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    Home » Appeals Court Upholds Music Copyright Infringement Verdict In “Blurred Lines” Case

    Appeals Court Upholds Music Copyright Infringement Verdict In “Blurred Lines” Case

    By SHOOTThursday, March 22, 2018Updated:Tuesday, May 14, 2024No Comments4598 Views
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    In this combination photo, Robin Thicke performs at the Teen Choice Awards in Los Angeles on Aug. 16, 2015, left, and Pharrell Williams attends the 2016 ABFF Awards: A Celebration of Hollywood in Beverly Hills, Calif., on Feb. 21, 2016. (Photo by Matt Sayles/Invision/AP, File)

    By Andrew Dalton, Entertainment Writer

    LOS ANGELES (AP) --

    A federal appeals court on Wednesday upheld a copyright infringement verdict against Robin Thicke and Pharrell Williams over the 2013 hit song “Blurred Lines,” agreeing with lower courts that it illegally copied from Marvin Gaye’s “Got to Give it Up.”

    In a split decision from a three-judge panel, the 9th U.S. Circuit Court of Appeals ruled that the family of the late soul singer is entitled to the $5.3 million it was awarded in a case that has been closely watched in the music industry for its potential effects on copyright and creativity.

    Two judges rejected the defense’s request to overturn a jury verdict or order a new trial, saying that Gaye’s copyright on the song is entitled to broad protection. They accepted a trial court judge’s instructions to jurors to decide the case based only on the sheet music to the two songs, and not the recordings.

    Judge Jacqueline Nguyen offered a harsh dissent, saying that the two R&B tunes resemble each other only in style not substance and that the decision was detrimental to the future of artists and creativity.

    “The majority allows the Gayes to accomplish what no one has before: copyright a musical style,” Nguyen wrote. “’Blurred Lines’ and ‘Got to Give It Up’ are not objectively similar. They differ in melody, harmony, and rhythm. Yet by refusing to compare the two works, the majority establishes a dangerous precedent that strikes a devastating blow to future musicians and composers everywhere.”

    Howard King, an attorney for Williams and Thicke, seized on Nguyen’s comments.

    “We stand by the fact that these are two entirely different songs,” King said in an email to The Associated Press. “The thorough and well-reasoned dissenting judge’s opinion is compelling and enhances the prospects for success in a further review by the Court of Appeals.”

    The Gaye family’s attorney Richard S. Busch praised the ruling. “Despite the protests of the Williams’ camp that the decision somehow stifles creativity, the opposite is true,” he said in a statement. He said the verdict and Wednesday’s ruling “encourages today’s writers to create original work that does not take advantage of the success of others while pawning it off as their own.”

    The court also upheld a jury’s verdict that hip-hop artist T.I., who raps in the middle of the song, and Interscope Records, are not liable for damages in the case.

    While artists normally fall firmly on the side of greater copyright protections, many lined up behind Thicke and Williams in this appeal.

    R. Kelley, composer Hans Zimmer and members of The Go-Go’s and The Black Crowes were among more than 200 musicians who jointly filed a brief in favor of the defendants, saying the ruling could have an “adverse impact on their own creativity, on the creativity of future artists, and on the music industry in general.”

    The trial over “Blurred Lines,” the biggest hit of 2013, ended in March 2015 with jurors awarding Gaye’s family more than $7 million. The verdict was later trimmed to $5.3 million. The Gaye family also received 50 percent interest in ongoing royalties from the song.

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    Category:News
    Tags:Blurred Linescopyright infringementMarvin GayePharrell WilliamsRobin Thicke



    Mischief’s Greg Hahn to Lead The Inaugural One Show Indies Jury

    Monday, January 19, 2026
    Greg Hahn

    Greg Hahn, co-founder and chief creative officer at Mischief in Brooklyn, has been named jury president for the inaugural One Show Indies, the global competition dedicated to celebrating the work of independent agencies, design firms, freelancers, creators, and other creative companies around the world. Debuting this year within The One Show 2026, The One Show Indies is open exclusively to agencies with truly independent ownership: a minimum 51% owned by founders or staff, and no more than four physical offices. To encourage participation, the cost of entry is 20% lower compared to other One Show fees. Hahn will lead the jury made up exclusively of top creatives from leading global independent agencies, and have a vote on the work. Confirmed 2026 One Show Indies jury members include: Ajaz Ahmed, co-founder, Studio One, London Rolando Cordova, CCO, co-founder, L&C, New York Noel Cottrell, founder, CCO, Murder Hornet, Atlanta Jolene Delisle, founder, The Working Assembly, New York Ulrika Karlberg, CCO, YARD NYC, New York Hwee Peng Koh, creative partner, Blak Labs, Singapore Suzanne Powers, founder, Co-CEO, All&, New York Brian Murray, CCO, Zulu Alpha Kilo, Toronto Mohammed Sehly, CEO, BigTime Creative Shop, Riyadh Ariel Serkin, partner, ISLA, Buenos Aires Safaraaz Sindhi, founder, CCO, Bananas, Johannesburg Sam Stuchbury, ECD, Motion Sickness, Auckland Flavio Waiteman, CCO, Tech&Soul, São Paulo The new competition levels the playing field to recognize the extraordinary role and work of independent agencies, and makes the global spotlight of a One Show Pencil win even more accessible to a larger field of indie creative companies. “It’s true that indies are having a moment right now,” said Hahn, who also serves on The One... Read More

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