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    Home » “Candyman” Tops Weekend Box Office

    “Candyman” Tops Weekend Box Office

    By SHOOTSunday, August 29, 2021Updated:Tuesday, May 14, 2024No Comments2613 Views
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    This image released by Universal Pictures shows Rodney L. Jones III in a scene from "Candyman," directed by Nia DaCosta. (Parrish Lewis/Universal Pictures and MGM Pictures via AP)

    By Jonathan Landrum Jr., Entertainment Writer

    LOS ANGELES (AP) --

    "Candyman" hooked the top spot at the North American box office.

    The Universal Pictures film starring Yahya Abdul-Mateen II impressively pulled in more than $22.3 million through a quiet weekend despite concerns over the delta variant. The  R-rated horror movie, co-written by Jordan Peele and directed by Nia DaCosta, delves into an urban legend that believes if someone repeats "Candyman" five times in front of a mirror, that person would summon the hook-handed killer.

    The sequel is a follow up to the original "Candyman" in 1992. The new film expects to gross $5.23 million in 51 international markets.

    "It was a quiet weekend, but it was another check mark in the success column for horror," Paul Dergarabedian, the senior media analyst for Comscore.

    "Candyman" claimed No. 1 over second place "Free Guy," which scored first place at the box office the previous two weekends. The action comedy starring Ryan Reynolds as a background character in a video game, earned more than $13.5 million.

    After "Free Guy," the numbers begin to substantially drop.

    Dergarabedian said consumers are being very selective in what they do outside of their homes, particularly when it comes to heading into theaters.

    "When you have brand new movies, if they are of a genre that people love like horror or have star like Ryan Reynolds and a movie that's perceived to be great, people want to go out to see them," he said. "The other films that are either available on streaming and/or not getting the greatest buzz or reviews are going to drop by the wayside. It's just the nature of this marketplace."

    In third place, "PAW Patrol" reeled in $6.6 million – a 50% dip from the film's opening weekend number. The Paramount film, based on the popular kids TV show, has garnered more than $24 million.

    "Jungle Cruise" placed fourth with $5 million, helping the Disney action-adventure film starring Dwayne Johnson and Emily Blunt eclipse the $100 million mark in North America during a five-week span.

    "Don't Breathe 2" earned $2.8 million, "Respect" starring Jennifer Hudson brought in $2.2 million and "The Suicide Squad" tallied just over $2 million.

    Meanwhile, "The Protege" with Michael Keaton and Maggie Q pulled in $1.6 million and "The Night House" had $1.2 million.

    "Black Widow" barely held onto the 10th spot with $855,000. In eight weeks, the Marvel film starring Scarlett Johansson has accumulated more than $181.5 million in North America.

    Dergarabedian believes the box office could experience some growing pains in the coming weeks.

    "You're going to have a very top-heavy box office and particularly for films that are available on streaming," he said. "If they're not totally buzzworthy, then people will just stay at home and check them out there.

    "If those movies at the top are generating great word of mouth and goodwill with audiences toward going to the movie theater, that's good for the business long term," Dergarabedian said.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

    1. "Candyman," $22.3 million ($5.2 million international).
    2. "Free Guy," $13.5 million ($37.3 million international).
    3. "PAW Patrol," $6.6 million ($10.3 million international).
    4. "Jungle Cruise," $5 million ($2.7 million international).
    5. "Don't Breathe 2," $2.8 million ($1.6 million international).
    6. "Respect," $2.2 million.
    7. "The Suicide Squad," $2 million ($4.6 million international).
    8. "The Protege," $1,6 million.
    9. "The Night House," $1.2 million.
    10. "Black Widow," $855,000.

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    Category:News
    Tags:box officeCandymanFree GuyUniversal Pictures



    Ang Lee To Receive ACE Golden Eddie Filmmaker of the Year Award From American Cinema Editors

    Wednesday, January 21, 2026
    Ang Lee (photo by Brian Bowen Smith)

    American Cinema Editors (ACE) has named two-time Oscar®-winning filmmaker Ang Lee as recipient of the ACE Golden Eddie Filmmaker of the Year award. He will be presented with the honor at the 76th Annual ACE Eddie Awards taking place Friday, February 27, at UCLA’s Royce Hall, where winners will also be announced in 14 competitive categories recognizing the best film editing achievements of the year in film and television. Kim Larson, managing director and head of YouTube’s Creator and Gaming team, will be accepting YouTube’s previously announced ACE Visionary Award, and Emmy winning editor/director Arthur Forney, ACE, and Oscar® nominated editor Robert Leighton will receive ACE Career Achievement awards. Lee joins a group of Golden Eddie award recipients including Jon M. Chu, John Waters, Gina Prince-Bythewood, Spike Lee, Quentin Tarantino, Kathleen Kennedy, Christopher Nolan, Lauren Shuler Donner, Guillermo del Toro, Steven Spielberg, Vince Gilligan, Alexander Payne, J.J. Abrams, Nancy Meyers, Martin Scorsese, Norman Jewison, Robert Zemeckis, George Lucas, and the Sundance Institute. “Ang Lee’s exploration of our most closely held emotions has ignited an international passion for cinema for over 30 years”, said ACE president Sabrina Plisco, ACE. “The breadth of his filmography is unparalleled, ranging from the intimate and boundary-breaking romance of Brokeback Mountain, to the epic drama of Life of Pi and Crouching Tiger, Hidden Dragon, to even the pre-MCU Marvel film Hulk.” This year’s ACE Visionary Award recognizes Larson and YouTube’s profound impact on visual storytelling as a whole, the importance of digital content and spaces in the evolving media landscape, and ACE’s ongoing work to support... Read More

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