By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --"Avengers: Infinity War" is still ruling the box office in its third weekend in theaters, easily beating out the mom-themed fare.
The Walt Disney Studios on Sunday estimates that "Infinity War" has added $61.8 million from North American theaters bringing its total domestic earnings to $547.8 million. Globally the film has now grossed over $1.6 billion— $200 million of which was from its massive opening in China this weekend. It's now the fifth highest grossing film of all time worldwide.
The superhero blockbuster overpowered newcomers like the Melissa McCarthy comedy "Life of the Party" and the Gabrielle Union thriller "Breaking In," both of which were strategically timed to debut on Mother's Day weekend. Both films drew overwhelmingly female audiences, too.
In a distant second, "Life of the Party" earned an estimated $18.5 million, which is a few million short of some of McCarthy's other comedy collaborations with husband Ben Falcone like "Tammy" and "The Boss." It also got similarly mixed reviews from critics. The Warner Bros. release stars McCarthy as a woman who decides to go back to college with her daughter.
The studio is "thrilled" with the results.
"It's escapist movie palace fare," said Jeff Goldstein, Warner Bros.' president of domestic distribution.
The modestly budgeted "Breaking In" took third place with $16.5 million, over-performing most industry expectations despite lackluster reviews. The film stars Union as a mom who has to fight to save her kids from a group of home invaders.
"It's an edge-of-the-seat thriller that you may not always associate with Mother's Day, but it worked extraordinarily well," said Jim Orr, Universal's president of domestic theatrical distribution.
The Universal Pictures release is just the latest in a long string of successful collaborations with producer Will Packer, who also produced "Girl's Trip" and the "Ride Along" films.
"We have a great partner in Will Packer and 'Breaking In' is another example of his very talented approach and our mutual success," Orr said.
Also benefiting from the Mother's Day timing was "Overboard," which earned $10.1 million to take fourth place, down only 31 percent from its debut last weekend. And rounding out the top five was "A Quiet Place" with $6.4 million. The John Krasinski-directed thriller has now earned $169.6 million domestically.
"This is a typical Mother's Day weekend with a big blockbuster in the mix and some counter programming thrown in for good measure as we await the arrival of 'Deadpool 2' next week," said comScore senior media analyst Paul Dergarabedian.
Because of the massive success of "Infinity War," the box office is up 4.9 percent for the year, and a slew of blockbusters coming up are hoping to continue the success, including "Deadpool 2" and "Solo: A Star Wars Story" just one week later.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1."Avengers: Infinity War," $61.8 million ($281.3 million international).
2."Life of the Party," $18.5 million ($2.9 million international).
3."Breaking In," $16.5 million ($1 million international).
4."Overboard," $10.1 million ($8.2 million international).
5."A Quiet Place," $6.4 million ($2.8 million international).
6."I Feel Pretty," $3.7 million ($3.5 million international).
7."Rampage," $3.4 million ($6.4 million international).
8."Tully," $2.2 million.
9."Black Panther," $1.9 million.
10."Blockers," $1.1 million ($1.2 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Avengers: Infinity War," $281.3 million.
2. "Overboard," $8.2 million.
3. "Truth or Dare," $7.4 million.
4. "Rampage," $6.4 million.
5. "Sherlock Gnomes," $5.6 million.
6. "Us And Them (dir. Liu)," $4.2 million.
7. "I Feel Pretty," $3.5 million.
8. "Wrestler," $3.4 million.
9. "I Am Your Mom," $3.2 million.
10. "Life of the Party," $2.9 million.
Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.
Review: Director James Watkins’ “Speak No Evil”
Quick. Has there ever been a horror film set in a country home with a decent cell signal?
Nope, and there's no signal at Paddy and Ciara's house, either, deep in the English countryside. Soon, that land line will be cut, too, but we're getting ahead of ourselves.
Paddy and Ciara are that fun-but-somewhat-odd British couple whom Louise and Ben, early in "Speak No Evil," meet on their idyllic Tuscan family holiday. Americans based in London, Louise and Ben are at loose ends, with both job and relationship issues. And so, when the new acquaintances write to invite them for a country weekend, they decide to go.
After all, how bad could it be?
Don't answer that. There are many such moments in the first two-thirds of "Speak No Evil," a Hollywood remake of the 2022 Danish film, here starring a deeply menacing James McAvoy. Moments where Louise and Ben, out of mere politeness and social convention, act against their instincts, which tell them something is wrong – very wrong.
Director James Watkins and especially his excellent troupe of actors, adult and children alike, do a nice job of building the tension, slowly but surely. Until all bloody hell breaks loose, of course. And then, in its third act, "Speak No Evil" becomes an entertaining but routine horror flick, with predictable results.
But for a while, it's a way more intelligent film. And the jumpy moments work — I'll confess to literally springing out of my seat when someone uneventfully turned on a power drill.
We begin in stunning Tuscany, where Louise (Mackenzie Davis, in the film's most accessible and empathetic performance) and Ben (Scoot McNairy, all nerves and insecurity) are vacationing with 11-year-old daughter Agnes (Alix West Lefler). At the pool, they... Read More