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    Home » “Avengers: Infinity War” Wins Marquee Honor At Visual Effects Society Awards

    “Avengers: Infinity War” Wins Marquee Honor At Visual Effects Society Awards

    By SHOOTWednesday, February 6, 2019Updated:Tuesday, May 14, 2024No Comments4990 Views
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    • Image
    This file image released by Marvel Studios shows, from left, Benedict Cumberbatch, Robert Downey Jr., Mark Ruffalo and Benedict Wong in a scene from "Avengers: Infinity War." In its second weekend in theaters, “Avengers: Infinity War” continues to dominate in North America. (Marvel Studios via AP, File)

    Film tops 4 categories as does top animated movie "Spider-Man: Into the Spider-Verse"; "Lost in Space" also scores 4 VES honors to lead broadcast fare

    By Robert Goldrich

    BEVERLY HILLS, Calif. --

    Avengers: Infinity War won the top honor at the Visual Effects Society Awards on Tuesday (2/5) evening at the Beverly Hilton, earning distinction for Outstanding Visual Effects in a Photoreal Feature. The Marvel film scored three more VES Awards–for effect simulations, compositing, and animated character (Thanos) in a photoreal feature.

    Marvel was also a VES marvel on the animated front as its Spider-Man: Into the Spider-Verse took home four awards as well–for VFX in an animated feature, best animated character (Miles Morales) in an animated feature, top created environment (graphic NYC) in an animated feature, and effects simulations in an animated feature.

    As for possible Academy Award implications, Avengers: Infinity War is up for this year’s Best Visual Effects Oscar as are Solo: A Star Wars Story, Ready Player One, Christopher Robin and First Man. Ready Player One took a pair of VES Awards: outstanding created environment (The Shining, Overlook Hotel) and virtual cinematography. First Man won the VES trophy for outstanding supporting VFX in a photoreal feature.

    Spider-Man: Into the Spider-Verse–which swept the VES animated feature categories–is nominated for the Best Animated Feature Oscar, along with Isle of Dogs, Mirai, Ralph Breaks the Internet, and Incredibles 2. The latter did not win a VES Award even though it received five nominations, the most of any animated feature. 

    TV, commercials
    On the TV score, Lost in Space (Netflix) was the big winner, also tallying four VES Awards–best VFX in a photoreal episode (“Danger Will Robinson”), best animated character (Humanoid) in an episode, best environment (the Impact Area in the “Pilot” episode), and outstanding compositing.

    Winning the VES Awards for best VFX in a commercial was John Lewis’ “The Boy and the Piano.” Named outstanding animated character in a commercial was Bam in Volkswagen’s “Born Confident.” And best compositing in a photoreal commercial went to Apple Homepod’s “Welcome Home,” which a few days earlier won Spike Jonze of MJZ the DGA Award as best commercial director of 2018.

    Special honors
    Jimmy Kimmel presented the VES Award for Creative Excellence to award-winning creators-executive producers-writers-directors David Benioff and D.B. Weiss, best known for the seminal HBO series Game of Thrones. 

    Evan Rachel Wood presented the VES Visionary Award to acclaimed writer-director-producer Jonathan Nolan, co-creator of HBO’s Westworld. 

    And Steve Carell presented the Lifetime Achievement Award to Oscar®-nominated producer Chris Meledandri, founder/CEO of Illumination.

    Here’s a rundown of the evening’s VES Awards winners spanning 24 categories:

    Outstanding Visual Effects in a Photoreal Feature 
    Avengers: Infinity War
    Daniel DeLeeuw
    Jen Underdahl
    Kelly Port
    Matt Aitken
    Daniel Sudick

    Outstanding Supporting Visual Effects in a Photoreal Feature
    First Man
    Paul Lambert
    Kevin Elam
    Tristan Myles
    Ian Hunter
    JD Schwalm

    Outstanding Visual Effects in an Animated Feature
    Spider-Man: Into the Spider-Verse
    Joshua Beveridge
    Christian Hejnal
    Danny Dimian
    Bret St. Clair

    Outstanding Visual Effects in a Photoreal Episode
    Lost in Space; Danger, Will Robinson
    Jabbar Raisani
    Terron Pratt
    Niklas Jacobson
    Joao Sita

    Outstanding Supporting Visual Effects in a Photoreal Episode
    Tom Clancy’s Jack Ryan; Pilot
    Erik Henry
    Matt Robken
    Bobo Skipper
    Deak Ferrand
    Pau Costa

    Outstanding Visual Effects in a Real-Time Project
    Age of Sail
    John Kahrs
    Kevin Dart
    Cassidy Curtis
    Theresa Latzko

    Outstanding Visual Effects in a Commercial
    John Lewis; The Boy and the Piano
    Kamen Markov
    Philip Whalley
    Anthony Bloor
    Andy Steele

    Outstanding Visual Effects in a Special Venue Project
    Childish Gambino’s Pharos
    Keith Miller
    Alejandro Crawford
    Thelvin Cabezas
    Jeremy Thompson

    Outstanding Animated Character in a Photoreal Feature
    Avengers: Infinity War; Thanos
    Jan Philip Cramer
    Darren Hendler
    Paul Story
    Sidney Kombo-Kintombo

    Outstanding Animated Character in an Animated Feature
    Spider-Man: Into the Spider-Verse; Miles Morales
    Marcos Kang
    Chad Belteau
    Humberto Rosa
    Julie Bernier Gosselin

    Outstanding Animated Character in an Episode or Real-Time Project
    Lost in Space; Humanoid
    Chad Shattuck
    Paul Zeke
    Julia Flanagan
    Andrew McCartney

    Outstanding Animated Character in a Commercial
    Volkswagen; Born Confident; Bam
    David Bryan
    Chris Welsby
    Fabian Frank
    Chloe Dawe

    Outstanding Created Environment in a Photoreal Feature
    Ready Player One; The Shining, Overlook Hotel
    Mert Yamak
    Stanley Wong
    Joana Garrido
    Daniel-Ștefan Gagiu

    Outstanding Created Environment in an Animated Feature
    Spider-Man; Into the Spider-Verse; Graphic New York City
    Terry Park
    Bret St. Clair
    Kimberly Liptrap
    Dave Morehead

    Outstanding Created Environment in an Episode, Commercial, or Real-Time Project
    Lost in Space; Pilot; Impact Area
    Philip Engström
    Kenny Vähäkari
    Jason Martin
    Martin Bergquist

    Outstanding Virtual Cinematography in a Photoreal Project
    Ready Player One; New York Race
    Daniele Bigi
    Edmund Kolloen
    Mathieu Vig
    Jean-Baptiste Noyau

    Outstanding Model in a Photoreal or Animated Project
    Mortal Engines; London
    Matthew Sandoval
    James Ogle
    Nick Keller
    Sam Tack

    Outstanding Effects Simulations in a Photoreal Feature
    Avengers: Infinity War; Titan
    Gerardo Aguilera
    Ashraf Ghoniem
    Vasilis Pazionis
    Hartwell Durfor

    Outstanding Effects Simulations in an Animated Feature
    Spider-Man: Into the Spider-Verse
    Ian Farnsworth
    Pav Grochola
    Simon Corbaux
    Brian D. Casper

    Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project
    Altered Carbon
    Philipp Kratzer
    Daniel Fernandez
    Xavier Lestourneaud
    Andrea Rosa

    Outstanding Compositing in a Photoreal Feature
    Avengers: Infinity War; Titan
    Sabine Laimer
    Tim Walker
    Tobias Wiesner
    Massimo Pasquetti

    Outstanding Compositing in a Photoreal Episode
    Lost in Space; Impact; Crash Site Rescue
    David Wahlberg
    Douglas Roshamn
    Sofie Ljunggren
    Fredrik Lönn

    Outstanding Compositing in a Photoreal Commercial
    Apple; Welcome Home
    Michael Ralla
    Steve Drew
    Alejandro Villabon
    Peter Timberlake

    Outstanding Visual Effects in a Student Project
    Terra Nova
    Thomas Battistetti
    Mélanie Geley
    Mickael Le Mezo
    Guillaume Hoarau

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    Category:News
    Tags:Avengers: Infinity WarLost in SpaceSpider-Man: Into the Spider-VerseVES Awards



    Thanks To Shows Like “Abbott Elementary” and “Hacks,” LGBTQ+ Representation On Primetime TV Grows

    Thursday, November 6, 2025

    TV shows like "Abbott Elementary," "Hacks," "Heartstopper," "The Last of Us" and "Yellowjackets" helped increase the ranks of LGBTQ+ characters on prime time by 4% over the previous season, according to a new study by the advocacy group GLAAD. This year's "Where We Are on TV" study, released Thursday, counted 489 LGBTQ characters across scripted prime-time broadcast, cable and streaming shows — up 21 additional characters. It marks a boost after two years of decline, but remains far below the 2021-2022 record high of 637 characters. Sarah Kate Ellis, president and CEO of the group, warned that those numbers could still decrease soon: More than 200 of the LGBTQ+ characters counted this year — in shows like "Heartstopper," "Harlem" and "Elite" — will not be returning due to a flurry of series cancellations, endings or because they were limited series. "Storytelling brings us together and this current cultural and political climate calls on creatives and executives to double down on fair and accurate stories of LGBTQ people," Ellis writes in the report. GLAAD added that the number of transgender characters on TV has slightly increased from last year to reach 33 — 24 trans women, seven trans men, and two nonbinary characters — but only four trans characters appear on series that have been officially renewed. The report is the 20th edition of the annual tracking by GLAAD and charts a remarkable leap from just 47 LGBTQ+ characters in the first study. It arrives as President Donald Trump has targeted transgender and nonbinary people with a series of executive orders — including one declaring the existence of two unchangeable sexes — stripping government websites of "gender ideology" an reinstituting a ban on transgender service members in the... Read More

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