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    Home » Bullitt and The Directors Bureau Unite As Each Shop Retains Its Respective Brand Identity, Roster

    Bullitt and The Directors Bureau Unite As Each Shop Retains Its Respective Brand Identity, Roster

    By SHOOTWednesday, February 10, 2021Updated:Tuesday, May 14, 2024No Comments5716 Views
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    Roman Coppola
    LOS ANGELES --

    The Directors Bureau and Bullitt have joined forces to create a larger filmmakers’ collective to provide a broader array of storytellers for branded content and commercial campaigns. The two companies will retain their distinct brand identities and rosters while offering an integration that creates new opportunities as they pursue original ways to create branded entertainment with advertising agencies and brands. 
     
    “The Directors Bureau has a certain manner and style as a creative workshop–and we are known for inventive and often playful work. Bullitt’s many attributes include an emphasis on adrenalized and thrilling filmmaking that extends to many forms of content,” said The Directors Bureau founder Roman Coppola. “Our distinct brands and cultures benefit by coming together to evolve and explore the best way into the future.”
     
    Bullitt Founders Anthony and Joe Russo and Justin Lin shared in a joint statement: “The time has never been better for filmmakers in that brands, agencies, and platforms are relying on storytellers in ways that give audiences an opportunity to feel emotionally connected to and entertained by what they see and do. That’s an ethos The Directors Bureau and Bullitt have always shared, and are now doing together in an integrated way.”
     
    Prior to officially unveiling the union, both companies worked collaboratively on campaigns for agencies Team One, GSDM, 72 and Sunny, TBWA Chiat/Day, Zambezi, The Martin Agency, and McCann, among others. The Russo Brothers, founding partners of Bullitt, just released the feature film Cherry starring Tom Holland, and are currently in prep on The Gray Man for Netflix, starring Chris Evans and Ryan Gosling. Roman Coppola, founder of The Directors Bureau is currently directing a campaign for a major retail brand, released the video “The Adults Are Talking” for his longtime collaborators The Strokes, “Find My Way” for Sir Paul McCartney, and a Christmas special for Apple TV with Mariah Carey. Both production companies will be announcing several new director signings in the coming weeks.
     
    The filmmaker focus and leadership offers a kinship between the companies, with a shared emphasis on creativity telling stories in the most compelling way, even with their unique vantage points and offerings. 
     
    Luke Ricci, who now oversees both Bullitt and The Directors Bureau, said, “I’m extremely excited about the shared values of the two companies and the incredible breadth of filmmakers we have on both rosters. This was a unique opportunity to bring two companies together that has invigorated both entities during a time of unparalleled uncertainty in the world. I feel privileged to lead both organizations and have been thrilled by the work that we have been producing. The Directors Bureau has a storied tradition and pedigree that delivers smart, stylish content that resonates with and inspires audiences. Both The Directors Bureau and Bullitt were founded by directors as incubators for fresh and innovative filmmaking, and we are thrilled to expand our collective creative reach as partners in production.”

    Bullitt is a filmmakers collective and creative studio situated at the nexus of entertainment and advertising. Founded by The Russo Brothers, Lin, and Todd Makurath, Bullitt is known for bold dynamic content by directors who span film, TV, experiential, AR/VR and advertising.  

    The Directors Bureau is an award-winning production company based in Hollywood, Calif., with a focus on commercial and music video production. The Directors Bureau represents a diverse roster of directors with backgrounds in still photography, graphic design, animation, fine art, feature film and fashion, providing a thriving creative community.  

    “We recognize what’s happening around us is ushering in some of the most significant changes in our lifetimes,” said Coppola. “There is going to be a new world to enter and this partnership will allow us to be prepared for what comes next in a truly meaningful way.”

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    Category:News
    Tags:BullittJustin LinRoman CoppolaRusso brothersThe Directors Bureau



    Review: Akinola Davies Jr. Makes His Feature Directorial Debut With “My Father’s Shadow”

    Wednesday, February 11, 2026

    Two young boys spend a day with their oft absent father in Lagos amid political turbulence in "My Father's Shadow," an affecting debut feature from Akinola Davies Jr. The film, which premiered at last year's Cannes Film Festival, might have missed out on the Oscars (the U.K.'s selection didn't even make the shortlist ), but don't let that oversight dissuade you from seeking it out now that it's finally opening in North American theaters this weekend. "My Father's Shadow" is a gem, a deeply felt memory piece and vibrant portrait of Nigeria in 1993. The script was a collaboration between Davies Jr. and his brother, Wale Davies, who were born and raised in Nigeria and lost their father at a young age. They were 8 and 10 at the time of the 1993 election, the same age as the two main characters, but this story is only loosely autobiographical — inspired by that loss and those feelings. In "My Father's Shadow," the father, Folarin (a brilliant Sopé Dìrísù ) is very much alive, but there's dread in the air. Time seems to slow when they pass by a group of military men who all turn and stare, like Folarin has a target on him. More than a few characters seem downright startled to see him, too, as though he's already a ghost. It might sound a little silly or contrived, but it's done with such subtlety it's quite moving in execution. After all, Folarin is already kind of a fading memory for his sons, Aki (Godwin Egbo) and Remi (Chibuike Marvelous Egbo), as absent as he is in their lives. At the beginning of the film, the boys catch him stopping by their house in the village to change clothes quickly before departing again. At first, you're not sure what kind of man and father Folarin is — he seems distant and uninterested in the boys, who insist on coming with... Read More

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