By Sylvia Hui
LONDON (AP) --Artificial intelligence has been used to extract John Lennon's voice from an old demo to create "the last Beatles record," decades after the band broke up, Paul McCartney said Tuesday.
McCartney, 80, told the BBC that the technology was used to separate the Beatles' voices from background sounds during the making of director Peter Jackson's 2021 documentary series, "The Beatles: Get Back." The "new" song is set to be released later this year, he said.
Jackson was "able to extricate John's voice from a ropey little bit of cassette and a piano," McCartney told BBC radio. "He could separate them with AI, he'd tell the machine 'That's a voice, this is a guitar, lose the guitar'."
"So when we came to make what will be the last Beatles record, it was a demo that John had that we worked on," he added. "We were able to take John's voice and get it pure through this AI so then we could mix the record as you would do. It gives you some sort of leeway."
McCartney didn't identify the name of the demo, but the BBC and others said it was likely to be an unfinished 1978 love song by Lennon called "Now and Then." The demo was included on a cassette labeled "For Paul" that McCartney had received from Lennon's widow, Yoko Ono, the BBC reported.
McCartney described AI technology as "kind of scary but exciting," adding: "We will just have to see where that leads."
The same technology enabled McCartney to "duet" virtually with Lennon, who was murdered in 1980, on "I've Got a Feeling" last year at Glastonbury Festival.
The singer-songwriter is set to open an exhibition later this month at the National Portrait Gallery in London featuring previously unseen photographs that he took during the early days of the Beatles at the start of "Beatlemania," when the band rose to worldwide fame.
The exhibition, titled "Eyes of the Storm," showcases more than 250 photos McCartney took on his camera between 1963 and 1964 — including portraits of Ringo Starr, George Harrison and Lennon, as well as Beatles manager Brian Epstein.
DOC NYC Unveils Main Slate Lineup: 31 World Premieres; 24 Films Making Their U.S. Debut
DOC NYC--the documentary festival celebrating its 15th anniversary in-person November 13-21 at IFC Center, SVA Theatre and Village East by Angelika, and continuing online through December 1--has unveiled its main slate lineup. The 2024 festival presents more than 110 feature-length documentaries (including yet-to-be-announced Short List and Winner’s Circle titles) among over 200 films and dozens of events, with filmmakers expected in person at most screenings.
Opening the festival on Nov. 13 at SVA Theater will be the U.S. premiere of Sinead O’Shea’s inspiring portrait Blue Road--The Edna O’Brien Story, a breakout hit from the recent Toronto International Film Festival that honors the legendary Irish writer, who passed away just a few months ago at the age of 93.
Closing the festival on Nov. 21, also at SVA Theatre, will be the world premiere of Peter Yost and Michael Rohatyn’s Drop Dead City--New York on the Brink in 1975, a look back at the circumstances and players involved in NYC’s mid-70s financial crisis. The festival’s Centerpiece screening on Nov. 14 at Village East is the World premiere of Ondi Timoner’s All God’s Children (also part of the festival’s U.S. Competition), a chronicle of a Brooklyn rabbi and Baptist pastor who join forces to create greater unity between their two communities, against all odds.
Included are 31 world premieres and 24 U.S. premieres, with eight of those presented in the U.S. Competition, for new American-produced nonfiction films, and another eight featured in International Competition, for work from around the globe. The Kaleidoscope Competition for new essayistic and formally adventurous documentaries continues, while the festival’s long-standing Metropolis... Read More