Defense attorneys for Alec Baldwin are seeking to scuttle an involuntary manslaughter trial against the actor-producer in the fatal shooting of a cinematographer during rehearsal for the Western movie "Rust."
Baldwin's lawyers argue in a motion seeking to dismiss the charge that the firearm in the shooting was heavily damaged by FBI forensic testing before it could be examined for possible modifications that might exonerate the actor.
New Mexico Judge Mary Marlowe Sommer is scheduled to hear arguments Monday. Baldwin's trial is scheduled to begin next month.
Baldwin's attorneys contend that authorities took what they described as the most critical evidence in the case — the firearm — and destroyed it by striking it with a mallet as part of a forensic analysis.
During the fatal rehearsal on Oct. 21, 2021, Baldwin was pointing the gun at Halyna Hutchins on a movie-set ranch when it went off, killing her and wounding director Joel Souza, who survived. Baldwin says he pulled back the gun's hammer but did not pull the trigger.
Prosecutors plan to present evidence at trial that they say shows the firearm "could not have fired absent a pull of the trigger" and was working properly before the shooting.
Defense attorneys are highlighting a previously undisclosed expert analysis that outlines uncertainty about the origin of toolmarks on the gun's firing mechanism.
Baldwin has pleaded not guilty to the involuntary manslaughter charge, which carries a maximum sentence of 18 months in prison.
Armorer Hannah Gutierrez-Reed was convicted in March of involuntary manslaughter for her role in the shooting and was sentenced to 18 months in prison. During the trial, an FBI expert testified the gun was fully functional with safety features when it arrived at an FBI laboratory. The expert said he had to strike the fully cocked gun with a mallet and break it for the gun to fire without depressing the trigger.
On Friday, the judge denied prosecutors' request to use immunity to compel testimony from Gutierrez-Reed at Baldwin's trial. Her statements to investigators and workplace safety regulators will likely feature prominently in Baldwin's trial.
Further testimony could be limited by the armorer's reluctance to testify, and the judge said Friday that other witnesses can fill in most of the gaps if Gutierrez-Reed doesn't testify.
Also during Friday's hearing, Marlowe Sommer ruled against a request by defense attorneys to dismiss the trial because they said Baldwin had no reason to believe the gun could contain live ammunition and wasn't "subjectively aware" of the risks.
Last year, special prosecutors dismissed an involuntary manslaughter charge against Baldwin, saying they were informed the gun might have been modified before the shooting and malfunctioned. But they pivoted after receiving a new analysis of the gun and successfully pursued a grand jury indictment.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More