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    Home » Britt Wilen Joins David&Goliath As Group Creative Director

    Britt Wilen Joins David&Goliath As Group Creative Director

    By SHOOTWednesday, February 26, 2025No Comments390 Views
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    Britt Wilen
    LOS ANGELES --

    As David&Goliath (D&G) celebrates 25 years, the agency is bringing on new creative leadership to help shape its future. Britt Wilen joins as group creative director, bringing her knack for big ideas, executional craft and a track record of work that resonates. In her new role, Wilen will partner closely with clients, diving deep into their challenges to develop work that’s bold, transformative, with high-impact solutions and cultural relevance.

    David Angelo, D&G founder and creative chairman, said of Wilen, “She’s a true creative force–a Swiss Army knife of innovation–with an energy that’s as contagious as it is inspiring. We are looking forward to her creative leadership for one of our longest-standing clients, California Lottery, as well as the impact she’ll bring to our ‘Brave’ culture.”

    Wilen stated, “Creativity is at its best when it surprises people, makes them feel something, or gives them a new way to see the world. That’s what I love about this industry, and that’s what drew me to D&G. They have a fearless approach to ideas and a culture that thrives on collaboration, and I’m so excited to be part of it.”

    Wilen’s most recent staff position prior to joining D&G was serving as a global creative director at Saatchi & Saatchi where she led major campaigns for Toyota’s Olympic and Paralympic sponsorship, Expedia and Lexus. Before that, she held senior creative roles at BBDO Worldwide and Leo Burnett, helping shape iconic work for brands like Doritos, Ikea, Mars, and more.

    Her work has been recognized with top industry honors, including Cannes Lions, D&AD, The One Show, Clio Awards, and Effies. In addition to her impressive professional career, Wilen boasts a rich and diverse educational background, with degrees and certifications in film studies, directing & editing, creative copywriting, photographic image arts, and improvisation, all complemented by her passion for music and film. When she’s not innovating in the creative world, Wilen is writing songs, playing piano, drums, and guitar.

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    Category:News
    Tags:Britt WilenDavid AngeloDavid&Goliath



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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