Sean Baker’s “Anora” won best film, best director and best actor for Mikey Madison at the Independent Spirit Awards on Saturday in what could be a preview of next Sunday’s Oscars: The film about a Brooklyn sex worker and her whirlwind affair with a Russian oligarch’s son has emerged in recent weeks as an awards season front-runner.
The Spirit Awards, held in a beachside tent in Santa Monica, California, is the shaggier, more irreverent sister to the Academy Awards, celebrating the best in independent film and television.
Host Aidy Bryant called it “Hollywood’s third or fourth biggest night.”
In accepting the directing prize, Baker spoke passionately about the difficulty of making independent films in an industry that is no longer able to fund riskier films. He said indies are in danger of becoming calling card films — movies made only as a means to get hired for bigger projects.
“The system has to change because this is simply unsustainable,” Baker said to enthusiastic applause. “We shouldn’t be barely getting by.”
“Anora’s” best film competition included Jane Schoenbrun’s psychological horror “I Saw the TV Glow,” RaMell Ross’ adaptation of Colson Whitehead’s “Nickel Boys,” Greg Kwedar’s incarceration drama “Sing Sing” and Coralie Fargeat’s body horror “The Substance.”
This year had several other possible Oscar winners celebrating. Kieran Culkin, considered an Oscar favorite, won the supporting performance award for “A Real Pain.” His director, co-star and writer Jesse Eisenberg won best screenplay for the film about two cousins embarking on a Holocaust tour in Poland.
Culkin was not there to accept — he also missed his BAFTA win last weekend to tend to a family member — but other Oscar nominees like Madison, Demi Moore, Sebastian Stan and Colman Domingo were.
Madison won the top acting prize over Moore at the BAFTAs last weekend, as well, and stopped Saturday to pet Moore’s dog Pilaf on the way to the stage. Acting categories for the Spirit Awards are gender neutral and include 10 spots each, meaning Madison and Moore were up against Oscar nominees like Colman Domingo (“Sing Sing”) and Sebastian Stan (“The Apprentice”).
The documentary prize went to “No Other Land,” the lauded film by a Palestinian-Israeli collective about the destruction of a village in the West Bank which doesn’t have distribution. It’s also a strong Oscar contender in a competitive category. The filmmakers were not in attendance to accept the award.
“Flow,” the wordless animated Latvian cat film, won best international film. At the Oscars, it’s competing in the international film category and animation.
While the Spirit Award winners don’t always sync up with the academy, they can often reflect a growing consensus as in the “Everything Everywhere All At Once” year. The awards limit eligibility to productions with budgets of $30 million or less, meaning more expensive Oscar nominees like “Wicked” and “Dune: Part Two” were not in the running.
Sean Wang accepted best first feature and best first screenplay prizes for “Dìdi.” He said it was special to be sharing the stage with one of his stars, Joan Chen, who was also nominated for the same award 25 years ago for “Xiu Xiu: The Sent Down Girl.”
The Netflix phenomenon “Baby Reindeer” also picked up several prizes, for actors Richard Gadd, Jessica Gunning and Nava Mau.
Mau, who is trans, spoke about the importance of actors sticking together “as we move into this next chapter.”
“We don’t know what is going to happen, but we do know our power,” Mau said. “We are the people and our labor is everything.”
“Shōgun” won best new scripted series and “My Old Ass” star Maisy Stella took the breakthrough performance award.
The generally lighthearted show took a moment to acknowledge the impact of the wildfires on Los Angeles. Bryant made a plea to anyone watching the show, in the audience or on the YouTube livestream, to help rebuild L.A. She pointed to a QR code that appeared on the livestream to make donations to the Film Independent Emergency Filmmaker Relief Fund, providing grants to alumni impacted by the wildfires.
The show also paid tribute to longtime Film Independent president Josh Welsh, who died earlier this year at age 62. Welsh had colon cancer.
Bryant said in her opening that it had been a “great year for film and a bad year for human life.” The “Saturday Night Live” alum kicked off the event ribbing some of the nominees, like Emma Stone.
“Emma was a producer on four nominated projects tonight,” Bryant said. “But even more importantly, her hair is short now.”
Stone also featured prominently in Eisenberg’s speech, when he picked up the best screenplay prize for “A Real Pain.” Since they met on the set of “Zombieland” in 2009, he said, she’s been supportive of his writing despite being “the most famous person I know” and produced both of his films.
“I think of her not as my producer, but as a fairy godmother, like I’m riding the coattails for her goodwill,” Eisenberg said.
The camera cut to Stone, teary and moved, in the audience. She and her husband Dave McCary’s production company Fruit Tree also produced Julio Torres’ “Problemista” and “Fantasmas” and Schoenbrun’s “I Saw the TV Glow.”
“I Saw the TV Glow” went into the show tied with “Anora” with six nominations. It left with only one win, for producer Sarah Winshall.
The following is a complete list of the winners:
FILM CATEGORIES
Best Feature
Anora (NEON)
Producers: Sean Baker, Alex Coco, Samantha Quan
Best Director
Sean Baker, Anora (NEON)
Best Screenplay
Jesse Eisenberg, A Real Pain (Searchlight Pictures)
Best First Feature
Dìdi (Focus Features)
Director: Sean Wang
Producers: Valerie Bush, Carlos López Estrada, Josh Peters
Best First Screenplay
Sean Wang, Dìdi (Focus Features)
John Cassavetes Award
(for best feature made under $1,000,000)
Girls Will Be Girls (Juno Films)
Writer/Director/Producer: Shuchi Talati
Producers: Richa Chadha, Claire Chassagne
Best Breakthrough Performance
Maisy Stella, My Old Ass (Amazon MGM Studios)
Best Supporting Performance
Kieran Culkin, A Real Pain (Searchlight Pictures)
Best Lead Performance
Mikey Madison, Anora (NEON)
Robert Altman Award
His Three Daughters (Netflix)
Director: Azazel Jacobs
Casting Director: Nicole Arbusto
Ensemble Cast: Jovan Adepo, Jasmine Bracey, Carrie Coon, Jose Febus, Rudy Galvan, Natasha Lyonne, Elizabeth Olsen, Randy Ramos Jr., Jay O. Sanders
Best Cinematography
Jomo Fray, Nickel Boys (Amazon MGM Studios)
Best Editing
Hansjörg Weissbrich, September 5 (Paramount Pictures)
Best International Film
Flow (Sideshow and Janus Films)
Director: Gints Zilbalodis
Best Documentary
No Other Land
Director: Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor
Producer: Fabien Greenberg, Bård Kjøge Rønning
Someone to Watch
Sarah Friedland, Familiar Touch
Truer Than Fiction
Rachel Elizabeth Seed, A Photographic Memory
Producers Award
Sarah Winshall
TELEVISION CATEGORIES
Best New Scripted Series
Shōgun (FX)
Creators/Executive Producers: Rachel Kondo, Justin Marks
Executive Producers: Edward L. McDonnell, Michael De Luca, Michael Clavell
Co-Executive Producers: Shannon Goss, Andrew Macdonald, Allon Reich, Jamie Vega Wheeler
Best New Non-Scripted or Documentary Series
Hollywood Black (MGM+)
Executive Producers: Shayla Harris, Dave Sirulnick, Stacey Reiss, Jon Kamen, Justin Simien, Kyle Laursen, Forest Whitaker, Nina Yang Bongiovi, Jeffrey Schwarz, Amy Goodman Kass, Michael Wright, Jill Burkhard
Co-Executive Producers: David C. Brown, Laurens Grant
Best Supporting Performance in a New Scripted Series
Nava Mau, Baby Reindeer (Netflix)
Best Lead Performance in a New Scripted Series
Richard Gadd, Baby Reindeer (Netflix)
Best Breakthrough Performance in a New Scripted Series
Jessica Gunning, Baby Reindeer (Netflix)
Best Ensemble Cast in a New Scripted Series
How to Die Alone (Hulu)
Ensemble Cast: Melissa DuPrey, Jaylee Hamidi, KeiLyn Durrel Jones, Arkie Kandola, Elle Lorraine, Michelle McLeod, Chris “CP” Powell, Conrad Ricamora, Natasha Rothwell, Jocko Sims
