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    Home » Best Work: Sharing A Painful Past For Greater Good

    Best Work: Sharing A Painful Past For Greater Good

    By SHOOTThursday, May 15, 2014Updated:Tuesday, May 14, 2024No Comments32082 Views
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    Helping to ensure that history doesn’t repeat itself.
    --

    Every year on May 4th and 5th, the Dutch reflect on World War II.

    May 4th is remembrance day for the victims of this devastating war. On May 5th the liberation from the German occupation is reflected upon and celebrated.

    Although it’s been nearly 70 years since World War II ended, there are many elderly people who still struggle with their experiences and memories of their childhood during that period—issues they had to deal with during the war between 1940 and 1945, and which have carried on over the decades to today. In those early years there was no organization like the nonprofit War Child to help the children. They were leff to their own devices.

    On May 4th, War Child has made a tradition of rolling out a public service announcement in which someone who was a child in World War II finally shares his story after all those years. The person looks back on the consequences the unresolved issues have had on his or her life.

    Now we hear from Jan who shares his story for the very first time in his life in this commercial. He knows better than anyone what horrible psychological effects and consequences a war can have on a child’s life.
    We see a young child speak words which are in Jan’s now adult voice. He recalls when he was five years old—while playing in the street—seeing Nazis taking children, the elderly and disabled people and brutally throwing them into a truck—bodies piled on top of each other. They were all being taken to concentration camps. We hear Jan’s voice—as mouthed by a child—tell of the images that he can never forget.

    Then messages appear on screen which read, “Don’t let this story become his story”/”Help us take the war out of a child.”

    The camera then takes us to an elderly Jan today, teary eyed over the memories of his childhood. His decision to finally openly share these painful recollections serves as a catharsis of sorts.

    The War Child logo appears along with a website address: warchildholland.org.

    Learning from history
    Every day there are children growing up in a country in war. Thanks to the psychosocial support of War Child they can share their experiences and receive help to better their future.

    With public support and donations, War Child can help to make sure that Jan’s story will not become the story of today’s and tomorrow’s war children.

    Bram Schouw of production company hazazaH directed this PSA, titled “Don’t Let This Story Become His Story,” for TBWA’s Dutch agency Doom&Dickson.

    The Doom&Dickson team included creatives Dennis Baars and Erik Falke, creative directors Marcel Frensch and Rogier Mahieu, creative developers Joost van Middelaar and Sander van de Vlasakker, producers Hanneke Kampschreur and Sarah Giliam, and strategist Joey Duis.

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    Category:The Best Work You May Never See
    Tags:War Child



    To Tell Her Story In A Groundbreaking Documentary, Marlee Matlin Reached Out To First-Time Director Shoshannah Stern

    Friday, June 20, 2025

    When American Masters approached Marlee Matlin about doing a documentary, Matlin had one name in mind to direct: Shoshannah Stern.

    Like Matlin, Stern is deaf. She also hadn't directed before. But Matlin, who herself became the first deaf person in the Directors Guild of America just a few years ago, was certain she was up to the task.

    The resulting film, "Marlee Matlin: Not Alone Anymore" is an intimate look at her life: Growing up in a hearing family; winning the best actress Oscar at 21 for her first movie role in "Children of a Lesser God," which film critic Rex Reed at the time called a "pity vote"; what she's described as an abusive romantic relationship with her co-star, the late William Hurt, which he denied; getting sober; and her experiences in an industry not equipped to accommodate deaf actors.

    It's also an evocative portal into the world of the deaf community that uses groundbreaking techniques and sound design to put American Sign Language (ASL) and visual communication first. The film opens in select theaters Friday.

    While Matlin told much of her story in the memoir "I'll Scream Later," on some level it wasn't a completely satisfactory experience. Before the #MeToo movement, its revelations were not treated entirely seriously in the media. But a documentary also provided an opportunity.

    "We communicate visually," she said.

    Matlin and Stern spoke though translators about the "CODA" effect, making the doc on their terms, and why they hope Reed sees this film. Remarks have been edited for clarity and brevity.

    Q: Shoshanna, what was your approach?

    STERN: I had never seen a deaf person direct an episode of TV or film. Never. I thought, what does that even... Read More

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