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    Home » AFI Fest Sets Full Slate Of Red Carpet Galas

    AFI Fest Sets Full Slate Of Red Carpet Galas

    By SHOOTTuesday, September 20, 2022Updated:Tuesday, May 14, 2024No Comments1552 Views
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    A scene from "Bardo, False Chronicles of a Handful of Truths"

    Lineup: "Bardo," "Pinocchio," "Is That Black Enough For You!?," "Living," "She Said," "The Son"

    LOS ANGELES --

    The American Film Institute (AFI) announced six Red Carpet premiere films that will screen at AFI Fest 2022, November 2-6. The films include: Bardo, False Chronicle of a Handful of Truths, directed by Academy Award®-winning director Alejandro González Iñárritu; the U.S. premiere of Guillermo del Toro’s Pinocchio, directed by Academy Award-winning director Guillermo del Toro and Emmy Award® winner Mark Gustafson; Is That Black Enough For You!?, directed by Elvis Mitchell; Living, directed by Oliver Hermanus; She Said, directed by Emmy Award-winning director Maria Schrader; and The Son, directed by Academy Award winner Florian Zeller. All films will screen at the historic TCL Chinese Theatre.

    “Now is the time to open our hearts and minds to stories on the big screen,” said Bob Gazzale, AFI president and CEO. “AFI is honored to gather audiences and artists in the heart of Hollywood to experience the work of these master storytellers.”

    AFI Fest 2022 will take place exclusively in person in Los Angeles from November 2-6. Tickets and passes to AFI Fest 2022 will be available to AFI members starting October 3 and to the general public starting October 4.

    The world premiere of Apple Original Film’s Selena Gomez: My Mind and Me will open the festival and the U.S. premiere of Universal Pictures’ and Amblin Entertainment’s The Fabelmans, directed by AFI Life Achievement Award recipient and Academy Award-winning director Steven Spielberg, will close AFI Fest 2022.

    The Films
    Here’s a rundown of the Red Gala films (in order of screening dates):

    BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS
    Five-time Academy Award winner Alejandro González Iñárritu brings us Bardo, False Chronicle of a Handful of Truths. Bardo is an epic, visually stunning and immersive experience set against the intimate and moving journey of Silverio, a renowned Mexican journalist and documentary filmmaker living in Los Angeles, who returns to his native country, unaware that this simple trip will push him to an existential limit. The folly of his memories and fears have decided to pierce through the present, filling his everyday life with a sense of bewilderment and wonder. Mexican actor Daniel Giménez Cacho plays Silverio Gama in an indelible performance. Shot on 65mm by Academy Award nominee Darius Khondji and written by Iñárritu and Nicolás Giacobone, Bardo marks Iñárritu’s first film to be shot in Mexico since 2000’s international sensation Amores Perros. The film features production design by the Oscar-winning Mexican designer Eugenio Caballero and costume design by Anna Terrazas. Cast includes Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid and Iker Solano.

    Bardo, False Chronicle of a Handful of Truths will screen on Thursday, November 3. 

    IS THAT BLACK ENOUGH FOR YOU?!?
    From celebrated writer and film historian Elvis Mitchell, Is That Black Enough For You!? is both a documentary and deeply personal essay. The film examines the craft and power of cinema from a perspective often overlooked: the African American contribution to films released from the landmark era of the ‘70s. It is a deep dive into the impact that point of view had on movies, as well as popular culture, and serves as a love letter to film, posing questions that have never been asked, let alone answered. Crucial artistic voices, including director Charles Burnett, Samuel L. Jackson, Whoopi Goldberg, Laurence Fishburne, Zendaya and others, offer their distinctive prism on the creators and films that dazzled and inspired. The film provides insight into the history of Black representation going back to the earliest days of cinema, and the cultural impact of witnessing unapologetic Blackness. Produced by Steven Soderbergh, David Fincher, Angus Wall and Ciara Lacy, Is That Black Enough For You!? marks Mitchell’s directorial debut.

    Is That Black Enough For You!? will screen on Friday, November 4.

     

    SHE SAID
    Two-time Academy Award nominee Carey Mulligan and Zoe Kazan star as New York Times reporters Megan Twohey and Jodi Kantor, who together broke one of the most important stories in a generation — a story that helped propel the #Metoo movement, shattered decades of silence around the subject of sexual assault in Hollywood and altered American culture forever. The film is based on The New York Times investigation by Jodi Kantor, Megan Twohey and Rebecca Corbett and The New York Times bestseller “She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement“ by Kantor and Twohey. The film costars Oscar nominee Patricia Clarkson, Emmy winner Andre Braugher and Tony winner Jennifer Ehle, with Academy Award nominee Samantha Morton. She Said is directed by Emmy winner Maria Schrader from a screenplay by Rebecca Lenkiewicz and produced by Academy Award winners Dede Gardner and Jeremy Kleiner for Plan B Entertainment. The film is executive produced by Oscar winner Brad Pitt and Lila Yacoub and by Oscar nominee Megan Ellison and Sue Naegle for Annapurna Pictures. Universal Pictures presents an Annapurna & Plan B production.

    She Said will screen on Friday, November 4. 

     

    THE SON
    A drama that follows a family as it struggles to reunite after falling apart, The Son centers on Peter (Hugh Jackman), whose hectic life with his infant and new partner Beth (Vanessa Kirby) is upended when his ex-wife Kate (Laura Dern) appears with their son Nicholas (Zen McGrath), who is now a teenager. The young man has been missing from school for months and is troubled, distant and angry. Peter strives to take care of Nicholas as he would have liked his own father to have taken care of him while juggling work, his and Beth’s new son, and the offer of his dream position in Washington. However, by reaching for the past to correct its mistakes, he loses sight of how to hold onto the Nicholas in the present. The film is directed by Academy Award winner Florian Zeller and was written by Zeller and Academy Award winner Christopher Hampton.

    The Son will screen on Saturday, November 5.

     

    GUILLERMO DEL TORO’S PINOCCHIO
    Academy Award-winning director Guillermo del Toro and Emmy Award-winning stop-motion legend Mark Gustafson reimagine the classic Carlo Collodi tale of the fabled wooden boy with a whimsical tour de force that finds Pinocchio on an enchanted adventure that transcends worlds and reveals the life-giving power of love. The cast includes Ewan McGregor, David Bradley, Gregory Mann, Finn Wolfhard, Cate Blanchett, John Turturro, Ron Perlman, Tim Blake Nelson, Burn Gorman, Christoph Waltz and Tilda Swinton.

    Guillermo del Toro’s Pinocchio will screen on Saturday, November 5.

     

    LIVING
    1953. A London shattered by WWII is still recovering. Williams (Bill Nighy), a veteran civil servant, is an impotent cog within the city’s bureaucracy as it struggles to rebuild. Buried under paperwork at the office, lonely at home, his life has long felt empty and meaningless. Then a shattering medical diagnosis forces him to take stock – and to try and grasp fulfillment before it goes beyond reach. At a seaside resort, chaperoned by a local decadent (Tom Burke), he flirts with hedonism before rejecting it as his solution. Back in London, he finds himself drawn to the natural vitality of Margaret (Aimee Lou Wood), a young woman who once worked under his supervision and is now determined to spread her wings. Then one evening he is struck by a revelation – one as simple as it is profound – and with a new energy, and the help of Peter (Alex Sharp), an idealistic new recruit to his department, he sets about creating a legacy for the next generation. Living is a reimagining of Akira Kurosawa’s Ikiru and is directed by Oliver Hermanus from a script by Kazuo Ishiguro (author of the novels “The Remains of The Day” and “Never Let Me Go”). The film is produced by Stephen Woolley and Elizabeth Karlsen for Number 9 Films.

    Living will screen on Sunday, November 6.

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    Category:News
    Tags:AFI FestBardoGuillermo del Toro's PinocchioShe SaidThe Son



    Review: Writer-Director Ian Tuason Makes Feature Debut With “Undertone”

    Friday, March 13, 2026
    This image released by A24 shows Nina Kiri in a scene from "Undertone." (Dustin Rabin/A24 via AP)

    Writer-director Ian Tuason's feature debut, the sonic-driven horror "Undertone," has, at least at the outset, an appealingly stripped-down quality. The 30-something Evy Babic (Nina Kiri) lives with her dying, comatose mother (Michèle Duquet). The movie never leaves their small, two-story home. Upstairs, Evy's mother lies wordlessly in a bed. Downstairs, Evy, at 3 a.m. puts on headphones, sits in front of a microphone and calls up her paranormal podcast co-host Justin (Adam DiMarco's voice) to talk "all things creepy." It's a testament to Tuason's evident filmmaking talent that, with these bare bones, "Undertone" swells into a gripping and unsettling experience. This is a movie that summons many of its scares with a sudden boost in audio levels, the thunderous tick of a clock or the scream of … a tea kettle. It's even rated "R" not for bloodcurdling violence or satanic ghouls but, simply, "language." It's these subtle qualities that make "Undertone" a spare but deftly dense film and Tuason a filmmaker to watch. It's the movie's disappointing second half, though, that breaks its quiet spell. After conjuring a tapestry of tension through narrative drips, as well as literal ones, Tuason throws in the whole kitchen sink, drowning out "Undertone" with a cacophony of genre cliches. Ancient Christian lore is invoked, as are children's lullabies, and the riveting nuance of "Undertone" slips away in all the feedback. "I want it to be over," Evy tells Justin. "Is that a bad thing to say?" Evy's mother hasn't eaten in two days, and her emotional exhaustion is clear when she first connects with her London-based co-host. You might here be wondering if the movie digs into this guilt, but "Undertone" is better at leaving carefully placed clues than following... Read More

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