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    Home » California Tax Credit Attracts 5 New and 2 Relocating TV Series

    California Tax Credit Attracts 5 New and 2 Relocating TV Series

    By SHOOTMonday, July 18, 2022Updated:Tuesday, May 14, 2024No Comments2541 Views
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    California Film Commission exec director Colleen Bell

    7 Projects will spend $713 Million in Calif., with nearly $470 million in wages to below-the-line workers and payments to in-state vendors

    HOLLYWOOD, Calif. --

    Efforts by Governor Gavin Newsom and the state legislature to expand funding for California’s Film & Television Tax Credit Program are enabling a greater number of new and relocating TV series to be produced in the Golden State.  

    With additional funding provided in the state’s budget agreement, the California Film Commission announced five new series and two relocating series are among the projects selected for the latest round of tax credits. 

    The new series–“Star Wars: Skeleton Crew” (Lucas Film), “My Glory” (WB Discovery), “Presumed Innocent” (WB Discovery), “The Residence” (Netflix) and “The Sympathizer” (HBO)–are the first new TV series accepted into the tax credit program since 2019 

    The absence of new TV series was due to the large number of recurring series already in the program. The budget agreement, which received broad bipartisan support, increased funding for the tax credit program over a two-year period. 

    “Increased investment in our tax credit program strengthens California’s ability to compete and continue building on our status as the world’s media production capital,” said Colleen Bell, executive director of the California Film Commission. “We are, once again, welcoming new TV series into the program, which creates jobs and economic opportunity here in the Golden State.”

    The current round of tax credits also includes two relocating series–“Killing It” (NBC Universal) and “Rap Sh!t” (HBO)–which will move production from Louisiana and Florida, respectively. With these latest wins, California’s tax credit program has welcomed a total of 27 relocating TV series from other states and nations 

    “Killing It” co-showrunners, writers and executive producers Luke Del Treidici and Dan Goor affirmed the tax credit program’s impact on their decision to relocate production from New Orleans. 

    “‘Killing It’ is a show about dreams coming true, so it’s only fitting we would pack up our bags and move to Hollywood,” said Del Treidici. 

    Goor added, “We are thrilled to be making season two in California, which not only has amazing crews and the best facilities but is also where our children are located.”

    In addition to the new and relocating series announced today, the tax credit program currently has 16 recurring (legacy) series accepted during previous allocation rounds and in various stages of production 

    The seven new and relocating TV projects announced today are on track to spend a total of $713 million in California during their next season of production. Based on information provided with each tax credit application, they will generate a combined $468.2 million in “qualified” spending (defined as wages to below-the-line workers and payments to in-state vendors). Only the qualified portion of each project’s budget is eligible for tax credits under California’s uniquely targeted incentive program. This means that the projects announced today will generate about $245 million in spending that is not incentivized. The California Film Commission has reserved a total of $90.8 million in tax credit allocation for the seven projects. 

    By far, the project with the largest qualified spend is Lucasfilm’s “Star Wars: Skeleton Crew,” which is on track for nearly $136 million in qualified expenditures during its first season. The new series coming to Disney+ in 2023 is about a group of kids lost in the “Star Wars” galaxy who try to find their way home. It stars Jude Law, with executive producers Jon Watts, Chris Ford, Jon Favreau, Dave Filoni, Kathleen Kennedy, Michelle Rejwan and Colin Wilson. 

    Together, the seven new and relocating series will employ an estimated 1,953 crew, 545 cast, and 21,691 background actors/stand-ins (the latter measured in “man-days”) during their next season of production. They will spend an estimated 559 filming days in California, including 20 shoot days planned outside the Los Angeles 30-Mile Studio Zone. They will also generate significant postproduction jobs and revenue for California VFX artists, sound editors, sound mixers, musicians, and other workers/vendors.

    The California Film Commission received a total of 18 applications during the June 13-15 application period for TV projects. The list of conditionally approved projects is subject to change, as applicants may withdraw from the tax credit program and their reservation of credits reassigned to one or more projects on the waitlist. 

    The next application period for TV projects will be held September 19-21. The next application period for feature films will be held July 18-20. 

     

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    Category:News
    Tags:California Film & Television Tax Credit ProgramCalifornia Film CommissionStar Wars: Skeleton CrewThe ResidenceThe Sympathizer



    Paul Thomas Anderson Wins Marquee Feature Honor At DGA Awards For “One Battle After Another”

    Sunday, February 8, 2026

    Paul Thomas Anderson won the marquee feature prize at the 78th Directors Guild of America (DGA) Awards on Saturday night (2/7) for One Battle After Another. This makes Anderson the frontrunner to win the Best Director Oscar. Only eight times over the past 77 years has the DGA Award winner not gone on to win the Academy Award. That happened most recently in 2020 when Sam Mendes won the DGA Award for 1917 while Bong Joon-ho scored the Oscar for Parasite. Anderson topped a field of DGA nominees which also included Ryan Coogler for Sinners, Guillermo del Toro for Frankenstein, Josh Safdie for Marty Supreme, and Chloé Zhao for Hamnet. In his acceptance speech, Anderson paid tribute to his first assistant director Adam Somner, who died in 2024. Anderson described Somner as someone who took his work “so seriously” but “did not take himself seriously at all”--that was part of his beauty. Anderson affirmed that Somner was “a great AD” who “made us feel safe,” mitigating the hazards that often accompany ambitious production. Anderson wished other directors in the audience a colleague like Somner. And if they already have one, Anderson advised them to hold that AD close in love and appreciation. The other DGA theatrical motion picture award--named after the late filmmaker Michael Apted in recognition of outstanding achievement by a first-time feature director--went to Charlie Polinger for The Plague. On the TV side, winners included Amanda Marsalis who topped the dramatic series category for the “6:00 P.M.” episode of The Pitt; Seth Rogen and Evan Goldberg who took comedy series honors for “The Oner” episode of The Studio; Shannon Murphy for the... Read More

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