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    Home » Box Office Transformation For “Transformers: The Last Knight”

    Box Office Transformation For “Transformers: The Last Knight”

    By SHOOTSunday, June 25, 2017Updated:Tuesday, May 14, 2024No Comments2551 Views
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    This image released by Paramount Pictures shows Optimus Prime in a scene from, "Transformers: The Last Knight." (Paramount Pictures/Bay Films via AP)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    The hulking machines of "Transformers" are no longer box-office behemoths in North America. But they're still big in China.

    Michael Bay's "Transformers: The Last Knight," the fifth installment in the Hasbro series, scored a franchise-low domestic debut with an estimated $43.5 million in ticket sales over the weekend and a five-day total of $69.1 million since opening Wednesday. All previous "Transformers" sequels opened with $97 million-plus.

    But Paramount Pictures' "The Last Knight," the second "Transformers" movie to star Mark Wahlberg, still showed its might overseas. It took in $196.2 million internationally, including an impressive $123.4 million in China.

    Future business will tell whether those grosses are enough to cover a hugely expensive movie: $217 million to make, plus nearly as much to market. Studios reap a smaller percentage of ticket sales from Chinese theaters. And reviews — though never much of a factor in "Transformers" land — were worse for "The Last Knight" than the earlier films. Audiences gave this one a B-plus CinemaScore.

    Yet "Transformers" has been increasingly skewing international. The previous film, 2014's "Age of Extinction," made $858.6 million of its $1.1 billion global haul abroad.

    "Transformers' is built for a global audience," said Kyle Davies, president of distribution for Paramount. "You really have to consider how we did in the overall and it was really strong overseas and in China. That's how we treat 'Transformers': It's a global property. So we're hopeful that we're going to get to a good place."

    "Wonder Woman" and "Cars 3" tied for second place, both with $25.2 million. Nearly a month after opening, Patty Jenkins' "Wonder Woman" continues to be a major draw. In four weeks, it has surpassed $300 million domestically. And at $652.9 million globally, it's the highest grossing film directed by a woman, not accounting for inflation.

    In limited release Kumail Nanjiani's acclaimed romantic comedy "The Big Sick" landed the best per-screen average of the year. It opened in five theaters, grossing an average of $87,000 from each. Amazon plunked down $12 million for the Judd Apatow-produced Sundance Film Festival hit. Lionsgate is handling the theatrical release.

    Sofia Coppola's "The Beguiled" wasn't far behind. In four theaters, it earned a per-screen average of $60,136. The Focus Features release, starring Nicole Kidman, Kirsten Dunst and Colin Farrell, is a remake of Don Siegel's 1972 Civil War-era gothic thriller about a wounded Union soldier taken in by a Southern all-girls school. At the Cannes Film Festival last month, Coppola won best director, becoming only the second woman to do so.

    Both "The Big Sick" and "The Beguiled" expand nationwide in the coming weeks.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers also are included. Final domestic figures will be released Monday.
    1. "Transformers: The Last Knight," $ 45.3 million ($196.2 million international).
    2. (Tie) "Wonder Woman," $25.2 million ($20.5 million international).
    2. (Tie) "Cars 3," $25.2 million ($11.9 million international).
    4. "47 Meters Down," $7.4 million.
    5. "All Eyez On Me," $5.9 million ($1.1 million international).
    6. "The Mummy," $5.8 million ($16.5 million international).
    7. "Pirates of the Caribbean: Dead Men Tell No Tales," $5.2 million ($8.3 million international).
    8. "Rough Night," $4.7 million ($2 million international).
    9. "Captain Underpants: The First Epic Movie," $4.3 million ($1 million international).
    10. "Guardians of the Galaxy Vol. 2," $3 million.

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
    1. "Transformers: The Last Knight," $196.2 million.
    2. "Wonder Woman," $20.5 million.
    3. "The Mummy," $16.5 million.
    4. "Cars 3," $11.9 million.
    5. "Baywatch," $10.3 million.
    6. "Pirates of the Caribbean: Dead Men Tell No Tales," $8.3 million.
    7. "Despicable Me 3," $7.2 million.
    8. "Everything, Everything," $2.8 million.
    9. "77 Heartbreaks," $2.5 million.
    10. "Alien: Covenant," $2.3 million.

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    Category:News
    Tags:box officeCars 3The BeguiledTransformers: The Last KnightWonder Woman



    The One Club Names 2026 Creative Hall Of Fame Inductees

    Monday, June 8, 2026
    Rosie Arnold

    The One Club for Creativity has announced the latest group of legends in advertising, design, and education to be named as 2026 inductees into the Creative Hall of Fame. The gala induction ceremony will take place on September 16, 2026 at Capitale in New York The Creative Hall of Fame has a rich heritage of honoring the lifetime achievements of creative luminaries, starting with the induction of Leo Burnett in 1961. This year’s inductees are as follows. Creative Hall of Fame --Rosie Arnold, one of the most awarded art directors in British advertising history, spent more than three decades shaping iconic work at BBH and championing creative excellence throughout the industry. --Janet Champ, Wieden+Kennedy copywriter behind Nike’s groundbreaking “If You Let Me Play” campaign, transformed how brands communicate with women through work rooted in truth, empathy, and cultural impact. --John C Jay, a visionary creative leader whose influence spans retail, advertising, fashion, and culture, helped shape brands including Nike and Uniqlo while pioneering a new model of culturally driven creativity. --Caroline R. Jones, formerly of J. Walter Thompson, BBDO, Caroline Jones Advertising, Zebra Associates, and Mingo-Jones, trailblazing copywriter, the first black female vice-president at a major agency. --Piyush Pandey, widely regarded as the father of modern Indian advertising at Ogilvy, transformed the industry by bringing the language, humor, and humanity of everyday India into the heart of brand storytelling. --Joyce King Thomas, the creative force behind McCann’s iconic “Priceless” campaign for Mastercard, helped redefine emotional storytelling in advertising while becoming one of the industry’s most respected creative leaders... Read More

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