Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Armorer’s Trial Will Focus On How Live Ammunition Got On The “Rust” Set, Resulting In Fatal Shooting

    Armorer’s Trial Will Focus On How Live Ammunition Got On The “Rust” Set, Resulting In Fatal Shooting

    By SHOOTTuesday, February 13, 2024Updated:Tuesday, May 14, 2024No Comments1532 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    In this screen grab from lapel camera video provided by the Santa Fe County Sheriff's Office, movie set armorer Hannah Gutierrez-Reed, right, speaks with a sheriff's deputy as other colleagues, at center and left, react on the set of the western move "Rust," shortly after the fatal shooting of cinematographer Halyna Hutchins by Alec Baldwin during a rehearsal, Oct. 21, 2021, in New Mexico. The scheduled trial next week of the movie weapons supervisor in the fatal shooting of a cinematographer by Alec Baldwin may hinge on an enduring mystery: How did live ammunition find its way onto the set of a film set where it was expressly prohibited? (Santa Fe County Sheriff's Office via AP)

    By Morgan Lee

    SANTA FE, N.M. (AP) --

    The scheduled trial next week of a movie weapons supervisor in the fatal shooting of a cinematographer by Alec Baldwin may hinge on an enduring mystery: How did live ammunition find its way onto the set of a film set where it was expressly prohibited?

    Investigators recovered six live rounds of ammunition from a box, a bandolier, a gun belt and other locations on the set of the Western movie "Rust," including the round that killed cinematographer Halyna Hutchins and wounded director Joel Souza.

    Special prosecutors say they will present "substantial evidence" at the trial that movie armorer Hannah Gutierrez-Reed unwittingly brought live rounds onto the set when she first began work on the film.

    They say that includes photos showing that live rounds were present on the set days before Hutchins was killed. They also plan to present testimony that, months before the shooting, Gutierrez-Reed had looked for and purchased live .45-caliber ammunition.

    "Ms. Gutierrez is not charged with intentional homicide, she is charged with homicide based on negligence," special prosecutor Kari Morrissey said in a recent court filing. "The tragedy occurred due to a series of negligent acts given that live rounds were on set well before October 21, 2021. Her ongoing negligent acts created numerous opportunities for live rounds to go undetected."

    Gutierrez-Reed has pleaded not guilty to the involuntary manslaughter charge.

    Flimsy is how her attorneys describe the evidence that she might have unknowingly brought live rounds on set, saying it falls far short of standards for prosecution.

    Her attorneys also accuse prosecutors of compromising a crucial trial witness by handing over privileged communications about their case to the Albuquerque-based dummy ammunition supplier for "Rust" — whom they contend is the source of live ammunition that made its way onto the set. A civil lawsuit by Gutierrez-Reed against ammunition supplier Seth Kenney was dismissed in August and can't be refiled.

    Much of the evidence about ammunition on set — culled from sources including thousands of text messages between "Rust" crew members — has not been made public under commonplace rules of evidentiary discovery prior to trial.

    The proceedings against the armorer hold implications for Baldwin, the lead actor and co-producer on "Rust." He has pleaded not guilty to a charge of involuntary manslaughter and could face trial later this year. "Rust" assistant director and safety coordinator David Halls pleaded no contest to unsafe handling of a firearm and received a suspended sentence of six months of probation, agreeing to cooperate in investigations of the shooting.

    Prosecutors allege that Gutierrez-Reed eventually loaded a live round into the gun that Baldwin discharged during the October 2021 rehearsal, killing Hutchins, and that the tragedy was a consequence of lax oversight of ammunition.

    Baldwin has said he assumed the gun had only inert dummy rounds inside that can't fire and that someone else is responsible.

    But the indictment against Baldwin provides two alternative standards for prosecution, one based on the negligent use of a firearm and another tied to negligence without due caution or "circumspection," also defined as "total disregard or indifference for the safety of others." Legal experts say the latter standard could broaden the investigation beyond Baldwin's handling of the gun. A date has not been set for Baldwin's potential trial.

    "Rust" used an operable revolver. Industry-wide guidance, under a bulletin that applied to "Rust," says that "live ammunition is never to be used nor brought onto any studio lot or stage." It also says to "treat all firearms as if they are loaded."

    Crew members also say Bonanza Creek Ranch, the movie set location where Hutchins was shot, forbade the presence of live ammunition on its property.

    State workplace safety regulators say Gutierrez-Reed was responsible for storage, maintenance and handling of firearms and ammunition on set and for loading firearms with blanks that have a charge but no projectile, or inert dummy rounds.

    Live rounds are typically distinguished from dummy rounds by a small hole in the dummy's brass cartridge, indicating there is no explosive inside, by a missing or dimpled primer at the bottom of the cartridge, or by shaking the round to hear the clatter of a BB that is inserted inside.

    Live ammunition has made its way onto U.S. movie sets with severe consequences in just a handful of instances.

    Actor Brandon Lee died in 1993 after he was shot in the abdomen while filming a scene of "The Crow." Lee was killed by a makeshift bullet that remained in a gun from a previous scene. The production ended up paying a $55,000 fine to federal regulators.

    In 2005, federal regulators fined Greystone Television and Films $650 after a crew member was shot in the thigh, elbow and hand. It turned out that balloon-breaking birdshot rounds were in the same box as the blanks that were supposed to be used in rifles.

    In New Mexico, a scathing report from state regulators about the "Rust" shooting said the production company did not develop a process for ensuring live rounds were kept away from the set and failed to give the armorer enough time to thoroughly inventory ammunition.

    Prosecutors want the regulators' conclusions kept out of the trial because it might be used to argue that "Rust" management was responsible for safety failures and not Gutierrez-Reed.

    Heated and disparaging exchanges between defense counsel and prosecutors in recent pretrial court filings include accusations of "vindictive," unconstitutional prosecution tactics. Special prosecutors Kari Morrissey and Jason Lewis are pursuing additional felony charges of tampering with evidence on allegations that Gutierrez-Reed handed off a baggie of possible narcotics to another crew member in the aftermath of the shooting to evade prosecution and took a video of herself bringing a gun into a Santa Fe bar weeks before the fatal shooting.

    Defense attorney Jason Bowles says prosecutors are using trumped-up charges to pressure Gutierrez-Reed to make a false confession regarding the source of live ammunition on the film set.

    "The state has always been open to resolving Ms. Gutierrez's cases," special prosecutor Morrissey responded in a court filing, "on one condition — that she take responsibility for the fact that she unknowingly brought live ammunition onto the set of 'Rust.'"

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2024-02-15)
    Category:News
    Tags:Alec Baldwingun safetyHalyna HutchinsHannah Gutierrez-ReedRust



    Ang Lee To Receive ACE Golden Eddie Filmmaker of the Year Award From American Cinema Editors

    Wednesday, January 21, 2026
    Ang Lee (photo by Brian Bowen Smith)

    American Cinema Editors (ACE) has named two-time Oscar®-winning filmmaker Ang Lee as recipient of the ACE Golden Eddie Filmmaker of the Year award. He will be presented with the honor at the 76th Annual ACE Eddie Awards taking place Friday, February 27, at UCLA’s Royce Hall, where winners will also be announced in 14 competitive categories recognizing the best film editing achievements of the year in film and television. Kim Larson, managing director and head of YouTube’s Creator and Gaming team, will be accepting YouTube’s previously announced ACE Visionary Award, and Emmy winning editor/director Arthur Forney, ACE, and Oscar® nominated editor Robert Leighton will receive ACE Career Achievement awards. Lee joins a group of Golden Eddie award recipients including Jon M. Chu, John Waters, Gina Prince-Bythewood, Spike Lee, Quentin Tarantino, Kathleen Kennedy, Christopher Nolan, Lauren Shuler Donner, Guillermo del Toro, Steven Spielberg, Vince Gilligan, Alexander Payne, J.J. Abrams, Nancy Meyers, Martin Scorsese, Norman Jewison, Robert Zemeckis, George Lucas, and the Sundance Institute. “Ang Lee’s exploration of our most closely held emotions has ignited an international passion for cinema for over 30 years”, said ACE president Sabrina Plisco, ACE. “The breadth of his filmography is unparalleled, ranging from the intimate and boundary-breaking romance of Brokeback Mountain, to the epic drama of Life of Pi and Crouching Tiger, Hidden Dragon, to even the pre-MCU Marvel film Hulk.” This year’s ACE Visionary Award recognizes Larson and YouTube’s profound impact on visual storytelling as a whole, the importance of digital content and spaces in the evolving media landscape, and ACE’s ongoing work to support... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleMutt Film Signs Director Chris Applebaum For Spots, Branded Content, Music Videos
    Next Article Rep Report for February 16, 2024
    SHOOT

    Add A Comment
    What's Hot

    Review: Directors Judd Apatow and Michael Bonfiglio’s “Mel Brooks: The 99 Year Old Man!”

    Wednesday, January 21, 2026

    Ang Lee To Receive ACE Golden Eddie Filmmaker of the Year Award From American Cinema Editors

    Wednesday, January 21, 2026

    Fela Signs Artist William Ukoh To Its Live Action and Photography Rosters

    Wednesday, January 21, 2026
    Shoot Screenwork

    Director Pete Marquis, Mischief @ No Fixed Address Are In Their Creative Hay Day With Lance Bass

    Wednesday, January 21, 2026

    Good Behavior’s Pete Marquis has directed the latest Supercell Hay Day campaign featuring actor and…

    The Best Work You May Never See: Innocean Berlin, Stink Director Eoin Glaister Team On Stunt For NewMotion

    Tuesday, January 20, 2026

    Nissan, TBWA\Paris, Director Romain Staropoli Take Us On A “Last to Legends” Journey In Formula E Racing

    Monday, January 19, 2026

    LePub NY and Director Ivan Zacharias Herald The Return Of Dos Equis’ Most Interesting Man In The World

    Friday, January 16, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.