By Kirsten Grieshaber
BERLIN (AP) --The Berlin International Film Festival on Thursday announced 15 films that are part of this year’s competition and will compete for the top Golden and Silver Bear awards. The festival is taking place in a sized-down, more virtual form due to the pandemic.
The selection includes several German contributions and films from France, Romania, Hungary Mexico, South Korea and Japan, among others.
Along the German films are world premieres such as “Fabian — Going to the Dogs,” directed by Dominik Graf, “I’m your man” by Maria Schrader and “Next Door” by Daniel Bruehl.
There’s an Iranian-French production called “Ballad of a White Cow” by Behtash Sanaeeha and Maryam Moghaddam and the Korean “Introduction” by Hong Sangsoo.
Japan is presented with the “Wheel of Fortune and Fantasy” by Ryusuke Hamaguchi and Hungary with “Forest — I See You Everywhere” by Bence Fliegauf.
“The disruption brought on by the events of 2020 has led filmmakers to make the most of this situation and create deeply personal films,” artistic director Carlo Chatrian said in a statement about the selection.
“This Competition is less rich in numbers but very dense in content and style.”
The film festival is taking place in a revamped form because of the pandemic. Organizers announced in December that the “Berlinale,” traditionally the first of the year’s major European film festivals, will be split into two parts because of coronavirus restrictions.
An online event for the industry, with the jury choosing the winners, is to be held March 1-5. Plans call for a “summer special” to follow June 9-20, at which the public will get a chance to see the winners and a selection of other films. The award ceremony is to take place in June.
The festival also announced last month that it is taking a new approach to the international jury this year. It will do without a jury president, and instead the entries will be judged by six directors whose films won the event’s top Golden Bear award.
Films in Competition
Albatros (Drift Away)
France
by Xavier Beauvois
with Jérémie Renier, Marie-Julie Maille, Victor Belmondo
World premiere
Babardeală cu bucluc sau porno balamuc (Bad Luck Banging or Loony Porn)
Romania / Luxemburg / Croatia / Czech Republic
by Radu Jude
with Katia Pascariu, Claudia Ieremia, Olimpia Mălai
World premiere
Fabian oder Der Gang vor die Hunde (Fabian – Going to the Dogs)
Germany
by Dominik Graf
with Tom Schilling, Saskia Rosendahl, Albrecht Schuch
World premiere
Ghasideyeh gave sefid (Ballad of a White Cow)
Iran / France
by Behtash Sanaeeha, Maryam Moghaddam
with Maryam Moghaddam, Alireza Sanifar
World premiere
Guzen to sozo (Wheel of Fortune and Fantasy)
Japan
by Ryusuke Hamaguchi
with Kotone Furukawa, Kiyohiko Shibukawa, Fusako Urabe
World premiere
Herr Bachmann und seine Klasse (Mr Bachmann and His Class)
Germany
by Maria Speth
with Dieter Bachmann and pupils of class 6b
World premiere / Documentary form
Ich bin dein Mensch (I’m Your Man)
Germany
by Maria Schrader
with Maren Eggert, Dan Stevens, Sandra Hüller
World premiere
Inteurodeoksyeon (Introduction)
Republic of Korea
by Hong Sangsoo
with Shin Seokho, Park Miso, Kim Minhee
World premiere
Memory Box
France / Lebanon / Canada / Qatar
by Joana Hadjithomas, Khalil Joreige
with Rim Turki, Manal Issa, Paloma Vauthier
World premiere
Nebenan (Next Door)
Germany
by Daniel Brühl
with Daniel Brühl, Peter Kurth
World premiere / Debut film
Petite Maman
France
by Céline Sciamma
with Joséphine Sanz, Gabrielle Sanz, Nina Meurisse
World premiere
Ras vkhedavt, rodesac cas vukurebt? (What Do We See When We Look at the Sky?)
Germany / Georgia
by Alexandre Koberidze
with Ani Karseladze, Giorgi Bochorishvili, Vakhtang Fanchulidze
World premiere
Rengeteg – mindenhol látlak (Forest – I See You Everywhere)
Hungary
by Bence Fliegauf
with Laura Podlovics, István Lénárt, Lilla Kizlinger, Zsolt Végh, László Cziffer, Juli Jakab, Ági Gubík
*World premiere
Természetes fény (Natural Light)
Hungary / Latvia / France / Germany
by Dénes Nagy
with Ferenc Szabó, Tamás Garbacz, László Bajkó
World premiere / Debut film
Una Película de Policías (A Cop Movie)
Mexico
by Alonso Ruizpalacios
with Mónica Del Carmen, Raúl Briones
World premiere / Documentary form
Changing OpenAI’s Nonprofit Structure Would Raise Questions and Heightened Scrutiny
The artificial intelligence maker OpenAI may face a costly and inconvenient reckoning with its nonprofit origins even as its valuation recently exploded to $157 billion.
Nonprofit tax experts have been closely watching OpenAI, the maker of ChatGPT, since last November when its board ousted and rehired CEO Sam Altman. Now, some believe the company may have reached — or exceeded — the limits of its corporate structure, under which it is organized as a nonprofit whose mission is to develop artificial intelligence to benefit "all of humanity" but with for-profit subsidiaries under its control.
Jill Horwitz, a professor in law and medicine at UCLA School of Law who has studied OpenAI, said that when two sides of a joint venture between a nonprofit and a for-profit come into conflict, the charitable purpose must always win out.
"It's the job of the board first, and then the regulators and the court, to ensure that the promise that was made to the public to pursue the charitable interest is kept," she said.
Altman recently confirmed that OpenAI is considering a corporate restructure but did not offer any specifics. A source told The Associated Press, however, that the company is looking at the possibility of turning OpenAI into a public benefit corporation. No final decision has been made by the board and the timing of the shift hasn't been determined, the source said.
In the event the nonprofit loses control of its subsidiaries, some experts think OpenAI may have to pay for the interests and assets that had belonged to the nonprofit. So far, most observers agree OpenAI has carefully orchestrated its relationships between its nonprofit and its various other corporate entities to try to avoid that.
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