"Guillermo del Toro's Pinocchio" is top animated film; "The Lord of the Rings: The Rings of Power" leads the way in episodic TV
Avatar: The Way of Water tallied nine wins at the 21st Annual Visual Effects Society (VES) Awards, including the marquee honor for Outstanding Visual Effects in a Photoreal Feature. Avatar: The Way of Water additionally topped the Outstanding Animated Character in a Photoreal Feature (Kiri), Created Environment in a Photoreal Feature (The Reef), Virtual Cinematography in a CG Project, Model in a Photoreal or Animated Project (The Sea Dragon), Effects Simulations in a Photoreal Feature (water simulations), Compositing & Lighting in a Feature (water integration), Special (Practical) Effects in a Photoreal Feature (current machine & wave pool) and the Emerging Technology Award (water toolset) categories.
Also coming up big during the VES Awards’ in-person gala ceremony at the Beverly Hilton Hotel on Wednesday (2/15) were the feature film Guillermo del Toro’s Pinocchio and the TV series The Lord of the Rings: The Rings of Power with three wins apiece.
Guillermo del Toro’s Pinocchio won for Outstanding Visual Effects in an Animated Feature, Animated Character in an Animated Feature (Pinocchio himself), and Created Environment in an Animated Feature (in the stomach of a sea monster).
On the TV side, The Lord of the Rings: The Rings of Power won for Outstanding Visual Effects in a Photoreal Episode (“Udûn”), Created Environment in an Episode, Commercial or Real-time Project (“Adar”: Numenor City) and Effects Simulation in an Episode, Commercial or Real-time Project (“Udûn”: Water and Magma).
Other category winner highlights included 13 Lives scoring the honor for Outstanding Supporting Visual Effects in a Photoreal Feature, and Frito-Lay’s “Push It” topping the commercials competition.
Comedian/actor Patton Oswalt returned as host for the 10th time. Academy Award-winning filmmaker James Cameron presented the VES Lifetime Achievement award to acclaimed producer Gale Anne Hurd. The Society’s current and former Board chairs presented the VES Board of Directors Award to former executive director Eric Roth. That group of presenters included Lisa Cooke, current VES chair; Jim Morris, VES, president of Pixar Animation and founding VES chair; and former chairs Jeffrey A. Okun, VES, Mike Chambers, VES, Carl Rosendahl, VES, and Jeff Barnes.
Other VES Award presenters included: Academy-Award nominated filmmaker Rian Johnson, Academy-Award-winning filmmaker Domee Shi; actors Tig Notaro, Jay Pharoah, Tyler Posey, Randall Park, Angela Sarafyan, Bashir Salahuddin, Josh McDermitt and Danny Pudi. Dara Treseder, Autodesk’s chief marketing officer, presented the VES-Autodesk Student Award.
“As we celebrate the 21st Annual VES Awards, we’re honored to keep shining a light on remarkable visual effects artistry and innovation,” said VES chair Cooke. “In all of our colleagues honored tonight, we see best in class work that elevates the art of storytelling and exemplifies the spirit of adaptation and ingenuity–talents that have kept audiences engaged and uplifted, now, more than ever. The VES Awards is the only venue that showcases and honors these outstanding global artists across a wide range of disciplines, and we are extremely proud of all our winners and nominees!”
Winners of the 21st Annual VES Awards are as follows:
OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE
Avatar: The Way of Water
Richard Baneham
Walter Garcia
Joe Letteri
Eric Saindon
JD Schwalm
OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL FEATURE
Thirteen Lives
Jason Billington
Thomas Horton
Denis Baudin
Michael Harrison
Brian Cox
OUTSTANDING VISUAL EFFECTS IN AN ANIMATED FEATURE
Guillermo del Toro’s Pinocchio
Aaron Weintraub
Jeffrey Schaper
Cameron Carson
Emma Gorbey
OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL EPISODE
The Lord of the Rings: The Rings of Power; Udûn
Jason Smith
Ron Ames
Nigel Sumner
Tom Proctor
Dean Clarke
OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL EPISODE
Five Days at Memorial; Day Two
Eric Durst
Danny McNair
Matt Whelan
Goran Pavles
John MacGillivray
OUTSTANDING VISUAL EFFECTS IN A REAL-TIME PROJECT
The Last of Us Part I
Erick Pangilinan
Evan Wells
Eben Cook
Mary Jane Whiting
OUTSTANDING VISUAL EFFECTS IN A COMMERCIAL
Frito-Lay; Push It
Tom Raynor
Sophie Harrison
Ben Cronin
Martino Madeddu
OUTSTANDING VISUAL EFFECTS IN A SPECIAL VENUE PROJECT
ABBA Voyage
Ben Morris
Edward Randolph
Stephen Aplin
Ian Comley
OUTSTANDING ANIMATED CHARACTER IN A PHOTOREAL FEATURE
Avatar: The Way of Water; Kiri
Anneka Fris
Rebecca Louise Leybourne
Guillaume Francois
Jung Rock Hwang
OUTSTANDING ANIMATED CHARACTER IN AN ANIMATED FEATURE
Guillermo del Toro’s Pinocchio; Pinocchio
Oliver Beale
Richard Pickersgill
Brian Leif Hansen
Kim Slate
OUTSTANDING ANIMATED CHARACTER IN AN EPISODE, COMMERCIAL OR REAL-TIME PROJECT
The Umbrella Academy; Pogo
Aidan Martin
Hannah Dockerty
Olivier Beierlein
Miae Kang
OUTSTANDING CREATED ENVIRONMENT IN A PHOTOREAL FEATURE
Avatar: The Way of Water; The Reef
Jessica Cowley
Joe W. Churchill
Justin Stockton
Alex Nowotny
OUTSTANDING CREATED ENVIRONMENT IN AN ANIMATED FEATURE
Guillermo del Toro’s Pinocchio; In the Stomach of a Sea Monster
Warren Lawtey
Anjum Sakharkar
Javier Gonzalez Alonso
Quinn Carvalho
OUTSTANDING CREATED ENVIRONMENT IN AN EPISODE, COMMERCIAL, OR REAL-TIME PROJECT
The Lord of the Rings: The Rings of Power; Adar; Númenor City
Dan Wheaton
Nico Delbecq
Dan Letarte
Julien Gauthier
OUTSTANDING VIRTUAL CINEMATOGRAPHY IN A CG PROJECT
Avatar: The Way of Water
Richard Baneham
Dan Cox
Eric Reynolds
AJ Briones
OUTSTANDING MODEL IN A PHOTOREAL OR ANIMATED PROJECT
Avatar: The Way of Water; The Sea Dragon
Sam Sharplin
Stephan Skorepa
Ian Baker
Guillaume Francois
OUTSTANDING EFFECTS SIMULATIONS IN A PHOTOREAL FEATURE
Avatar: The Way of Water; Water Simulations
Johnathan Nixon
David Moraton
Nicolas James Illingworth
David Caeiro Cebrian
OUTSTANDING EFFECTS SIMULATIONS IN AN ANIMATED FEATURE
Puss in Boots: The Last Wish
Derek Cheung
Michael Losure
Kiem Ching Ong
Jinguang Huang
OUTSTANDING EFFECTS SIMULATIONS IN AN EPISODE, COMMERCIAL, OR REAL-TIME PROJECT
The Lord of the Rings: The Rings of Power; Udûn; Water and Magma
Rick Hankins
Aron Bonar
Branko Grujcic
Laurent Kermel
OUTSTANDING COMPOSITING & LIGHTING IN A FEATURE
Avatar: The Way of Water; Water Integration
Sam Cole
Francois Sugny
Florian Schroeder
Jean Matthews
OUTSTANDING COMPOSITING & LIGHTING IN AN EPISODE
Love, Death and Robots; Night of the Mini Dead
Tim Emeis
José Maximiano
Renaud Tissandié
Nacere Guerouaf
OUTSTANDING COMPOSITING & LIGHTING IN A COMMERCIAL
Ladbrokes; Rocky
Greg Spencer
Theajo Dharan
Georgina Ford
Jonathan Westley
OUTSTANDING SPECIAL (PRACTICAL) EFFECTS IN A PHOTOREAL PROJECT
Avatar: The Way of Water; Current Machine and Wave Pool
JD Schwalm
Richard Schwalm
Nick Rand
Robert Spurlock
OUTSTANDING VISUAL EFFECTS IN A STUDENT PROJECT (AWARD SPONSORED BY AUTODESK)
A Calling. From the Desert. To the Sea
Mario Bertsch
Max Pollmann
Lukas Löffler
Till Sander-Titgemeyer
EMERGING TECHNOLOGY AWARD
Avatar: The Way of Water; Water Toolset
Alexey Stomakhin
Steve Lesser
Sven Joel Wretborn
Douglas McHale
Florence Pugh and Andrew Garfield Connect in Director John Crowley’s “We Live in Time”
In "We Live in Time," Florence Pugh and Andrew Garfield act an entire life of a relationship — a gamut of dating, falling in love, having a child and reckoning with cancer. So when Garfield recently went on a six-day retreat in the woods without his phone, one of his first texts was to his co-star.
"I came out and I sent Florence a message. I just felt compelled," Garfield says. "When you reconnect with yourself, you reconnect with a bunch of stuff that matters to you. And I was just like, man, I haven't let Florence know for a few months how much this film and this time with her meant to me."
"We Live in Time," directed by John Crowley ( "Brooklyn," "The Goldfinch") and penned by playwright Nick Payne, is the kind of movie that provokes an emotional response, including for its two stars. In playing their characters, Almut and Tobias, across a decade of time, "We Live in Time" poignantly condenses, and remixes into a non-linear narrative, a wide spectrum of life. Right alongside each other are sex and heartbreak, stolen moments and life-changing ones, birth and death.
It was enough to go through together as actors that Pugh and Garfield, when they spoke the morning of the film's premiere at the Toronto International Film Festival last month, were still mourning it.
"I've never had this happen before in this way. We've literally spent the last two days trying to unpack it and everybody wants us to unpack it. And we don't know," says Pugh. "When we finished the movie, every scene that got closer and closer to the end, it became harder and harder to process that we weren't going to be able to do it anymore."
As two of the most in-demand actors of their generation, Pugh, 28, and Garfield, 41, have transformed themselves into all... Read More