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    Home » Arcade Edit signs Matt Laroche for spot representation

    Arcade Edit signs Matt Laroche for spot representation

    By SHOOTTuesday, May 18, 2021Updated:Tuesday, May 14, 2024No Comments2201 Views
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    SANTA MONICA, Calif. --

    Arcade has signed editor Matt Laroche for first-time commercial representation. Born and raised in Southern California, Laroche had his love of film sparked at a young age when he discovered his parents’ extensive movie collection. With a budding interest in filmmaking, he as a high school student immersed himself in the art by writing screenplays, directing homemade movies and teaching himself how to edit in Final Cut Express. He went on to study Film & TV at California State University Los Angeles after graduating, where he learned the ins and outs of film production and realized that his true passion was editing. 

    Since launching his career, Laroche has worked with clients like Adidas, Nike, Champs, Quickbooks, Hulu, Nissan and Facebook, agencies like Wieden + Kennedy, TBWAChiatDay LA and 72andSunny, and directors like Matt Aselton, Tim Godsall, Traktor and Rick Famuyiwa. 

    “Editing is such a satisfying, flow-inducing process for me,” said Laroche. “It’s afforded me the opportunity to get to know so many inspiring people and I’m just very excited to continue building at Arcade.”

    Laroche’s diverse range of commercial work includes everything from visual comedy and beautiful anthemic pieces to music and sound design driven films. Over the years, he has also edited short films and music videos, including a new short called Where We Go, which he both scored and edited, as well as the recently released video for King Pari’s “Mary.” 

    Arcade partner and editor Geoff Hounsell said of his work, “Matt has incredible instinct and brings great ideas. He makes every project he works on better and his sound work is always spot on.”

    Arcade Edit is a bicoastal film and television editorial house established in 2008. Laroche joins an editors’ roster which includes Hounsell, Ali Mao, Brad Waskewich, Colin Patton, Dave Anderson, Jeff Ferruzzo, Josh Hegard, Kim Bica, Laura Sanford, Paul Martinez, Quin Williams, Sean Lagrange and Will Hasell.

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    Tags:Arcade EditGeoff HounsellMatt Laroche



    Writer-Director Ian Tuason Deploys Sound To Scare You In Minimalist Horror “Undertone”

    Thursday, March 12, 2026
    This image released by A24 shows Nina Kiri in a scene from "Undertone." (Dustin Rabin/A24 via AP)

    Alfred Hitchcock famously claimed he didn't watch his films in theaters. When asked if he missed out on hearing the audience scream, he said, "No. I can hear them scream when I'm making the picture." While writer-director Ian Tuason, the mind behind the buzzy new auditory horror "Undertone," reveres and references Hitchcock as much as the next horror filmmaker, he has to disagree with him on this one. For Tuason, the real screams are the point. "My favorite thing about this whole process is just watching it with audiences. I think that's probably why I wanted to make a horror film … just to kind of witness the reactions," Tuason said in a recent interview. "The same way as when you tell a ghost story at a campfire, it doesn't feel that great unless you see your friend scared." His debut film "Undertone," which opens in theaters on Friday (yes, the 13th), is already doing just that. After playing at the Sundance Film Festival, it had some calling it the "scariest movie you'll ever hear." "Undertone" is a minimalist horror, set in one location, with essentially one character. Evy (Nina Kiri) is a paranormal podcaster who is taking care of her dying, comatose mother upstairs. She's the skeptic of the podcast, which she does with a remote co-host (Adam DiMarco) in the middle of the night. Nothing can scare her, but this new investigation, in which they try to decode a series of unnerving audio files sent anonymously, has rattled her. Why sound is so scary Tuason always dreamed of being a filmmaker, but he began his career in virtual reality and made a name for himself as an early proponent of immersive 3D sound for his cinematic horror shorts, which have been viewed millions of times. Soundscapes became his calling card. So, when he sat... Read More

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