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    Home » Autodesk releases Maya 2020.4

    Autodesk releases Maya 2020.4

    By SHOOTTuesday, December 8, 2020Updated:Tuesday, May 14, 2024No Comments1671 Views
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    --

    Autodesk has rolled out Maya 2020.4. Designed to help artists and studios keep pace with the ever-increasing demand for content, this release unveils the biggest update to the Bifrost visual programming environment yet. Enhancements include deeper integration with Maya; a user experience overhaul; and new scattering, instancing, volumetrics, and FX capabilities that extend proceduralism in Maya beyond FX and across the content creation pipeline. The release also integrates the latest version of Arnold, bringing artists a faster, more creatively engaging rendering experience, as well as updates to the Motion Library and Substance plugins.

    Powerful new capabilities in Bifrost include:

    • Maya curve support: Maya curves can now be dragged and dropped directly into Bifrost graphs, where they are converted into Bifrost strands and can be used to build curve-based assets and tools. This update opens the door for artists to use Maya curves to guide procedural generation of roads and fences, as well as the placement and orientation of object scattering.
    • Graph shape nodes: Artists can now view Bifrost graphs as either DG or DAG nodes, that are visible in the outliner. DAG nodes are the new default for Bifrost graphs in Maya.
    • New fields system: This update introduces user-defined, implicit 3D scalar and vector fields with infinite resolution and low memory overhead. Using fields nodes, artists can now define custom fields to act as dynamic influences on particles, cloth, or aerodynamic simulations – without having to go inside FX compounds to edit them.
    • Scatter pack: Higher-level scattering and instancing compounds have been added to the Bifrost toolkit, including a blue noise scattering node and integration with the new fields system.
    • Volume improvements: Volume tools now support fully adaptive conversions between meshes and volumes, merging adaptive volumes, and converting between fields and volumes.
    • Cloth and thin-shell simulations: Users can now produce more accurate collisions and self-collisions with an updated Material Point Method (MPM) solver.
    • Aerodynamic simulations: The Aero solver gains significant performance enhancements, as well as increased capacity for detail refinement and artifact reduction, and new features like texture advection.
    • Instantly terminate computation: Quickly escape out of slow running simulations by hitting the ESC key.

    A faster, more engaging rendering experience with Arnold 6.1 includes:

    • New post-processing nodes: Users can now adjust image exposure, color correction, white balance, tone mapping, and vignetting using new post-processing nodes called ‘imagers’.
    • Nestled dielectrics: A new priority system for overlapping transparent objects enables artists to create scenes with more physically accurate reflections and refraction of rays. This allows for more realistic renders of scenes such as glass containers with liquid contents and bubbles or ice cubes.
    • GPU improvements: The GPU renderer can now partially load textures, providing big savings on both memory consumption and rendering time. Support for light linking and additional light AOV groups, and enhanced OSL JIT compilation performance have also been added.

    Plugin updates

    • Motion Library in Maya: Updates to the native Motion Library plugin include enhanced character previews with new orbit and zoom functions and a smoother initialization experience.
    • Substance plugin: An updated Substance plugin adds Substance Engine 8.0.3 compatibility, Standard Surface support, and improved interoperability with Maya and other Substance programs.

    “Artists are being challenged to create ever-more complex visuals, whether for film, TV, or games. Maya 2020.4 was designed with artists in mind, offering major updates to Bifrost for Maya and Arnold to help them tackle increasingly complex work while pushing their creative limits,” shared Ben Fischler, industry strategy manager, Autodesk. “Creating detailed simulations for smoke, fire, snow, explosions and more, or procedurally generated environments, has historically required a high level of expertise, but with the latest updates to Bifrost in Maya 2020.4, artists of all skill levels can take their first steps in visual programming,  building powerful simulations and custom tools.”

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    Tags:AutodeskBifrostMayaMaya 2020.4



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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