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    Home » Barking Owl’s Wilde “Journey” For lululemon, Droga5 NY Tops SHOOT Quarterly Music Chart

    Barking Owl’s Wilde “Journey” For lululemon, Droga5 NY Tops SHOOT Quarterly Music Chart

    By SHOOTFriday, October 15, 2021Updated:Tuesday, May 14, 2024No Comments3358 Views
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    Barking Owl creative director Kelly Bayett

    Daniel Wolfe directs anthem film set to excerpts from emotionally moving short story "The Selfish Giant"

    By A SHOOT Staff Report

    --

    The centerpiece of the new lululemon activewear “FEEL” campaign from Droga5 New York is this two-minute film, “Being well is a journey,” directed by Daniel Wolfe via production house Love Song. 

    Set to excerpts from Oscar Wilde’s short story “The Selfish Giant,” the anthem follows one person’s journey through a cycle of punishing, unsustainable and closed-off behaviors, before opening up, emotionally and physically, to a new world of sustainable practice, community, and joy. The giant in the story builds a wall around his garden, closing off his world from others–and thus even fails to feel the change of seasons. A tale of isolation and its consequences carries an extra measure of relevance today given the COVID pandemic and the craving for connection that so many of us have felt as a result. Simply, in order to feel well, you have to feel, necessitating that we reach out to others and allow others to reach out to us.

    “Being well is a journey,” on which Barking Owl was the music/sound house, took the #1 slot in SHOOT’s Q3 Top Ten Tracks Music Chart–with two-time Oscar winner Atticus Ross serving as composer and Dan Flosdorf as sound designer and audio post mixer. Ross won Academy Awards for Best Original Score in 2011 for his co-writing exploits on The Social Network and earlier this year for Soul. Soul was one of two such Oscar nods that Ross received in 2021–the other being for being a co-composer on Mank.

    Other key members of the Barking Owl team on “Being well is a journey” included creative director Kelly Bayett and producer Ashley Benton.

    Letting the narrative speak
    Bayett shared that doing justice to Wilde’s story musically and in terms of sound design was a high priority. “Oscar Wilde’s ‘Selfish Giant’ is an absolutely stunning piece of work,” she said. “When you hear that over the visuals, it tells such a clear story and so many people can see themselves in the narrative and our hero. We couldn’t do anything with the music or sound design that would overshadow the narration. That is the key here, and even the mix was a very delicate balance of what brought depth and weight and what became overpowering.”

    Bayett observed that the biggest challenge the lululemon film posed to the Barking Owl team involved getting the desired feel and inspiration just right. “From an audio standpoint, we wanted to really highlight the repetitiveness in our hero’s daily life.  But his repetitive behavior wasn’t just the same thing every day, but this idea that you push yourself to the limit everyday, and you become numb.  We wanted to make sure that, as the viewer, you felt the intensity and also the relief once he is finally quiet and allowed to just FEEL.  We push ourselves so hard to feel anything, taking pills, working all night, working out with high intensity.  But from a sonic standpoint, we had to make sure you felt the difference between the intensity in the beginning, as well as the relief when you realize you don’t have to push so hard.  You can just be present, and you will feel so much.”

    Mike Ladman served as sr. music supervisor for Droga5 NY on the film.

    Click here to see the full quarterly Top Ten Tracks Chart.

     

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    Category:News
    Tags:Atticus RossBarking OwlDroga5 New YorkKelly BayettTop Ten Tracks



    Emotional Speeches By Jafar Panahi and Ryan Coogler Stir The NBR Awards Ceremony

    Wednesday, January 14, 2026

    An emotional plea by Iranian filmmaker Jafar Panahi and moving words from Ryan Coogler on the violence in Minneapolis stirred a National Board of Review Awards ceremony Tuesday in which Paul Thomas Anderson's "One Battle After Another" was again crowned the best film of the year. Coming two days after Sunday's Golden Globes, the annual, untelevised New York gala, held in the cavernous midtown banquet all Cipriani 42nd Street and hosted by Willie Geist, played out as a more intimate and frank-spoken alternative. The winners themselves were already announced, so the night was always going to belong to "One Battle After Another." The National Board of review, a group that is made up of film enthusiasts and dates to 1909, not only named it 2025's best film but awarded the best actor prize to Leonardo DiCaprio, best director to Anderson, best supporting actor to Benicio Del Toro and breakthrough performer to Chase Infiniti. Yet in an ongoing parade of awards for "One Battle After Another," its night at the NBRs still stood out. The surprise presenter of the movie's best film award was Martin Scorsese, who praised "the audacity" of Anderson's narratives and the accomplishment of his latest. "Like all great films, it can't really be compared to anything else," Scorsese said. "It stands alone. It's a great American film." Anderson, trying to take in the wealth of honors, attempted to describe what " One Battle After Another," his father-daughter tale of revolution, might represent. His answer came in pointing out his own daughter, sitting at his table. "I don't know what our movie is about, but I do know it's about loving your kids," Anderson said. For many of the honorees, the world outside the starry banquet weighed heavily. Coogler's speech was among... Read More

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