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    Home » “Bohemian Rhapsody,” “Spider-Man” Win 2 Golden Reel Awards Apiece From Motion Picture Sound Editors

    “Bohemian Rhapsody,” “Spider-Man” Win 2 Golden Reel Awards Apiece From Motion Picture Sound Editors

    By SHOOTMonday, February 18, 2019Updated:Tuesday, May 14, 2024No Comments3220 Views
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    Rami Malek (l) and Gwilym Lee in a scene from “Bohemian Rhapsody.” (Alex Bailey/Twentieth Century Fox)
    LOS ANGELES --

    Bohemian Rhapsody and Spider-Man: Into the Spider-Verse each won two Golden Reel Awards from the Motion Picture Sound Editors (MPSE) on Sunday evening (2/17).

    Bohemian Rhapsody topped the sound editing for a musical and the sound editing–dialogue/ADR categories while Spider-Man: Into the Spider-Verse won for sound editing for feature animation and for best sound editing–music score.

    A Quiet Place earned a Golden Reel Award for sound editing–effects/Foley. Roma won for sound editing in a foreign language feature.

    There was a tie for outstanding achievement in feature documentary between Free Solo and They Shall Not Grow Old.

    Among the TV category winners were Altered Carbon, The Americans, Atlanta, The Marvelous Mrs. Maisel and Westworld.

    The 66th MPSE Annual Golden Reel Awards were presented during a black-tie ceremony at the Bonaventure Hotel in Los Angeles. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.

    Director, screenwriter and producer Michael Mann presented the 2019 MPSE Filmmaker Award to director Antoine Fuqua. Academy Award-winning supervising sound editor Ben Wilkins presented the MPSE Career Achievement Award to supervising sound editor Stephen H. Flick.

    The opening address was given by MPSE president Tom McCarthy. “We celebrate the creation of entertainment content that people will enjoy for generations to come,” he said. “As new formats appear and new ways to distribute content are developed, we need to continue to excel at our craft and provide exceptional soundtracks that heighten the audience experience.”

    Here’s a rundown of the evening’s winners:

    66TH MOTION PICTURE SOUND EDITORS (MPSE) GOLDEN REEL AWARDS
    WINNERS

    FILMMAKER AWARD
    Antoine Fuqua

    CAREER ACHIEVEMENT AWARD
    Stephen H. Flick

    CATEGORY WINNERS

    Outstanding Achievement in Sound Editing – Musical
    Bohemian Rhapsody
    Fox Studios
    Supervising Music Editor: John Warhurst
    Music Editor: Neil Stemp

    Outstanding Achievement in Sound Editing – Dialogue / ADR
    Bohemian Rhapsody
    GK Films / Fox Studios
    Supervising Sound Editor: John Warthurst
    Supervising ADR / Dialogue Editor: Nina Hartston
    ADR / Dialogue Jens Petersen

    Outstanding Achievement in Sound Editing – Effects / Foley
    A Quiet Place
    Paramount Pictures
    Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl, MPSE
    Sound Effects Editors: Brandon Jones, Justin M. Davey, MPSE
    Foley Artists: Steve Baine, Peter Persaud
    Foley Editor: Jonathan Klein

    Outstanding Achievement in Sound Editing – Music Score
    Spider-Man: Into the Spider-Verse
    Sony Pictures Entertainment
    Music Editors: Katie Greathouse, Catherine Wilson

    Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form
    NextGen
    Netflix
    Supervising Sound Editors: David Acord, Steve Slanec
    Sound Effects Editors: Kimberly Patrick, Pascal Garneau
    Dialogue Editors: Qianbaihui Yang
    Foley Artists: Ronni Brown, Margie O’Malley
    Foley Editors: Jim Likowski, Ryan Frias, Richard Gould
    Music Editor: Sebastian Zuleta

    Outstanding Achievement in Sound Editing – Feature Animation
    Spider-Man: Into the Spider-Verse
    Sony Pictures Entertainment / Marvel
    Supervising Sound Editors: Geoffrey Rubay, Curt Schulkey
    Sound Designer: John Pospisil
    Sound Effects Editors: Kip Smedley, Andy Sisul, MPSE, David Werntz, Christopher Aud, MPSE, Ando Johnson, Benjamin Cook, MPSE, Mike Reagan, Donald Flick
    Dialogue Editors: James Morioka, Matthew E. Taylor
    Foley Artists: Gary Hecker, MPSE, Michael Broomberg, Rick Owens, MPSE
    Foley Editor: Alec Rubay

    Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
    Searching for Sound Islandman and Veyasin
    Karga Seven Pictures / Red Bull TV
    Supervising Sound Editor: Suat Ayas, MPSE
    Dialogue Lead: Justin Stark
    Sound Effects Editors: Tolga Boyuk, Emin Yasin Vural
    Dialogue Editor: Okan Isik 

    Outstanding Achievement in Sound Editing – Feature Documentary (Tie)
    Free Solo
    National Geographic Documentary Films
    Supervising Sound Editor: Deborah Wallach
    Sound Effects Editor: Filipe Messeder, MPSE
    Foley Artist: Nuno Bento
    Foley Editor: Rolan Vajs

    They Shall Not Grow Old
    Wingnut Films / Fathom Events / Warner Brothers
    Supervising Sound Editors: Martin Kwok, Brent Burge, Melanie Graham, Justin Webster
    Supervising Dialogue Editor: Emile De La Rey
    ADR Supervisor: Nigel Stone
    Sound Effects Editors: Hayden Collow, Dave Whitehead
    Dialogue Editors: Matt Stutter, MPSE, Helen Luttrell, Chris Todd, Matthew Lamboum
    Foley Artist: James Carroll
    Foley Editors: Craig Tomlinson, Tom Scott-Toft

    Outstanding Achievement in Sound Editing – Non-Theatrical Feature
    Extinction
    Good Universe / Universal Pictures
    Supervising Sound Editors: Will Files, P.K. Hooker
    Supervising ADR Editor: Lisa J. Levine
    Sound Effects Editors: Justin Davey, MPSE, Ken McGill
    Dialogue Editors: Ryan Cole, Polly McKinnon
    Foley Artist: Steve Baine
    Music Editor: Brett Pierce, MPSE

    Outstanding Achievement in Sound Editing – Foreign Language Feature
    Roma
    Netflix
    Supervising Sound Editors: Sergio Díaz, Skip Lievsay
    Sound Designers: Sergio Díaz, Skip Lievsa
    Supervising Dialogue Editor: Carlos Honc Navarro
    Supervising ADR Editors: Carlos Honc Navarro, Ruy Garc
    Dialogue Editors: Manuel Montaño Mancilla, Caleb Townsend, Michael Feuser
    ADR Editors: Michael Feuser, Alexa Zimmerma
    Sound Effects Editors: Eric Dounce, Luis Huesca, Luis Parra, Mitch Osias, Craig Berkey, Javier Quesada
    Foley Artists: Alan Romero, Jay Peck
    Foley Editor: Jaime Sainz, Igor Nikolic

    Outstanding Achievement in Sound Editing – Episodic Short Form – Music / Musical (Tie)
    American Horror Story: Apocalypse
    “The End”
    FX Networks
    Music Editor: David Klotz

    Vikings
    “Moment of Vision”
    MGM Television / History Channel
    Supervising Music Editor: Yuri Gorbachow, MPSE
    Music Editor: Lise Beauchesne

    Outstanding Achievement in Sound Editing – Episodic Short Form – Dialogue/ADR
    The Americans
    “Harvest”
    FX Networks
    Supervising Sound Editors: Ken Hahn, Neil Cedar
    Dialogue Editor: Gerald Donlan
    ADR Editor: John Bowen

    Outstanding Achievement in Sound Editing – Live Action Under 35:00
    Short Treks
    “The Brightest Star”
    CBS All Access
    Supervising Sound Editor: Matthew E. Taylor
    Sound Designer: Tim Farrell
    Sound Effects Editor: Mike Schapiro
    Dialogue Editor: Sean Heissinger
    Foley Artists: Nancy Parker, MPSE, Chris Moriana
    Foley Editor: John Sanacore, MPSE
    Music Editor: Matt Decker
     
    Outstanding Achievement in Sound Editing – Episodic Short Form – Effects / Foley
    Atlanta
    “Teddy Perkins”
    FX Networks
    Supervising Sound Editor: Trevor Gates, MPSE
    Sound Effects Editor: David Barbee, MPSE
    Foley Artists: Tara Blume, Matt Salib
    Foley Editors: Geordy Sincavage, Michael Head, Jordan McClain

    Outstanding Achievement in Sound Editing – Episodic Long Form – Music / Musical
    The Marvelous Mrs. Maisel
    “We’re Going to the Catskills”
    Amazon Studios
    Music Editor: Annette Kudrak

    Outstanding Achievement in Sound Editing – Episodic Long Form – Dialogue/ADR
    Westworld
    “The Riddle of the Sphinx”
    HBO
    Supervising Sound Editor: Thomas De Gorter, MPSE
    Supervising ADR Editor: Brett Hinton
    Dialogue Editors: Fred Paragano, Brian Armstrong, MPSE

    Outstanding Achievement in Sound Editing – Episodic Long Form – Effects / Foley
    Altered Carbon
    “Out of the Past”
    Netflix
    Supervising Sound Editor: Brett Hinton
    Sound Effects Editors: Owen Granich-Young, Mark Allen, Austin Krier
    Foley Artist: Noel Vought

    Outstanding Achievement in Sound Editing – Single Presentation
    Phillip K. Dick’s Electric Dreams
    Sony Pictures Television / Amazon Studios
    Supervising Sound Editor: Mark A. Lanza, MPSE
    Supervising ADR / Dialogue Editor: Mark A. Lanza, MPSE
    Sound Designers: Harry Snodgrass, MPSE, Mark A. Lanza, MPSE
    Sound Editor: Harry Snodgrass, MPSE
    Dialogue Editor: Ryne Gierke
    Foley Artists: Sarah Monat-Jacobs, Robin Harlan
    Foley Editor: Eryne Prine, MPSE
    Music Editor: Michael T. Ryan, MPSE, Brittany DuBay

    Outstanding Achievement in Sound Editing – Animation Short Form
    Overwatch
    “Reunion”
    Blizzard Entertainment
    Supervising Sound Editor: Paul Menichini, MPSE
    Audio Lead: Caroline Hernandez, MPSE
    Sound Designers: Alexander Ephraim, MPSE Harry Cohen, MPSE, JP Walton
    Sound Effects Editors: Christopher Battaglia, MPSE, John Thomas
    Dialogue Editors: Isaac Hammons, Christopher Cody Flick
    Foley Editor: Gary Coppola, MPSE
    Foley Artist: Gregg Barbanell, MPSE
    Supervising Music Editor: Derek Duke
    Music Editors: Adam Burgess, Sam Cardon
    Scoring Editor: John Kurlander

    Outstanding Achievement in Sound Editing – Special Venue
    Age of Sail
    Google Spotlight Stories
    Supervising Sound Editor: Scot Stafford
    Sound Designer: Jamey Scott, MPSE
    Sound Effects Editor: Jamey Scott, MPSE
    Music Editor: Mark Willsher

    Outstanding Achievement in Sound Editing – Computer Cinematic
    World of Warcraft: Battle for Azeroth
    Blizzard Entertainment
    Supervising Sound Designer: Paul Menichini, MPSE
    Sound Designers: David Farmer, Harry Cohen, MPSE, JP Walton
    Sound Effects Editors: Keith Bilderbeck, John Thomas, Alexander Ephraim, MPSE
    Audio Lead: Caroline Hernandez, MPSE
    Dialogue Editors: Issac Hammons, Christopher Flick
    Foley Artist: Gregg Barbanell, MPSE
    Foley Editor: Gary Coppola, MPSE
    Scoring Editor: John Kurlander
    Supervising Music Editor: Derek Duke
    Music Editor: Neil Acree

    Outstanding Achievement in Sound Editing – Computer Interactive Game Play
    God of War
    SIE Santa Monica Studio
    Audio Directors: Rob Burns, Nassim Ait-Kaci
    Audio Lead: Mike Niederquel
    Sound Designers: Chris Clanin, Daniel Birczynski, Mike Maksim, Sam Bird, Roel Sanchez, Karen Waller, Erick Ocampo,
    TJ Schauer, Jeff Darby, Adam Boyd, MPSE, Michael Finley, Chad Bedell, Patrick Ginn, Emile Mika, Eric Buensuceso, Karen Waller
    Dialogue Lead: Leilani Ramirez
    Supervising Sound Editor: Shannon Potter
    Dialogue Editors: Justin Conmy, Ryan Schaad, Aaron Seiden, Jodie Kupsco, Heather Plunkard
    Foley Artists: David Jobe, Dawn Fintor, Alicia Stevenson
    Supervising Music Editors: Peter Scaturro, Keith Leary

    Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
    Facing It
    National Film and Television School
    Supervising Sound Designer and  Editor: Adam Woodhams

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    Category:News
    Tags:Bohemian RhapsodyGolden Reel AwardsMotion Picture Sound EditorsMPSE



    Court Orders Meta To Pay $567M To Address Kids’ Mental Health Online

    Friday, August 7, 2026

    A New Mexico court has ordered Instagram and Facebook parent company Meta to pay $567 million to address harms to young people from its platforms in the second phase of a landmark trial.

    Judge Bryan Biedscheid said in a ruling late Thursday that the bulk of the money — $420 million — will be used for treatment services for young people. The rest will go toward awareness and prevention, screening services and other costs over the next five years.

    The new penalty is in addition to the $375 million in civil penalties that jurors ordered against Meta in March after determining the company knowingly harmed children's mental health and concealed what it knew about child sexual exploitation on its platforms. In the second phase, prosecutors asked the judge to impose fundamental changes at Meta aimed at reining in addictive features, improving age verification and preventing child sexual exploitation through default privacy settings and closer oversight.

    The total amount Meta is responsible for — $942 million — is a small fraction of of its annual profit, which was about $60 billion in 2025. Investors seemed to shrug off the New Mexico ruling in after-hours trading Thursday, sending Meta's stock down less than half a percent to $589.44.

    Still, the ruling is another setback for Meta, which faces an avalanche of lawsuits from thousands of families of children harmed by social media.

    New Mexico Attorney General Raúl Torrez said it sends an unmistakable message that companies will be held accountable when their product designs knowingly put children at risk.

    "Today's decision is a victory for every parent who has worried about what social media is doing to their child and every child who deserves to grow up safer online," he... Read More

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