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    Home » BBDO NY, The One Club Come Together On Diversity Initiative

    BBDO NY, The One Club Come Together On Diversity Initiative

    By SHOOTFriday, May 29, 2015Updated:Tuesday, May 14, 2024No Comments2402 Views
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    David Lubars

    Creative Residency program formed to nurture multicultural students and young professionals

    NEW YORK --

    The One Club, producers of Creative Week and the One Show Awards, announced the formalization of “Creative Residency,” a program developed in collaboration with BBDO New York that provides multicultural students and young professionals with a yearlong residency at BBDO’s New York office.

    The program was first fielded in BBDO New York during the latter part of 2014/early 2015.  It involved the hiring of five young “creative talents” tapped by BBDO from The One Club’s diversity initiatives:  the Creative Boot Camp, a series of intensive workshops that introduces multicultural students to advertising and design, and Here Are All the Black People, a career fair for emerging and aspiring creatives of diverse backgrounds, whose program includes inspiring talks, panel discussions, creative pitches and portfolio reviews.

    “We’ve been thinking about lack of diversity and its complexities for a long time,” said JD Michaels, EVP and director of diversity & creative engineering at BBDO NY.  “When we created this program, we asked ourselves, ‘What better way to get young people involved in our business then to actually come work for it.  Could it be this easy?’ At least in our corner of the world, yes, it is.”

    Following a three-week orientation period, five residents assumed junior creative positions and were assigned to account teams.

    “We’re committed to this for two reasons,” said David Lubars, chief creative officer, BBDO Worldwide.  “One, it’s frickin’ embarrassing how un-diverse the industry still is, enough already.  Two, BBDO needs brilliant talent and these kids are fantastically talented.”

    “There’s a lot of talk about the need to address the lack of diversity in our industry, but it’s academic until you actually do something,” said Traecy Smith, director of diversity at The One Club.  “BBDO is putting its money where its mouth is.  We are grateful for their support, initiative and for the leadership at BBDO, especially David Lubars, who posed a call-to-action for the residency during a panel at last year’s Here Are All the Black People, essentially creating the program onstage.”

    The inaugural Creative Residents selected are:

    ·       Sheue-Fang Lee:  She is a native of Malaysia, a product of Queens College, a three-time Creative Boot Camp participant and a passionate designer and art director.

    ·       Shayne Alexander:  Raised on the island of St. Vincent, Alexander is a photography enthusiast.  His eye is on art direction.

    ·       Bennett D. Bennett:  Bennett is a copywriter and helped develop AdByte, powered by Google, a one-day immersion for multicultural professionals in ad technologies.

    ·       Kayla Robinson:  Robinson recently graduated from The University of Texas in Austin with a major in advertising and art direction.  She co-founded Minorities in Advertising.

    ·       Chris Vega:  Vega is a Stanford graduate and a copywriter. When not working, he produces music and writes stories.

    “I believe that one of most pivotal assets in life is to never stop learning.  By working among some of the most talented people in the advertising industry, I continually grow and learn as a young creative. That’s valuable,” said Alexander, art director at BBDO New York and one of the program’s inaugural Creative Residents. 

    The next class of Creative Residents will start in January of 2016.  BBDO New York is currently searching for next year’s Creative Residents and will be vetting candidates at Here Are All the Black People, taking place in New York on September 29.

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    Category:News
    Tags:BBDO New YorkCreative ResidencyThe One Club



    A Pair of Artist Perspectives On “A House of Dynamite”

    Friday, December 5, 2025

    This week’s Road To Oscar installment offers a pair of perspectives--those of cinematographer Barry Ackroyd, BSC and editor Kirk Baxter--on the Kathryn Bigelow-directed A House of Dynamite (Netflix), a film which is also centered on multiple perspectives. The latter POVs--each unfolding in a 20-minute-or-so segment covering the same nuclear crisis--come, respectively, from intelligence officials in the Situation Room, high-level military advisors, and finally the President of the United States himself (portrayed by Idris Elba). A nuclear missile has been launched towards Chicago from an unknown adversary overseas. A race begins to try to prevent the warhead’s impact, to determine who is responsible for the attack, if there are more missiles to come, and how to respond. The pressure on decision-makers--and those supposed to provide them with relevant intelligence--is enormous as Noah Oppenheim’s screenplay at the same time underscores how tenuous the system is that’s designed to protect us. The story and the situation it presents are deadly serious. But in the real world, the public at large pays little or no attention to this existential threat--an indifference that Bigelow and her collaborative colleagues, including Ackroyd and Baxter, set out to help rectify through their narrative artistry. Going into A House of Dynamite, Ackroyd and Baxter were at opposite ends of the experience continuum when it came to collaborating with Bigelow. A House of Dynamite was the first feature film on which Bigelow and editor Baxter came together. They had, however, worked with each other once before--on an Apple commercial in 2021. Ackroyd had earlier teamed with Bigelow on such features as Detroit and before that The Hurt... Read More

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