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    Home » Booker, Sicklinger Join BBDO As ECDs On Ford North America

    Booker, Sicklinger Join BBDO As ECDs On Ford North America

    By SHOOTTuesday, October 29, 2019Updated:Tuesday, May 14, 2024No Comments3853 Views
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    Philip Sicklinger (l) and Alex Booker
    NEW YORK --

    In its role as global creative agency for Ford, BBDO has brought in industry veterans Alex Booker and Philip Sicklinger to serve as executive creative directors on the business in North America. They will be based in New York, but split time between New York and Detroit. They were most recently group creative directors at MullenLowe U.S.

    Said David Lubars, chief creative officer, BBDO Worldwide, “This is a pivotal and exciting moment for Ford and, indeed, the automotive industry. Things have to be looked at differently and done differently. Which means everyone we invite in to the agency to work on Ford has to have a wide open mind, a wide open aperture, where new platforms and new solutions rule the day.  Alex and Phil have proven to be these type of thinkers.”

    Booker and Sicklinger have been creative partners for more than a decade, going back to their days at M&C Saatchi in Australia.  Over the years, they’ve also worked together at BMF, BBH in New York and, most recently, at MullenLowe, on businesses ranging from the retailer Aldi in Australia to PlayStation, E*Trade, Tap King and more in the U.S.  Their portfolio of award-winning work includes Clios, D&AD Pencils, Lions, One Show Pencils, Effies and prominent regional festivals such as Spikes Asia, AdFest and AWARD.

    They start at BBDO this month and join a creative team led by Lauren Connolly, EVP and global executive creative director, to whom they will report.

    “Alex and Philip are an immensely talented team that will bring innovative storytelling and meaningful experiences to build the iconic Ford oval,” said Connolly. “And while their work speaks for itself, the people who have worked with them speak to the type of leaders they are —passionate, smart, inspiring and charismatic — which really does make them the perfectly balanced team. And a perfect fit for ours.”

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    Category:News
    Tags:Alex BookerBBDOLauren ConnollyPhilip Sicklinger



    “The Chronology of Water” Brought Imogen Poots A Great Role, and A Best Friend In Kristen Stewart

    Wednesday, December 10, 2025

    Imogen Poots has been thinking about a Sam Shepard quote: "People here have become the people they're pretending to be." Those 10 words, from a poem in his "Motel Chronicles" collection, are kind of about her character in "Hedda," the quietly courageous Thea. But they're also kind of about everything. After 20 years of acting in movies, television and on the stage, Poots is having a clarifying moment. And Shepard's words somehow get to the heart of it all: the disorienting paradox of attempting to work as an artist in a big industry like Hollywood and preserving your soul in the process. "I was always clear about what I wanted to do professionally, if only I could get there, in independent cinema and theater," Poots told The Associated Press in a recent interview. "But only in the last two years, something's clicked." The 36-year-old English actor has always managed to elegantly navigate her way through the distracting noise of franchises and fame and find the types of interesting filmmakers, stories and projects she'd always dreamed of, working with the likes of Peter Bogdanovich, Terrence Malick, Philip Seymour Hoffman and Imelda Staunton along the way. But this year has been particularly special with three films that she's enormously proud to be part of: sharing the screen with the great Nina Hoss in Nia DaCosta's fiery"Hedda" (streaming on Prime Video), delving into the throes of an affair, with Brett Goldstein, in the romantic drama "All of You" (streaming on Apple TV) and giving herself over to what may just be remembered as a defining performance in Kristen Stewart's directorial debut, "The Chronology of Water" (in theaters in Los Angeles and New York, nationwide on Jan. 9). "You can make these films that simply don't find their home, or don't... Read More

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