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    Home » Blaise Cepis Signs With Institute For Commercial and Artist Representation

    Blaise Cepis Signs With Institute For Commercial and Artist Representation

    By SHOOTThursday, February 13, 2025No Comments390 Views
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    Blaise Cepis
    LOS ANGELES --

    Production company Institute has added director and photographer Blaise Cepis to its roster. Cepis marks Institute’s fourth dual signing to both its commercial directing and photography rosters, alongside Lauren Greenfield, Ray Neutron, and Thandiwe Muriu, cementing Institute’s multi-platform production expertise in delivering creative collaboration for clients.

    Cepis is known for creating bright, absurd, subtly opulent, and surreal visuals in his work, which celebrates the exaggerated human condition and the unique traits that make people unforgettable. A graduate of the Parsons School of Design, he built his career as an art director at ad agencies including JWT, Mother, Sid Lee, and Orchard Creative, working on campaigns for brands such as Cadillac, Red Bull, PepsiCo, Absolut, and Smirnoff. He then spent nearly a decade making a name for himself as a freelance director and photographer, blending his advertising experience and background in fine art and design to create wholly original work. As a director/photographer, he has worked with brand clients including Calvin Klein, Adidas, Puma, Velveeta, Bombas, Chevrolet, Remy Martin, Impossible Foods, The New Yorker, NBC, and Vice. Prior to joining Institute, Cepis had been repped by artist management firm agency/production company DMB.

    “Institute’s roster is brimming with exceptional, heavy-hitting talent, and I’m honored to join the ranks,” said Cepis. “As a director, being able to rally the team around an idea while earning the trust of our collaborators is my ultimate goal. Having the support of such an amazing team, with all of their experience and presence, feels great. I’m excited to get started.”

    “Blaise is deeply, naturally talented,” said Tori Palmatier, managing director at Institute. “His ability to fuse design, eye-popping visuals, and energetic storytelling across film and photography encapsulates the unique visual voice we look for in an Institute artist and collaborator. He’s also just an incredibly funny and wonderful human!”

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    Category:News
    Tags:Blaise CepisINSTITUTELauren GreenfieldTori Palmatier



    Cannes Film Festival’s Auteur-Heavy Lineup Features Films by Almodovar, Pawlikowski and Hamaguchi

    Thursday, April 9, 2026

    New films by Polish filmmaker Paweł Pawlikowski, Japanese writer-director Ryusuke Hamaguchi and Spain's Pedro Almodovar will premiere at the 79th Cannes Film Festival next month.

    Organizers for the South of France festival, which runs May 12-23, laid out a lineup heavy on big-name international auteurs at a news conference Thursday in Paris.

    Cannes' most sought-after slots are in its competition lineup. This year, 21 films will vie for the Palme d'Or. That includes "Fatherland," a Cold War drama starring Sandra Hüller by Pawlikowski ("Ida," "Cold War" ); "All of a Sudden," the French language debut for Hamaguchi ( "Drive My Car" ); and Almodovar's "Bitter Christmas" ("Amarga Navidad") which has already opened in Spain.

    Cannes is so far light on Hollywood releases and American filmmakers. One exception in competition is Ira Sachs' "The Man I Love," a New York tale starring Rami Malek set during the 1980s AIDS crisis. In the Un Certain Regard sidebar, Jane Schoenbrun will unveil their follow-up to 2014's "I Saw the TV Glow": "Teenage Sex and Death at Camp Miasma," about the making of a slasher movie. It stars Hannah Einbinder and Gillian Anderson.

    Previous Palme d'Or winners will be represented
    A number of former Palme winners are in the mix. That includes Romanian auteur Cristian Mungiu's Norway-set "Fjord," starring the recently Oscar-nominated Renate Reinsve and Sebastian Stan. Mungiu's "4 Months, 3 Weeks and 2 Days" won the Palme in 2007.

    Also returning is Japanese director Hirokazu Kore-eda, whose 2018 drama... Read More

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