Daniel Wolfe directs anthem film set to excerpts from emotionally moving short story "The Selfish Giant"
By A SHOOT Staff Report
The centerpiece of the new lululemon activewear “FEEL” campaign from Droga5 New York is this two-minute film, “Being well is a journey,” directed by Daniel Wolfe via production house Love Song.
Set to excerpts from Oscar Wilde’s short story “The Selfish Giant,” the anthem follows one person’s journey through a cycle of punishing, unsustainable and closed-off behaviors, before opening up, emotionally and physically, to a new world of sustainable practice, community, and joy. The giant in the story builds a wall around his garden, closing off his world from others–and thus even fails to feel the change of seasons. A tale of isolation and its consequences carries an extra measure of relevance today given the COVID pandemic and the craving for connection that so many of us have felt as a result. Simply, in order to feel well, you have to feel, necessitating that we reach out to others and allow others to reach out to us.
“Being well is a journey,” on which Barking Owl was the music/sound house, took the #1 slot in SHOOT’s Q3 Top Ten Tracks Music Chart–with two-time Oscar winner Atticus Ross serving as composer and Dan Flosdorf as sound designer and audio post mixer. Ross won Academy Awards for Best Original Score in 2011 for his co-writing exploits on The Social Network and earlier this year for Soul. Soul was one of two such Oscar nods that Ross received in 2021–the other being for being a co-composer on Mank.
Other key members of the Barking Owl team on “Being well is a journey” included creative director Kelly Bayett and producer Ashley Benton.
Letting the narrative speak
Bayett shared that doing justice to Wilde’s story musically and in terms of sound design was a high priority. “Oscar Wilde’s ‘Selfish Giant’ is an absolutely stunning piece of work,” she said. “When you hear that over the visuals, it tells such a clear story and so many people can see themselves in the narrative and our hero. We couldn’t do anything with the music or sound design that would overshadow the narration. That is the key here, and even the mix was a very delicate balance of what brought depth and weight and what became overpowering.”
Bayett observed that the biggest challenge the lululemon film posed to the Barking Owl team involved getting the desired feel and inspiration just right. “From an audio standpoint, we wanted to really highlight the repetitiveness in our hero’s daily life. But his repetitive behavior wasn’t just the same thing every day, but this idea that you push yourself to the limit everyday, and you become numb. We wanted to make sure that, as the viewer, you felt the intensity and also the relief once he is finally quiet and allowed to just FEEL. We push ourselves so hard to feel anything, taking pills, working all night, working out with high intensity. But from a sonic standpoint, we had to make sure you felt the difference between the intensity in the beginning, as well as the relief when you realize you don’t have to push so hard. You can just be present, and you will feel so much.”
Mike Ladman served as sr. music supervisor for Droga5 NY on the film.
Click here to see the full quarterly Top Ten Tracks Chart.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More