First actor to win Academy Award in consecutive years--for "The Great Ziegfeld" in 1936, "The Good Earth" in '37
By Jill Lawless
LONDON (AP) --Luise Rainer, a star of cinema's golden era who won back-to-back Oscars but then walked away from a glittering Hollywood career, has died. She was 104.
Rainer, whose roles ranged from the 1930s German stage to television's "The Love Boat," died Tuesday at her home in London from pneumonia, said her only daughter, Francesca Knittel-Bowyer.
"She was bigger than life and can charm the birds out of the trees," Knittel-Bowyer said. "If you saw her, you'd never forget her."
The big-eyed, apple-cheeked Rainer gained Hollywood immortality by becoming the first person to win an acting Academy Award in consecutive years, taking the best actress prize for "The Great Ziegfeld" in 1936 in and "The Good Earth" in 1937.
It's a feat since achieved by only four other actors.
Those trophies marked the peak of Rainer's career, which declined so rapidly that many considered her an early victim of "the curse of the Oscars." She fought with her studio over control of her career, fled Hollywood for New York and suffered through a brief, unhappy marriage to the playwright Clifford Odets. By the early 1940s, her stardom had essentially ended.
Rainer herself described the double victory as the worst thing that could have happened to her.
"When I got two Oscars, they thought, 'Oh, they can throw me into anything,'" Rainer told The Associated Press in a 1999 interview.
Rainer was born Jan. 12, 1910 — in Vienna, Austria, according to her entry in the reference book "Who's Who," although some sources give her birthplace as Duesseldorf, Germany. She began her acting career as a teenager under innovative Austrian director Max Reinhardt and appeared in several German films.
In the mid-1930s she was discovered by a talent scout from Metro-Goldwyn-Mayer — on the lookout for new European beauties to rival Greta Garbo — and whisked to Hollywood. Her first U.S. film was the largely forgotten "Escapade" (1935), but her next roles made her a star.
Rainer may well have sobbed herself to her first Oscar, playing actress Anna Held, wife of impresario Florenz Ziegfeld, in "The Great Ziegfeld." The film featured a classic telephone scene during which, Anna, tears running down her face, congratulates her now ex-husband on his marriage to another actress. Her next Oscar was for playing a virtuous Chinese peasant in the screen adaptation of Pearl S. Buck's epic novel "The Good Earth."
Suddenly Rainer — now nicknamed the "Viennese Teardrop" — was famous, her beauty and emotional intensity winning many fans. But stardom, she later said, did not bring happiness.
Years later, Rainer recalled how she had just had a fight with her husband, American playwright Clifford Odets, when she got word that she had won her second Oscar. In those days, winners were announced hours before the ceremony began.
"I hadn't even dreamed of getting another Academy Award, and there I was unhappy in my private life and miserable," she told the AP in 1999. "I remember Odets drove me three times around the Biltmore, where the Oscars were given out, because I was so full of tears."
Rainer made several pictures in 1938, including "Toy Wife" and "The Great Waltz," but she chafed under the studio system and clashed with MGM chief Louis B. Mayer, and soon moved to New York with Odets. "I had a seven-year contract that I broke and went away," Rainer said in 1999. "I was a machine, practically, a tool in a big, big factory, and I could not do anything. I wanted to film 'Madame Curie,' but Mayer forbade me. I wanted to do 'For Whom the Bell Tolls,' but (producer David O.) Selznick took Ingrid Bergman and brought her to (Ernest) Hemingway and I didn't know Hemingway. "And so I left. I just went away. I fled; yes, I fled."
Rainer made one more Hollywood film — "Hostages" in 1943 — but spent most of her later life in England. She made occasional film and television appearances, including an episode of "The Love Boat" in 1984.
One of her last film roles was in "The Gambler" a 1998 adaptation of a Fyodor Dostoyevsky story, in which she appeared with Michael Gambon and Dominic West.
Rainer and Odets — author of "Waiting for Lefty" and "Awake and Sing!" — married in 1937 and divorced three tempestuous years later. In 1945, she married publisher Robert Knittel, who died in 1989. She's survived by her daughter with Knittel, and two granddaughters.
Rainer lived for many years in an apartment on London's genteel Eaton Square. Her entry in "Who's Who" listed her recreations as "formerly mountain climbing, now writing, painting." Four actors have matched Rainer's Oscar double in consecutive years: Spencer Tracy, Katharine Hepburn, Jason Robards and Tom Hanks.
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AP writer Daisy Nguyen contributed to this report from Los Angeles.
Review: Director-Writer Megan Park’s “My Old Ass”
They say tripping on psychedelic mushrooms triggers hallucinations, anxiety, paranoia and nervousness. In the case of Elliott, an 18-year-old restless Canadian, they prompt a visitor.
"Dude, I'm you," says the guest, as she nonchalantly burns a 'smores on a campfire next to a very high and stunned Elliott. "Well, I'm a 39-year-old you. What's up?"
What's up, indeed: Director-writer Megan Park has crafted a wistful coming-of-age tale using this comedic device for "My Old Ass" and the results are uneven even though she nails the landing.
After the older Elliott proves who she is — they share a particular scar, childhood memories and a smaller left boob — the time-travel advice begins: Be nice to your brothers and mom, and stay away from a guy named Chad.
"Can we hug?" asks the older Elliott. They do. "This is so weird," says the younger Elliott, who then makes things even weirder when she asks for a kiss — to know what it's like kissing yourself. The older Elliott soon puts her number into the younger's phone under the name "My Old Ass." Then they keep in touch, long after the effects of the 'shrooms have gone.
Part of the movie's problem that can't be ignored is that the two Elliotts look nothing alike. Maisy Stella plays the coltish young version and a wry Aubrey Plaza the older. Both turn in fine performances but the visuals are slowly grating.
The arrival of the older Elliott coincides with her younger self counting down the days until she can flee from her small town of 300 in the Muskoka Lakes region to college in Toronto, where "my life is about to start." She's sick of life on a cranberry farm.
Park's scenes and dialogue are unrushed and honest as Elliott takes her older self's advice and tries to repair... Read More