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    Home » Brendan Gaul Named McCann’s Global Chief Entertainment Officer

    Brendan Gaul Named McCann’s Global Chief Entertainment Officer

    By SHOOTWednesday, August 13, 2025No Comments184 Views
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    Brendan Gaul

    Original entertainment company Traverse32 moves to McCann from IPG Mediabrands

    NEW YORK --

    Brendan Gaul has been appointed McCann’s global chief entertainment officer, bringing with him the original entertainment company, Traverse32, from IPG Mediabrands. This move signals McCann’s focus on building brands through all flavors of creativity, using long-form entertainment storytelling to create deeper connections with audiences. Gaul will report directly to Daryl Lee, global CEO of McCann and McCann Worldgroup.

    Gaul, who will continue to serve as global president of Traverse32, brings a proven history of developing entertainment properties. The recent Cannes Lions Grand Prix for Film win for The Final Copy of Ilon Specht, produced in partnership with McCann and Breakwater Studios, exemplifies this success. The film, which also garnered a Gold, Silver, and Bronze Lion, demonstrates the power of culturally resonant stories that brands can authentically tell. This marks the second Grand Prix for Gaul, highlighting his effectiveness in producing hits for brands.

    “Brendan is truly a pioneer of brand entertainment,” said Lee. “His arrival brings original content development into the heart of McCann and our global creative community. Brands often talk about making culture–with Traverse32 that will actually be true.”

    Javier Campopiano, global chief creative officer of McCann, added, “ At McCann we believe in finding truths and to tell them with the highest level of storytelling. That is why this is so exciting: Brendan and his team will be critical to help us to bring those truths to life in all the arenas of creativity that exist. And we can’t wait to make more movies!”

    Gaul’s return to McCann marks a homecoming. Gaul started his career at McCann in 2002 as an art director. He left McCann in 2005 to build branded content units in J3, UM and IPG Mediabrands before launching Traverse32 in 2020 as a pure original content company working with brands. Recent original properties have included Dear Santa, a film and then TV series for the U.S. Postal Service, which won Best Documentary Premiere at The Heartland Film Festival and Best Feature Film at TribecaX, and 5B, a documentary about the first AIDS ward in San Francisco set up by nurses, for Johnson & Johnson, holding a 100% Rotten Tomatoes score and is included in the permanent collection at MoMA in NYC. Traverse32 has multiple projects in development with top Hollywood players like Imagine Entertainment, Breakwater Studios, Blink49 and Helium, and is represented by CAA.

    Gaul has been working closely with McCann this past year, highlighted by his instrumental role in producing the Ilon Specht documentary for McCann and L’Oreal Paris.

    “It feels great to be back,” said Gaul. “McCann builds some of the most compelling brand platforms in the world, usually through iconic advertising and experiences. I’m excited to return to McCann and help our teams drive those platforms in new ways where entertainment becomes central to moving people towards the brands we work with.”

    Through these moves, McCann is taking a long tradition of working with Hollywood-level talent in campaigns and forging new creative partnerships with top-tier directors and writers for original storytelling. The recent collaboration with Ben Proudfoot, two-time Academy Award®-winning director, on The Final Copy of Ilon Specht exemplifies this approach.

    McCann recently enjoyed a highly successful Cannes with a Gold Lion in Entertainment for Music for Mastercard’s partnership with Lady Gaga and multiple Lions for Xbox’s Cheeky Controller integration with the blockbuster movie, Deadpool & Wolverine.

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    Tags:Brendan GaulMcCannTRAVERSE32



    Gary Cole Talks “NCIS” As Veterans Day Special Unfolds

    Tuesday, November 11, 2025

    There's a Gary Cole for everyone.

    Whether you know him from "The West Wing" or "Veep," "The Good Wife" or "Office Space," "Dodgeball" or "Midnight Caller," you most likely know his face.

    For a while he was the "hero of the schoolyard" with his daughter's classmates for appearing in "Cadet Kelly" alongside Hilary Duff. These days, though, it's his role as Alden Parker on the long-running CBS crime procedural "NCIS" that has him stopped in the street.

    Centered on the U.S. Navy's investigative unit in Washington, D.C., the show is currently airing Season 23.

    "It's pretty powerful, that impact," says Cole of the program's devoted broadcast audience. "So a lot of people have followed the show and they have followed it, some of them, forever," he adds.

    Cole's character was brought in during Season 19 to run the team after Leroy Jethro Gibbs (Mark Harmon) left. In a Veterans Day special, a first for the franchise, "NCIS" and "NCIS: Origins" will cross over with back-to-back episodes Tuesday. A historical mystery in "Origins" — featuring a guest appearance from Harmon on the show that follow Gibbs' early career — will find its way to the modern day on "NCIS," which airs directly after.

    Cole spoke about the success of the show, the real service members he's met and those classic "NCIS" freeze frames. This conversation has been edited for clarity and brevity.

    Q: Was the popularity of "NCIS" a plus or minus when you were thinking about taking the role?

    COLE: I didn't really look at the effect of how big or small the audience would be, because today things are much different. I mean, nothing has kind of the large, overwhelming impact that television shows of 25 years did in... Read More

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