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    Home » African American Film Critics Unveil Year’s Top Ten TV Shows

    African American Film Critics Unveil Year’s Top Ten TV Shows

    By SHOOTMonday, August 26, 2024No Comments619 Views
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    Nkechi Okoro Carroll, winner of the AAFCA's Salute To Excellence Award (photo by Sheri Determan)

    AAFCA TV Honors celebrate Special Achievement Award recipients, winners in 11 competitive categories

    LOS ANGELES --

    The 6th Annual AAFCA TV Honors, presented by the African American Film Critics Association, took place at the historic Hollywood Roosevelt Hotel on Saturday, Aug. 24, at an invitation-only event that bestowed special honors to Glynn Turman, Nkechi Okoro Carroll, Starz’s “Power” Universe and Streaming Platform Tubi. The African American Film Critics Association (AAFCA) also recognized winners in competitive categories for distinguished achievements in television and streaming and announced for the first time  the Top Ten TV Shows Of The Year. The event was presided over by Gil Robertson, the president of AAFCA.

    Top Ten TV Shows of the Year

    1. Genius: MLK/X

    2. Unprisoned

    3. Black Twitter: A People’s History

    4. The Chi

    5. The Big Cigar

    6. The Bear

    7. Abbott Elementary

    8. SWAT

    9. The Neighborhood

    10. Them

    Winners in the competitive categories are:

    BEST DOCUMENTARY – “Black Twitter: A People’s History”

    BEST ENSEMBLE – “Masters of the Air”

    BEST LIMITED SERIES/SPECIAL – “Genius: MLK/X”

    BEST NEW SHOW – “Bookie”

    BEST TV ACTING (Female) – Ayo Edebiri (“The Bear”)

    BEST TV ACTING (Male) – Wendell Pierce (“Elsbeth”)

    BEST TV COMEDY – “Unprisoned”

    BEST TV DIRECTING – Channing Godfrey Peoples (“Genius: MLK/X” – Episode 401 “Graduation”)

    BEST TV DRAMA – “The Chi”

    BEST WRITING – “The Bear”

    BREAKOUT STAR – Josiah Cross (“Masters of the Air”)

    Special Achievement honorees are: 

    LEGACY AWARD – GLYNN TURMAN
    This prolific American actor has been gracing the stage and screen for over six decades. Starting on Broadway at just 12 years old in the 1959 production of “A Raisin in the Sun” opposite Sidney Poitier and  Ruby Dee, this Emmy® winner has appeared in shows like “A Different World,” “The Treatment” “Black Cake” and “The Wire” and films such as “Cooley High,” “Rustin” and “Ma Rainey’s Black Bottom,” for which he won a Los Angeles Film Critics Association award for Best Supporting Actor. Turman is also a director and writer with numerous credits, and a horseman who runs a camp for underprivileged children, further defining a legacy of the highest caliber.

    SALUTE TO EXCELLENCE AWARD – NKECHI OKORO CARROLL
    This versatile television producer, writer and creator currently has two hit shows on the air: The CW’s “All American” and NBC’s acclaimed drama “Found” starring Shanola Hampton, which centers on cases of marginalized missing persons.

    IMPACT AWARD – STARZ’ “POWER” UNIVERSE
    STARZ’s acclaimed “Power” franchise is currently celebrating a momentous 10-year anniversary of groundbreaking drama television. From the original “Power” series to its prequel and two spinoffs – “Power Book II: Ghost,” “Power Book III: Raising Kanan” and “Power Book IV: Force” – the “Power” Universe continues to influence the television landscape, particularly with its portrayal of complex and nuanced Black characters. ‘Power’ broke ground by featuring a predominantly Black cast in a high-stakes drama and continues to pave the way for more diverse representation on television.

    ALLY AWARD – TUBI
    The free streaming service, Tubi, has become a destination for viewers seeking diverse content and boasts an impressive collection of Black cinema, featuring titles like “Friday,” “Barbershop,” “Madea’s Reunion,” and “House Party,” as well as many sequels from these popular series and numerous other titles that celebrate Black stories. Since launching Tubi Originals in 2021, the platform has prioritized projects that reflect a variety of cultures and backgrounds. Tubi’s commitment to diverse storytelling is further exemplified by their partnership with The Black List which specifically seeks out scripts from underrepresented storytellers.

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    Category:News
    Tags:AAFCA TV HonorsAfrican American Film Critics Association



    Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”

    Thursday, January 15, 2026

    “Home is where the heart is.” The universality of that time-honored adage is in many respects at the core of Sentimental Value (Neon)--not just as it applies to the story but also as part of the process that went into telling that story. On the former score, director Joachim Trier’s film--which he wrote with long-time friend and colleague Eskil Vogt--is set in an old family home in Oslo that carries memories that help to define two sisters, now adults, and their strained relationship with a father who prioritized his filmmaking career over being a parent. The sisters are Nora (portrayed by Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). Nora, the older sister, grew up to be an accomplished actor, following in the cinematic/stage career footsteps of her dad, Gustav (Stellan Skarsgård in a Golden Globe-winning performance). After years of absence from Nora and Agnes’ lives, Gustav unexpectedly appears at the time-worn family residence to attend the funeral wake of the daughters’ mother but his prime motive for turning up is a movie that he wants to make in order to fuel his career comeback. And he has Nora in mind to play the lead in the film. She immediately refuses the role, which ends up going to a movie starlet (Elle Fanning). As shooting begins, psychological scars revert to open wounds and the presence of the American celeb forces Gustav, Nora and Agnes to look at themselves and their family’s fragile emotional underpinnings more closely. The family home is a repository of past lives spanning love, loss, alienation, joy, resentment and estrangement--as such, it’s a centerpiece for the characters in Sentimental Value and lends great insight into them. For example, at one point around the middle of the film, we see... Read More

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