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    Home » AICE International Sets New Slate Of Officers

    AICE International Sets New Slate Of Officers

    By SHOOTTuesday, December 8, 2015Updated:Tuesday, May 14, 2024No Comments2844 Views
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    LaRue Anderson (l) and Ken Skaggs

    Craig Duncan and Kristin Redman re-elected president and secretary, respectively; newly elected are LaRue Anderson as VP, Ken Skaggs as treasurer

    NEW YORK --

    AICE will start the new year with a new slate of top officers of its International Board. Craig Duncan, partner and executive producer of Cutters in Chicago, has been re-elected by AICE’s International Board to another two-year term as its president. Also re-elected was Kristin Redman, EP at Hudson Edit in Detroit, to another term as secretary. Joining them are LaRue Anderson, managing director and partner of Apache Digital in Los Angles, who was elected VP, and Ken Skaggs, president and partner of 3008 in Dallas, who was elected treasurer.

    Together the four industry leaders comprise the Board’s Executive Committee and are deeply involved in all of the association’s ongoing initiatives in the areas of refining business practices and helping establish industry standards. AICE has advocated strongly over the past several years for fairness and transparency for independent postproduction companies across the advertising content creation process.

    Duncan noted that the new Executive Committee reflects the divergence of AICE’s members. “The fact that LaRue heads up a boutique studio that specializes in color grading is a testament to the emergence of so many creative disciplines that are now active in setting the course for AICE,” he said.

    “Our leadership group also reflects the broad geographic range of our industry, with members from the West Coast and the Southwest represented,” Duncan added. “They bring with them the unique perspectives and challenges of their markets, which is important for an international association such as ours. We’re deeply appreciative to have them accept these important volunteer posts.”

    Anderson has held a top role in the AICE Los Angeles chapter for the past several years, where she’s VP of the Chapter board. As a co-founder of Apache Digital she believes in applying a new boutique approach to the field of color grading, providing a level of support to both local ad agencies in Southern California while also supporting L.A.’s growing creative and production community. Prior to launching Apache Digital in 2014 she was an EP at The Mill, working with two-time AICE Award winning colorist Adam Scott and the rest of the production and post team there. She came to The Mill after spending seven years working in a wide range of postproduction roles at companies like Arcade Edit, Radical Media and Outpost Digital.

    Skaggs has been active in AICE since 2005, when he joined what was then the Dallas Chapter board (now the Texas Chapter), which he currently serves as president. A Texas native, he was initially in sales for a technology company that created specialized industrial products but was drawn to postproduction by a friend who was an editor. He launched his first post company, Frames Per Second, in Dallas in 1996. The company grew continually and in 2006 moved into its current space at 3008 Ross Ave. and rebranded itself as 3008.

    “Coming from a very different industry, my exposure to the postproduction world has been largely limited to my own company and my own ideas of what it should be,” Skaggs said about his involvement with AICE. “Becoming a part of the association has given me interaction with companies that face the same day-to-day issues we do, and has helped build a sense of camaraderie with like-minded people. Becoming an officer of the International Board allows me to give back to the association that gives us all so much, and hopefully help contribute to its ongoing success.”

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    Category:News
    Tags:3008AICEApache DigitalCuttersHudson Edit



    After Delay Over Legal Issues, Oscar-Nominated Documentary “Black Box Diaries” Finally Premieres In Japan

    Friday, December 12, 2025

    "Black Box Diaries," a documentary in which Japanese journalist Shiori Ito investigates her own sexual assault case and the barriers she faced in pursuing justice, has been screened widely abroad since its 2024 festival debut and earned an Oscar nomination early this year.

    It finally premiered in Japan on Friday, a long-delayed domestic release that began with a single-theater run.

    In Japan, sexual assault victims are often stigmatized and silenced. But the barrier to the film's release at home was largely the result of a legal dispute over her use of some interviews and footage of witnesses and involved parties without their consent.

    The 102-minute film was screened to a full house on Friday at the T. Joy Prince Shinagawa, a large cinema complex in downtown Tokyo.

    Ito expressed relief that she could finally share her story with an audience in her home country.

    "Until last night, I was afraid if the film is going to come out or not," she told The Associated Press after the screening. "The reason I made this film is because I want to talk about this issue openly in Japan. It's been like my little love letter to Japan, so I'm just so happy that this day came finally."

    Ito, who went public with what she says happened to her in 2015, has become the face of Japan's slow moving #MeToo movement. She is the first Japanese director to be nominated for an Oscar in the category of documentary feature film. The film is based on a 2017 book she wrote, "Black Box."

    What happened in 2015
    As an intern in 2015, Ito was seeking a position at private TBS Television and met one of its senior journalists, Noriyuki Yamaguchi, who became her alleged assailant. She has said in her book and film that she became dizzy... Read More

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