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    Home » Cameron Bailey Named Artistic Director, Co-Head Of Toronto Film Festival

    Cameron Bailey Named Artistic Director, Co-Head Of Toronto Film Festival

    By SHOOTFriday, April 20, 2018Updated:Tuesday, May 14, 2024No Comments3558 Views
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    Cameron Bailey Image (photo by Matt Barnes/courtesy of TIFF)
    TORONTO --

    Cameron Bailey has been named to the newly created position of artistic director and co-head of the Toronto International Film Festival. He will assume this role and report directly to TIFF’s board of directors effective October 1, 2018.

    Bailey’s new role is a promotion and expansion of his current position as artistic director, which he has held since 2012. Prior to that, Bailey served as Festival co-director from 2008-2012. 

    Since CEO Piers Handling’s announcement last July that the 2018 Toronto International Film Festival would be his last, the TIFF board engaged in a process for CEO transition, including a review of the organization’s current structure. After their assessment, the board decided on a two-headed structure for TIFF, with one position (Bailey’s) focused on the artistic direction of the organization, and the other, managing director and co-head, focused on the business and revenue optimization. These two positions will work closely together to set the tone and lead the organization, bringing the new strategic plan to life. They will both report directly to the board of directors.

    A search committee of the board of directors has been working with Caldwell Partners to identify candidates for the managing director and co-head role. The search is international in scope and is expected to result in an announcement prior to this September’s Festival. 

    “With a five year strategic plan for TIFF launched this year, and more changes on the horizon for our industry, we believe a two-headed structure is right for the future success of TIFF,” explained Jennifer Tory, chair of the TIFF board.  “Cameron is a film industry veteran who has earned a reputation for discerning, expansive curation since joining TIFF as a programmer in 1990. Combined with his accomplishments as TIFF’s artistic director, we have full confidence in his vision for the direction of the organization.

    “Piers has done a remarkable job during his tenure as director and CEO and artistic director before that,” continued Tory. “We are indebted to him for the vision and strategy–and the elegance he brought to the role.”

    “I have tremendous respect for Cameron and his longstanding contribution to TIFF’s success,” said Handling. “His passion and vision for the future of the organization underlines his deep leadership skills. It gives me great comfort to know TIFF is in such good hands.”

    “I’ve been fortunate to work alongside Piers for so many years. We programmed Canadian films together, we made our first programming trip to Burkina Faso together and we’ve spent countless hours working out how best to engage audiences with the power of film,” said Bailey. “I am honored to be entrusted with guiding the future of TIFF.” 

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    Category:News
    Tags:Cameron BaileyToronto International Film Festival



    Funny and Feminist Fashion Advances The Storytelling In “Palm Royale”

    Friday, November 14, 2025

    When Kristen Wiig steps out of a vintage Rolls-Royce in the opening scene of Season 2 of "Palm Royale," she's sporting a tall, yellow, fringed hat, gold platform sandals and sunny bell bottoms, with fabric petals that sway with every determined step. It's the first clue that the costumes on the female-driven comedy are taking center stage. The Apple TV show made a splash in its first season with the starry cast, high production values and ubiquitous grasshopper cocktail. Wiig's character, Maxine, tries to break into Palm Beach high society in 1969 and bumps heads with co-stars Carol Burnett, Allison Janney, Leslie Bibb and Laura Dern. But also playing a starring role are the vintage designer frocks that reflect each character. For Season 2, which premiered this week, Emmy-winning costume designer Alix Friedberg says she and her team coordinated "thousands" of looks that reflect the characters' jet-setting style. She says 50-60% of the brightly colored and graphic print costumes are original vintage designer pieces, sourced by shoppers and costume designers. "The looks are so iconic. Sometimes Kristen will walk in in something, and it brings tears to my eyes," Kaia Gerber — who plays Mitzi — said in a recent interview. The creative process entails more than shopping If not original vintage, Friedberg's team builds the costumes, and if a character has to wear an outfit in multiple scenes or in big dance numbers, the team may create duplicates to preserve continuity. Friedberg says she was lucky to find so many vendors with vintage designer pieces in great condition. "(Bibb's character) Dinah wears a few original Oscar de la Renta pieces that are really so perfect. Bill Blass was a big one, Oleg Cassini," Friedberg says. "There's a... Read More

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