be held on June 19 at the National Archives’ McGowan Theater and will be followed by a Q&A with subject Stevenson.  The film is an intimate portrait of Mr. Stevenson–founder and executive director of the Equal Justice Initiative in Montgomery, Alabama–who has dedicated his life to helping the poor, the incarcerated and the condemned.

    The Closing Night screening of Raise Hell: The Life & Times Of Molly Ivins  will be held on June 23 at the Navy Memorial’s Burke Theater and will feature a Q&A with director Engel.  The film tells the story of Ivins, six feet of Texas trouble who took on “good old boy” corruption wherever she found it.

    AT&T is returning as presenting sponsor of AFI DOCS for a sixth straight year.

    Here’s a rundown of the AFI DOCS lineup:

    OPENING NIGHT SCREENING

    TRUE JUSTICE: BRYAN STEVENSON’S FIGHT FOR EQUALITY:  DIRS & PRODS Peter Kunhardt, George Kunhardt and Teddy Kunhardt.  USA.  Bryan Stevenson, Founder and Executive Director of the Equal Justice Initiative in Montgomery, Alabama, has dedicated his life to helping the poor, the incarcerated and the condemned.  He and his staff have won reversals, relief or release for more than 140 wrongly condemned prisoners on death row.  World Premiere.

    CLOSING NIGHT SCREENING

    RAISE HELL: THE LIFE & TIMES OF MOLLY IVINS:  DIR Janice Engel.  PRODS James Egan, Janice Engel and Carlisle Vandervoort.  USA.  Molly Ivins was six feet of Texas trouble.  RAISE HELL illustrates how both sides of the political aisle were engaged and enraged by her sharp commentary and her understanding that “polarizing people is a good way to win an election and good way to wreck a country.”

    SPECIAL SCREENINGS

    SEA OF SHADOWS:  DIR Richard Ladkani.  PRODS Walter Köhler and Wolfgang Knöpfler.  Austria.  Featuring everything from Mexican drug cartels to the Chinese Mafia, this environmental thriller is every bit as gripping as any pulp novel but with real world consequences for the imperiled vaquita (the world’s smallest whale) and for local fisherman in the Sea of Cortez. With fewer than 10 vaquita left in the world, time is running out.

    CHASING THE MOON:  DIR & PROD Robert Stone.  USA.  This World Premiere utilizes a visual feast of previously overlooked and “lost” archival material to reimagine the race to the moon for a new generation, upending much of the conventional mythology surrounding the effort.  World Premiere.

    AMERICAN FACTORY:  DIRS Steven Bognar and Julia Reichert.  PRODS Steven Bognar, Julia Reichert, Jeff Reichert and Julie Parker Benello.  USA.  This riveting story highlights the clash of cultures at a shuttered GM plant in Dayton, Ohio, which has been reborn as an auto glass factory owned by a giant Chinese company.

    TONI MORRISON: THE PIECES I AM:  DIR Timothy Greenfield-Sanders.  PRODS Timothy Greenfield-Sanders, Johanna Giebelhaus, Chad Thompson and Tommy Walker.  USA.  The legendary writer reflects on her life and career through the themes of history, art, literature and race.

    RUTH – JUSTICE GINSBURG IN HER OWN WORDS:  DIR Freida Lee Mock.  PRODS Freida Lee Mock and Meghan Hooper.  USA.  Relying on Ruth Bader Ginsburg’s own words, as illuminated by carefully culled archival footage and interviews, Academy Award®-winning filmmaker Freida Lee Mock crafts an intimate profile that covers the full breadth of Ginsburg’s life, views and career.  Furthermore, Mock succeeds in creating a compelling portrait as authentic, poignant and powerful as the Justice herself.  World Premiere.

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    Category:News
    Tags:AFI DOCSAmerican Film InstituteRaise Hell: The Life & Times Of Molly IvinsTrue Justice: Bryan Stevenson's Fight For Equality



    Location Lensing In L.A. Declines In 2025

    Thursday, January 15, 2026

    FilmLA Research has issued a report on regional filming activity in 2025 as well as for Q4 of that year (October-December). And while there was improvement during that three-month period as compared to the previous quarter, it wasn’t enough to save the bottom line for 2025.

    On-location production activity for the Q4 of ‘25 totaled 4,625 shoot days (SD), a 5.6 percent increase from the prior quarter (July-September, at 4,380 SD). Overall, 2025 finished with an annual total of 19,694 SD, a number 16.1 percent below the 2024 total (at 23,480 SD).

    “While the year-end numbers are disappointing, they are not unexpected,” said FilmLA VP of integrated communications Philip Sokoloski. “FilmLA has consistently projected that the full effect of the expanded Film and Television Tax Credit Program would take time to materialize, and although our overall numbers remain low, there are dozens of incentivized projects that have yet to begin filming. We were pleased to see that a majority of the incentivized project shoot days in the feature film category were for independent films, and we look forward to continuing to support productions of all sizes as they kick off early in the New Year.”

    Since the expanded California Film & TV Tax Credit Program went into effect last July, 119 projects have been awarded incentives. The most recent allocation round, held in early December, awarded credits to 28 film projects, many of which will be made in Greater Los Angeles. All approved productions have 180 days to start production after receiving their incentive award. Incentivized projects accounted for approximately 13 percent of all Film and TV shoot days in Q4.

    “FilmLA is grateful to have had the opportunity to meet with independent... Read More

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