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    Home » AICE Asks Brands To Question, Assess Credibility Of Agency In-House Production and Post

    AICE Asks Brands To Question, Assess Credibility Of Agency In-House Production and Post

    By SHOOTTuesday, October 18, 2016Updated:Tuesday, May 14, 2024No Comments5430 Views
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    Rachelle Madden, executive director of the AICE

    Postproduction trade association reaches out to ANA marketers with message raising concerns over transparency and fairness of agency business practices

    ORLANDO, Fla. --

    Agency in-house production and post may not be the best deal for advertisers financially and/or creatively speaking, according to the AICE which is reaching out to the client marketers’ community, distributing a marketing/conversation piece of its own that raises questions and issues for the ANA (Association of National Advertisers) to consider. Attendees arriving at the ANA Masters of Marketing Conference, which gets underway on Wednesday (10/19) in Orlando, will pick up an event registrant bag containing not only credentials, sponsor promotional material and the usual confab fare but also a clear, acetate postcard from the AICE calling for transparency when it comes to agency in-house production and post. The AICE contends that agencies and their holding companies are resorting to troubling business practices in order to keep brands’ production and post work in-house.

    Using type that appears printed within the outlines of a small house, the postcard asks marketers to consider questions such as:

    • Is in-house actually better? Faster? Cheaper?
    • Are projects bids being rigged to keep them in-house?
    • Does your agency have to meet a financial quota set by their holding company?
    • Are department heads getting big bonuses for going in-house?

    The postcard also invites the industry to learn more by visiting a section of the AICE website (click here) which features an AICE policy statement titled “In-House Postproduction: A Push For Greater Transparency, Fairness and Ethics.” It contends that a number of agencies request “bogus” bids from independent post houses in order to satisfy client demands for multiple bids, and that agencies can manipulate outside bids in order to make their in-house bids more attractive.

    The policy statement goes on to offer recommendations for ways that marketers can insure a greater degree of transparency when it comes to how their production and post money is being spent. The AICE recommends that clients do the following:

    • Ask to see unaltered, originally-submitted bids for every project, and have them evaluated by an independent third party rather than having them go through your agency.
    • Require that your agency disclose, on the Agency Cost Estimate, when in-house postproduction resources are being used on your projects.
    • When appropriate, demand to see treatments (particularly in the case of complex jobs requiring visual effects and design services) as originally submitted.
    • Insist on knowing who will be the lead postproduction artist or artists on your project, and consistently review their work.

    Ongoing campaign
    The postcard and website are part of an ongoing campaign on the part of AICE to raise marketers’ awareness of what it regards as the potential pitfalls posed by agency in-house production and post. The AICE claims that brands can get more bang for their buck via a fair and transparent bidding process among independent post vendors as compared to the in-house agency option.

    “Our members are continuing to hear about instances of holding companies mandating that client work go through their respective agencies’ in-house units, regardless if it’s the best solution for the project,” said Rachelle Madden, AICE executive director who added, “Often CMOs or brand managers are totally unaware that they could be getting better work at the same cost if they used the independent companies that have handled their brands for years. This [AICE campaign] is really intended to get them to ask questions of their agencies about the postproduction process and evaluate in a critical way just what they’re getting for their money.”

    While agency in-house work has been around for years, Madden contended that the “scope and nature of it have changed to the point where it’s threatening the future of our independent companies. AICE members have historically gone above and beyond in their effort to serve not just their agency clients, but those agencies’ marketer clients as well. That capability is jeopardized by the current direction of in-house business practices. We don’t expect in-house facilities to go away, but we are determined to make marketers aware of the issues impacting fairness and transparency in the current environment.”

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    Category:News
    Tags:agency in-house productionAICEin-house postproduction



    Super Bowl Ads Try To Overcome Tough Times With Health, Caring, Nostalgia and Laughs

    Monday, February 9, 2026
    This photo provided by Anheuser Busch shows the Budweiser 2026 Super Bowl NFL football spot. (Pat Piasecki/Budweiser via AP)

    At a difficult time for America, Super Bowl advertisers asked viewers to take care of themselves and others — and maybe even crack a smile. Ring showed how neighbors can use their doorbell cameras to find lost pets. A Budweiser Clydesdale protected a bald eagle chick from the rain. Novartis touted a blood test that can detect prostate cancer. Toyota reminded viewers to wear their seatbelts. Mister Rogers was invoked twice: Lady Gaga sang his classic "Won't You Be My Neighbor?" in a tearjerker for Rocket Companies while the National Football League used "You Are Special" to promote its work with youth sports organizations. "A key thread running through this year's Super Bowl ads was a desire for peace, harmony, community, and neighborliness," said Kimberly Whitler, a marketing professor at the University of Virginia's Darden School of Business. "There is a general theme centered on people coming together to support one another." America is uneasy. U.S. consumer confidence fell to its lowest level since 2014 in January. The killings of two protesters by federal officers in Minneapolis last month led to widespread outrage. And winter weather has been brutal across much of the country. "There is a collective trauma. Everybody is stressed out. It doesn't matter who you are, it's something that's impacting everyone," said Vann Graves, the executive director of the Brandcenter at Virginia Commonwealth University. Super Bowl ads, he said, give people a much-needed respite and a rare shared moment. "It's been a bit of time that we can just be human and be silly and enjoy ourselves," Graves said. Playing for laughs There is plenty of silliness in this year's commercials. Sabrina Carpenter tried to build the perfect man out of... Read More

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