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    Home » BBDO’s David Lubars Reflects On His Induction Into One Club’s Creative Hall of Fame

    BBDO’s David Lubars Reflects On His Induction Into One Club’s Creative Hall of Fame

    By SHOOTThursday, September 28, 2017Updated:Tuesday, May 14, 2024No Comments4702 Views
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    David Lubars

    Shares principles that have served him in good stead

    By Robert Goldrich

    NEW YORK --

    Last week David Lubars, chief creative officer of BBDO Worldwide and chairman of BBDO North America, was inducted into the One Club for Creativity’s Creative Hall of Fame. 

    This week he received the 2017 Clio Lifetime Achievement Award.

    The Creative Hall of Fame has a rich heritage of honoring the lifetime achievements of creative luminaries in advertising and design, such as Mary Wells, David Ogilvy, Bill Bernbach and Lee Clow. The first inductee was Leo Burnett in 1961.
     
    “The Creative Hall of Fame is the ultimate recognition of a storied career as a creative professional, and our newest inductees are being honored because of their significant impacts on the advertising and design industries,” said Kevin Swanepoel, CEO of The One Club for Creativity. “These are creatives whose work has transcended advertising.”

    Among the One Club Hall of Fame inductees alongside Lubars last week were Susan Hoffman of Wieden+Kennedy and Tom Burrell of Burrell Communications.

    On the Clio front, the Lifetime Achievement Award is the latest honor of many Lubars has received from that competition. In fact, Lubars has had a hand in more than 150 Clio wins over the years. Clio president Nicole Purcell described Lubars as “a creative genius,” adding that “his drive is unmatched, and that reflects in his hard-working teams across the globe that consistently produce forward-thinking creative work. We are honored to be recognizing a career’s worth of accomplishments, and look forward to seeing what the next years bring.”

    In the 13 years since Lubars joined BBDO, he has helped transform the agency into the most creatively awarded in the world and a recipient of more than 15 Agency of the Year recognitions by various industry publications, including SHOOT.  His work for BMW Films back when he was at Fallon changed what was thought of as advertising forever.  He was named one of the top 10 creative directors of all time in a recent story published in Forbes CMO Network. And Lubars was on the 4A’s list of 100 people who make advertising great.

    SHOOT connected with Lubars shortly after his One Club Creative Hall of Fame induction. He reflected upon the principles that have served him in good stead, as well as the ad artisans who have positively influenced him over the years.

    SHOOT: In your Hall of Fame acceptance speech you cited three principles/axioms that have served you well. Discuss those truisms and elaborate on what each means.
     
    Lubars: Well, the first principle is, you have to work with great people.  Everyone already knows that – but you also have to let them know you think they’re great, something that’s easy to forget.  The second principle is to know where you want things to go.  We wanted to be a 21st Century version of a kickass '60s creative agency; that’s what we’re doing.  The third principle is to constantly be learning but also always be unlearning.  Keep shedding the creative tropes, bandwagon trends, safety valves that lead to mediocre.  A big idea is everything and without it you have nothing.  A big idea is worth millions to your clients.

    SHOOT: At the podium, you also mentioned people who had profoundly positive influences on you, including Steve Hayden (creative maven at ChiatDay, BBDO, Ogilvy) and Allen Rosenshine (former chairman/CEO of BBDO Worldwide). Share with us how they impacted you and your career.

    Lubars: These legends took a chance on me early on, saw something I didn’t see in myself.  Changed my career and, it’s not an overstatement to say, my life.
     
    SHOOT: Looking back on your career thus far, what are the most compelling changes, themes, trends you’ve witnessed and why?
     
    Lubars: I don’t know what to say about themes and trends.  But the overall thing is to never let the concrete harden on yourself.  You have to keep stirring it, keep it liquid, so you can flow with wherever the world takes you.  Saddest thing is seeing great creatives stop being great because they allowed their talent to petrify.

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    Category:Chat Room Interviews
    Tags:BBDOChat RoomDavid LubarsOne Club for Creativity



    A Pair of Artist Perspectives On “A House of Dynamite”

    Friday, December 5, 2025

    This week’s Road To Oscar installment offers a pair of perspectives--those of cinematographer Barry Ackroyd, BSC and editor Kirk Baxter--on the Kathryn Bigelow-directed A House of Dynamite (Netflix), a film which is also centered on multiple perspectives. The latter POVs--each unfolding in a 20-minute-or-so segment covering the same nuclear crisis--come, respectively, from intelligence officials in the Situation Room, high-level military advisors, and finally the President of the United States himself (portrayed by Idris Elba). A nuclear missile has been launched towards Chicago from an unknown adversary overseas. A race begins to try to prevent the warhead’s impact, to determine who is responsible for the attack, if there are more missiles to come, and how to respond. The pressure on decision-makers--and those supposed to provide them with relevant intelligence--is enormous as Noah Oppenheim’s screenplay at the same time underscores how tenuous the system is that’s designed to protect us. The story and the situation it presents are deadly serious. But in the real world, the public at large pays little or no attention to this existential threat--an indifference that Bigelow and her collaborative colleagues, including Ackroyd and Baxter, set out to help rectify through their narrative artistry. Going into A House of Dynamite, Ackroyd and Baxter were at opposite ends of the experience continuum when it came to collaborating with Bigelow. A House of Dynamite was the first feature film on which Bigelow and editor Baxter came together. They had, however, worked with each other once before--on an Apple commercial in 2021. Ackroyd had earlier teamed with Bigelow on such features as Detroit and before that The Hurt... Read More

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