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    Home » “The Biggest Little Farm,” “War Paint” Among AFI Fest Award Winners

    “The Biggest Little Farm,” “War Paint” Among AFI Fest Award Winners

    By SHOOTFriday, November 16, 2018Updated:Tuesday, May 14, 2024No Comments4837 Views
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    A scene from "War Paint," which won the AFI Fest's Grand Jury Award for Best Live-Action Short.
    LOS ANGELES --

    AFI Fest has unveiled the films that received this year’s Jury and Audience Awards. Included in the mix were director John Chester’s The Biggest Little Farm which won the Feature Audience Award, and director Katrelle Kindred’s War Paint which earned Grand Jury Award distinction as Best Live-Action Short. The latter is an AFI Directing Workshop for Women film.

    Here’s a rundown of AFI Fest Jury and Audience Award winners:

    Audience Award – Feature
    THE BIGGEST LITTLE FARM (DIR John Chester)
    In this poignant and charming documentary, filmmaker John Chester chronicles the eight-year effort of an ambitious, life-changing personal venture: moving out of Los Angeles with his wife, Molly, and building a diverse, sustainable farm.

    Audience Award – Short
    PERIOD. END OF SENTENCE. (DIR Rayka Zehtabchi)
    In an effort to improve feminine hygiene, a machine that creates low-cost biodegradable sanitary pads is installed in a rural village in Northern India.

    Grand Jury Award – Live-Action Short
    WAR PAINT (DIR Katrelle Kindred)
    Jury Statement: “We picked this film for its powerful intersectional narrative which focuses on the difficult aspects of one girl’s coming of age.”
    In WAR PAINT, a young, South LA black girl experiences a series of events that intersect racism and sexism during the Fourth of July holiday. Katrelle Kindred (AFI Directing Workshop for Women, Class of 2018) directed WAR PAINT in 2017 as her AFI DWW short. The film world-premiered earlier this year at the Sundance Film Festival.

    Grand Jury Award – Animated Short
    EGG (DIR Martina Scarpelli)
    Jury Statement: “We chose this film for its visceral portrayal of the relationship between a woman and her body.”
    In this film, a woman is locked in her home with an egg. She eats the egg, then repents. She kills it. She lets the egg die of hunger.

    Honorable Mention for Social Impact Short
    MAGIC ALPS (DIR Andrea Brusa, Marco Scotuzzi)
    In MAGIC ALPS, an Afghani refugee arrives in Italy with his goat and seeks political asylum for both of them.

    Honorable Mention for Best Documentary Short
    PERIOD. END OF SENTENCE. (DIR Rayka Zehtabchi)

    Honorable Mention for Acting – Short
    Vedrana Bozinovic, A SIEGE
    In A SIEGE, a lonely woman in war-torn Sarajevo embarks on a journey to find water, and neither her neighbors nor sniper fire can stop her.

    The Shorts jury was comprised of Alison Becker (actor on PARKS AND RECREATION, CURB YOUR ENTHUSIASM), Chinonye Chukwu (director/writer), Alicia Malone (host on Turner Classic Movies), Michael Mohan (co-creator of the Netflix original series EVERYTHING SUCKS!), Eliza Skinner (comedian and writer on THE LATE LATE SHOW WITH JAMES CORDEN) and Sasheer Zamata (comedian, actress, writer and former SNL cast member).

    Fest menu
    The overall AFI Fest once again brought the best in global cinema to Los Angeles thanks to the support of Audi, now in its 15th consecutive year as presenting sponsor of the festival.

    The complete AFI Fest program included 135 titles (84 features, four episodic, 47 shorts), representing 45 countries, including 65 films directed by women, 29 documentaries and nine animated films. This year’s program includes nine official Best Foreign Language Film Oscar® submissions, and 24 films featuring 52 AFI Conservatory alumni credits, throughout the sections. The breakdown by section is Galas (8), Special Screenings (13), World Cinema (28), New Auteurs (18), American Independents (11), Midnight (4), Cinema’s Legacy (6) and Shorts (47).

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    Category:News
    Tags:AFI FestThe Biggest Little FarmWar Paint



    Review: Kate Winslet Makes Feature Directorial Debut With “Goodbye June”

    Friday, December 12, 2025

    Kate Winslet is due a very thoughtful Christmas gift this year. The veteran actor made a pretty extraordinary maternal gesture, directing, producing and starring in a film her son, Joe Anders, wrote, "Goodbye June," which is in limited release this weekend and streaming on Netflix Dec. 24.

    While it might be worth pointing out that the script originated in a screenwriting class, there will be no nepo baby jokes here. Put alongside most of the Christmas offerings on Netflix, which seem to veer more toward the secret princess/fantasy/romance side of things, and aren't even attempting to be, well, very good, "Goodbye June" is an admirably solid, if generic, drama about family and death with a very distinguished cast.

    Terminal illness, estranged adult siblings and hospital rooms are certainly not going to be everyone's cup of tea around the holidays, but you probably already know by this point whether this is an experience you want to sign up for. It remains a mystery why so many holiday movies feel the need to include a dying mother. Perhaps it's because, from an emotional standpoint, it rarely misses.

    Unlike, say "The Family Stone" however, "Goodbye June" actually places the audience in that most unpleasant of settings: The hospital. It begins with a nightmare scenario, with the elderly mother, June ( Helen Mirren ) collapsing as the kettle cries out on the stove. Her grown son Connor (Johnny Flynn) finds her, collects his father Bernie (Timothy Spall), and they race off to the hospital, forgetting to turn off the tap in the sink before they leave. "Goodbye June" has an eye for the mundane details that make up everyday life that all seem so small in the face of loss.

    Soon, they're greeted by the rest of June and Bernie's daughters, Julia... Read More

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