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    Home » Blackmagic Design rolls out DaVinci Resolve 12.5.3 update

    Blackmagic Design rolls out DaVinci Resolve 12.5.3 update

    By SHOOTTuesday, November 1, 2016Updated:Tuesday, May 14, 2024No Comments1888 Views
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    FREMONT, Calif. --

    Blackmagic Design announced a new DaVinci Resolve 12.5.3 update for its professional editing and color correction software. DaVinci Resolve 12.5.3 features support for importing and exporting projects from the latest version of Final Cut Pro X, as well as additional improvements to Media Composer interoperability, ACES color science and more. DaVinci Resolve 12.5.3 update is available now for both DaVinci Resolve and DaVinci Resolve Studio customers, and can be downloaded free of charge from the Blackmagic Design website.
     
    DaVinci Resolve 12.5.3 update adds compatibility with the new XML 1.6 format used in the latest version of Final Cut Pro X. That means customers using the new version of Final Cut Pro X will be able to seamlessly send projects to DaVinci Resolve for color correction and finishing and also generate XML’s to export projects back to Final Cut Pro X. In addition, DaVinci Resolve 12.5.3 includes PostgreSQL 9.5.2 for compatibility with macOS Sierra.
     
    DaVinci Resolve 12.5.3 also adds support for ACES version 1.0.2, including the ACEScct color space. ACEScct is a quasi-logarithmic encoding of ACES data to make it suitable for color grading with DaVinci Resolve 12.5.3.
     
    This new update also improves interoperability with Media Composer. AAF projects containing dip to color dissolves and certain transformation effects such as flip and flop are greatly improved, making it easier to successfully move projects from Media Composer to DaVinci Resolve for finishing. DaVinci Resolve 12.5.3 also improves Dolby Vision XML exporting for mastering and finishing high dynamic range content.
     
    “In addition to being an incredible editing and color correction solution, one of the things that customers love the most about DaVinci Resolve is that it just works with everything,” said Grant Petty, CEO, Blackmagic Design. “This new update makes it easier and more reliable than ever to move projects from Final Cut Pro X and Media Composer into DaVinci Resolve. Once there, customers can use improved ACES and DolbyVision support to edit, color correct and finish their projects in high dynamic range and at the highest possible quality!”
     
    What’s new in DaVinci Resolve 12.5.3

    • Added support for Final Cut Pro X XML Version 1.6
    • Added support for PostgreSQL 9.5.2 on macOS Sierra
    • Added support for ACEScct color science
    • Updated ACES support from ACES 1.0.0 to ACES 1.0.2
    • Improved performance when encoding to MXF XAVC
    • Improved importing of Flip and Flop from AAFs from Media Composer
    • Improved importing of Dip to Color dissolves from AAFs from Media Composer
    • Improved Dolby Vision XML export

    Availability and Price
    DaVinci Resolve 12.5.3 update and DaVinci Resolve 12.5.3 Studio update are now available for download from the Blackmagic Design website free of charge for all current DaVinci Resolve customers.

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    Tags:Blackmagic Design



    A “Masters” Class In Branding and Fashion

    Saturday, April 11, 2026

    If the world of high fashion has Fashion Week in Milan, with sleek models dressed in avant-garde looks strutting down the runways, then the golf world has the Masters, where players bound down verdant green fairways in azalea-inspired polos, exotic bird prints, the yellows of jasmine and the pinks of the dogwoods.

    Over the last few years, golf apparel companies have begun treating the first full week of April as their moment to shine, unveiling lineups of Masters-inspired drops they hope can capture the attention of those focused on the season's first major.

    The surf-style company Johnnie-O, for example, dips into the Deep South with its classic, understated Azalea Collection. Rhobak likewise offers an Azalea Collection, though with bold flower patterns designed to invoke the feel of being on the grounds of Augusta National. Malbon Golf, meanwhile, offers a "Birds of Georgia" set featuring images of those typically found about the course.

    Yet none of them carry the iconic Masters logo. Or reference Amen Corner. Or use the words "Green Jacket."

    All of those are trademarked by the club — three of nearly 100 trademarks on file — and force outside apparel companies to creatively build their connections to both the tournament and Augusta National without infringing on their intellectual property.

    "Makers of products for mass market dream of becoming a supplier to Walmart. Likewise, high-end brands salivate at the idea of winning a mandate from the Masters," said John Sabino, author of "The Augusta Principles: Timeless Business Lessons from the World's Premier Golf Club." "Apparel companies want to tap into the Masters' high-quality association and leverage the club's exalted brand."

    Yet tapping into that association is... Read More

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