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    Home » The-Artery Signs Director Uri Schutzer

    The-Artery Signs Director Uri Schutzer

    By SHOOTFriday, October 9, 2020Updated:Tuesday, May 14, 2024No Comments3198 Views
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    Uri Schutzer
    NEW YORK --

    Director and interactive artist Uri Schutzer has signed with The-Artery for international representation. He had previously been handled in the U.K. by John Spary Associates and in The Netherlands by Revolver Amsterdam. Schutzer continues to be repped in Israel by Tami Har-lev Agency

    With an extensive background across advertising, music videos, interactive experiences, and more, Schutzer brings a contemporary, cinematic filmmaking style marked by an artful eye, deft camera movements, and special effects. His approach in the mixed reality space marries AR/VR projections and games with live performances. “I love exploring new tools and platforms both on-set and during postproduction as well as finding innovative ways to capture magical moments in storytelling,” said Schutzer. “In interactive experiences especially, storytelling is the most important thing. When branching visuals flow naturally with the rest of the narrative content, it creates amazing engagement with the audience.”

    Executive creative director Vico Sharabani, founder of The-Artery, assessed, ”Uri combines a fashionable style with cutting edge technologies as well as beauty with performance, such unique combinations are the foundation of The-Artery and, after working on the CG music video ‘Chosen’ together, we felt we needed to take this relationship to greater lengths.”

    “Chosen” was done for YouTube sensation, internet rock band The Living Tombstone (which was brought to life entirely through CG along with motion capture elements)

    Awarded with Effie and Promax accolades, Schutzer has directed commercials for such clients as Coca-Cola, Unilever, Orange, Nestle, and a wide range of fashion and cosmetic brands. His most notable pieces include the immersive “SDG Dome” and “SGD VR Experience” for PwC and the United Nations as well as the interactive “Keep Your Head Up” music video for singer and songwriter Andy Grammer. The latter garnered “Most Innovative Music Video” at MTV’s OMAs. 

    Schutzer was introduced to Sharabani several years ago when he first moved to New York. According to Schutzer, “Vico and I clicked immediately as we both shared the same passion and taste for high-end aesthetics, film, and innovation. I was impressed by his team’s level of execution and we started looking for the right opportunity to work together. During the difficult days of quarantine, our chance unexpectedly arose in the form of a music video for The Living Tombstone. We had a highly collaborative dynamic and couldn’t be more proud of the final compositions! I look forward to our next projects, both in the U.S. and abroad.”

    The-Artery managing director and executive producer Deborah Sullivan added, “We knew we wanted an artist who can not only follow our virtual production pipeline, but also offer fresh ideas to it as there’s always room for refinement. Uri, hands down, fills that role and we can’t wait for him to channel his interactive sensibilities into our upcoming creative briefs.”

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    Category:News
    Tags:Deborah SullivanThe-ArteryUri SchutzerVico Sharabani



    Review: Writer-Director Ian Tuason Makes Feature Debut With “Undertone”

    Friday, March 13, 2026
    This image released by A24 shows Nina Kiri in a scene from "Undertone." (Dustin Rabin/A24 via AP)

    Writer-director Ian Tuason's feature debut, the sonic-driven horror "Undertone," has, at least at the outset, an appealingly stripped-down quality. The 30-something Evy Babic (Nina Kiri) lives with her dying, comatose mother (Michèle Duquet). The movie never leaves their small, two-story home. Upstairs, Evy's mother lies wordlessly in a bed. Downstairs, Evy, at 3 a.m. puts on headphones, sits in front of a microphone and calls up her paranormal podcast co-host Justin (Adam DiMarco's voice) to talk "all things creepy." It's a testament to Tuason's evident filmmaking talent that, with these bare bones, "Undertone" swells into a gripping and unsettling experience. This is a movie that summons many of its scares with a sudden boost in audio levels, the thunderous tick of a clock or the scream of … a tea kettle. It's even rated "R" not for bloodcurdling violence or satanic ghouls but, simply, "language." It's these subtle qualities that make "Undertone" a spare but deftly dense film and Tuason a filmmaker to watch. It's the movie's disappointing second half, though, that breaks its quiet spell. After conjuring a tapestry of tension through narrative drips, as well as literal ones, Tuason throws in the whole kitchen sink, drowning out "Undertone" with a cacophony of genre cliches. Ancient Christian lore is invoked, as are children's lullabies, and the riveting nuance of "Undertone" slips away in all the feedback. "I want it to be over," Evy tells Justin. "Is that a bad thing to say?" Evy's mother hasn't eaten in two days, and her emotional exhaustion is clear when she first connects with her London-based co-host. You might here be wondering if the movie digs into this guilt, but "Undertone" is better at leaving carefully placed clues than following... Read More

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