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    Home » Baselight Makes The Grade For Artjail

    Baselight Makes The Grade For Artjail

    By SHOOTWednesday, October 23, 2019Updated:Tuesday, May 14, 2024No Comments1582 Views
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    NEW YORK --

    Independent VFX boutique Artjail has added a Baselight grading suite in each of its locations: one in its New York studio, and one in Toronto. Bringing grading and VFX together will strengthen the studio’s workflow for complex effects projects, including ad projects and longform fare.

    Since Artjail was founded in 2008, color was always a requirement for the business, but there was an opportunity to up the stakes and introduce Baselight into the pipeline. Sr. colorist Clinton Homuth explained the positive attractions of Baselight. “Being an overwhelmingly visual person, Baselight’s user interface is a real positive for me,” he said. “I find myself moving a lot faster, which means more time to explore. I’m a really big fan of using Baselight’s tools in combination with one another – using blending modes to smash a bunch of various looks together is a large part of my experimentation and look development process.”

    While NY and Toronto operate largely as self-contained facilities with their own projects, Artjail is enthused over having tighter integration between grading and various VFX pipelines. The FilmLight BLG render-free workflow–based on the small and portable OpenEXR BLG file that can be used to share looks between Baselight and NUKE, Flame or Avid–allows editors and compositors to access the full grade, in real time, by exchanging the compact BLG.

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    Tags:ArtjailBaselightFilmLight



    Review: Kate Winslet Makes Feature Directorial Debut With “Goodbye June”

    Friday, December 12, 2025

    Kate Winslet is due a very thoughtful Christmas gift this year. The veteran actor made a pretty extraordinary maternal gesture, directing, producing and starring in a film her son, Joe Anders, wrote, "Goodbye June," which is in limited release this weekend and streaming on Netflix Dec. 24.

    While it might be worth pointing out that the script originated in a screenwriting class, there will be no nepo baby jokes here. Put alongside most of the Christmas offerings on Netflix, which seem to veer more toward the secret princess/fantasy/romance side of things, and aren't even attempting to be, well, very good, "Goodbye June" is an admirably solid, if generic, drama about family and death with a very distinguished cast.

    Terminal illness, estranged adult siblings and hospital rooms are certainly not going to be everyone's cup of tea around the holidays, but you probably already know by this point whether this is an experience you want to sign up for. It remains a mystery why so many holiday movies feel the need to include a dying mother. Perhaps it's because, from an emotional standpoint, it rarely misses.

    Unlike, say "The Family Stone" however, "Goodbye June" actually places the audience in that most unpleasant of settings: The hospital. It begins with a nightmare scenario, with the elderly mother, June ( Helen Mirren ) collapsing as the kettle cries out on the stove. Her grown son Connor (Johnny Flynn) finds her, collects his father Bernie (Timothy Spall), and they race off to the hospital, forgetting to turn off the tap in the sink before they leave. "Goodbye June" has an eye for the mundane details that make up everyday life that all seem so small in the face of loss.

    Soon, they're greeted by the rest of June and Bernie's daughters, Julia... Read More

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