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    Home » Andrea MacArthur, Amanda Perry join Union Editorial

    Andrea MacArthur, Amanda Perry join Union Editorial

    By SHOOTThursday, October 3, 2019Updated:Tuesday, May 14, 2024No Comments2638 Views
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    NEW YORK/LOS ANGELES --

    Editors Andrea MacArthur and Amanda Perry, whose work individually and as a team has garnered Cannes Lions, D&AD Pencils, AICP Show honors and other industry accolades, have joined bicoastal Union for exclusive representation in the U.S. Collaborating with top directors such as Dante Ariola, Bryan Buckley, Antoine Fuqua, Tom Kuntz, and Fredrik Bond, MacArthur and Perry have cut genre-hopping projects for HP (BBDO), Johnnie Walker (Anomaly), Runaway Train 25 (MHVCCP) and more show a dexterity with storytelling that is equally effective with comedy, drama, and visuals of any scope. MacArthur and Perry come over from Lost Planet, and maintain their own company, Bread and Butter.

    The pair first met at Sam Sneade Editorial in London, where Perry briefly assisted MacArthur. Perry progressed quickly, and soon she and MacArthur teamed up on a sizeable HP project for BBDO. They partnered in Peepshow Post in London and New York, and have been business partners ever since. “Sometimes, we work as a team or one of us will be lead editor, depending on who’s called us,” MacArthur explained. Said Perry: “Even when we’re not working on the same job, we kind of work together.”

    MacArthur, whose spots can tug on heartstrings (Budweiser’s “Puppy”), go for laughs (Lyft’s “Riding is the New Driving”), or deliver humor with a message (Barbie’s “Imagine”), observed, “It’s easy to get pigeon-holed, but I was very lucky with Dante (Ariola) in that he was just comedy at first, then evolved into special effects, and I had the opportunity to evolve along with him.” 

    Similarly, Perry leaps from powerful human interest spots (“Water is Life”) to smart comedy (Netflix’s “Sara”) and everything in between. “I started off doing comedy thanks to Andrea’s introductions, and as I grew as an editor, I got to do different kinds of things,” Perry recalled. “Regardless of genre, we love any opportunity to tell a good story.” Overall, said MacArthur, “Amanda and I feel very comfortable fighting against stereotype.”

    Union partner/managing director Michael Raimondi said of MacArthur and Perry, “I have been a fan of their work for a very long time. The fact that they are both coming on board is amazing for us as a company.”

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    Tags:Amanda PerryAndrea MacArthurUnion Editorial



    Kim Gehrig Wins The DGA Award For Outstanding Achievement In Commercials

    Saturday, February 7, 2026

    Kim Gehrig of Somesuch has won the Directors Guild of America (DGA) Award recognizing Outstanding Directorial Achievement in Commercials for 2025. The honor was announced and celebrated during the gala 78th DGA Awards ceremony on Saturday evening (2/7) at the Beverly Hilton.

    This marked the third time in the last four years that Gehrig has won the coveted honor. She's been a nominee each of those four years.

    This time around, Gehrig won on the basis of two entries: Nike’s “You Can’t Win. So Win.” for Wieden+Kennedy, Portland, Ore.; and the Apple film “I’m Not Remarkable” via in-house agency Apple Marcom.

    The latter piece celebrates how “disabled” students around the world use Apple products and accessibility features to get the full college experience--studying, socializing and achieving on their own terms.

    Driven by the song “I’m Not Remarkable” by Kittyy & The Class, Deaf and “disabled” college students perform in a stirring musical number spanning college campuses, in dormitories at house parties and more. Through their collective voices, the students express a strong singular sentiment--that “remarkable” is a word that should be reserved for everyone.

    Gehrig has an award-winning pedigree with Apple. She directed its accessibility short “The Greatest” in 2022 which went on to garner the primetime commercial Emmy Award, and helped her win the DGA Award for Outstanding Directorial Achievement in Commercials for 2022.

    As for Nike’s “You Can’t Win. So Win,” that spot made its broadcast debut on the 2025 Super Bowl. The work tackles the misconceptions that have perennially shackled women sports. Women athletes can’t stand out--or so they’re told. They can’t have an... Read More

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