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    Home » “Cars 3” Finishes 1st In Box Office Fast Lane; “Wonder Woman” Continues Its Hot Summer

    “Cars 3” Finishes 1st In Box Office Fast Lane; “Wonder Woman” Continues Its Hot Summer

    By SHOOTMonday, June 19, 2017Updated:Tuesday, May 14, 2024No Comments2583 Views
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    This image released by Disney shows Lightning McQueen, voiced by Owen Wilson, left, and Cruz Ramirez, voiced by Cristela Alonzo in a scene from "Cars 3." (Disney-Pixar via AP)

    By Lindsey Bahr, Film Writer

    LOS ANGELES (AP) --

    "Wonder Woman" fell to second place in its third weekend in theaters, but it's still doing the heavy lifting for the otherwise lackluster summer box office.

    While many worn-out franchises and franchise hopefuls continue to struggle to find a significant North American audience, smaller films such as the Tupac biopic "All Eyez on Me" and the shark thriller "47 Meters Down" were able to break through the clutter and make a splash this weekend.

    As expected, the third installment in Disney and Pixar's $1 billion "Cars" franchise easily took the top spot, but its estimated $53.5 million in earnings told a more complicated tale.

    "Cars 3" had the worst opening in the series' history — "Cars" opened to $60.1 million and "Cars 2" to $66.1 million — and it was one of the lowest debut totals for the Pixar brand.

    It was also a disappointment compared with the top films over this weekend in 2015 and 2016, noted comScore senior media analyst Paul Dergarabedian.

    A year ago, Pixar's "Finding Dory" debuted with $135.1 million. In 2015, Jurassic World" raked in $106.6 million in its second weekend.

    "That kind of tells you the state of the industry," Dergarabedian said.

    The G-rated "Cars 3" got an "A'' CinemaScore and generally positive reviews, but it will have to contend with "Despicable Me 3" which opens in two weeks.

    "Wonder Woman" was knocked down to second place with $40.8 million, bringing its domestic total to $274.6 million, while holdover "The Mummy" slid to fourth place in weekend two with $13.9 million.

    "It's been a challenging summer. I always say it comes down to product. Are the movies grabbing people?" Dergarabedian said. "Before 'Wonder Woman' we were about 9 percent behind last summer. We're now at about even, but the industry would like to see better than even."

    Amid the doldrums, lower-profile films were able to make a mark. The longtime-coming Tupac biopic "All Eyez on Me" earned $27.1 million to take third place on the charts.

    Despite largely negative reviews, audiences gave the film an "A-" CinemaScore. Lionsgate's Codeblack division marketed the pic, which cost Morgan Creek Productions around $40 million to produce. It opened to coincide with what would have been the late rapper's 46th birthday on June 16.

    "It's always nice to exceed expectations," said David Spitz, the president of theatrical distribution for Lionsgate.

    The Mandy Moore shark thriller "47 Meters Down" also exceeded low expectations, earning $11.5 million for a fifth place start. A "C'' CinemaScore, however, could mean the pic is dead in the water going forward.

    The raunchy R-rated comedy "Rough Night" is also facing some rough waters ahead with its ghastly "C+" CinemaScore. The film, about a bachelorette party weekend gone wrong, starring Scarlett Johansson, Kate McKinnon and Jillian Bell, took in a paltry $8.1 million against a $20 million production budget.

    "Rough Night" opened in seventh place, behind "Pirates of the Caribbean: Dead Men Tell No Tales," which brought in $8.5 million. The fifth "Pirates" film has earned $150.1 million domestically and $500 million internationally.

    Next week, another fifth installment — "Transformers: The Last Knight" — opens. Dergarabedian expects it follow suit with most of the summer's franchises and earn the bulk of its money abroad.

    "Sometimes the bigger and better box office stories are not at No. 1," Dergarabedian said. "'All Eyez on Me' and '47 Meters Down' are the kind of movies people are looking for. It bodes well for 'Baby Driver' and 'Atomic Blonde.'"

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
    1."Cars 3," $53.5 million ($21.3 million international).
    2."Wonder Woman," $40.8 million ($39.5 million international).
    3."All Eyez on Me," $27.1 million ($3.1 million international).
    4."The Mummy," $13.9 million ($53 million international).
    5."47 Meters Down," $11.5 million.
    6."Pirates of the Caribbean: Dead Men Tell No Tales," $8.5 million ($18.8 million international).
    7."Rough Night," $8.1 million ($4.2 million international).
    8."Captain Underpants: The First Epic Movie," $7.4 million ($1.2 million international).
    9."Guardians of the Galaxy Vol. 2," $5 million ($1.2 million international).
    10."It Comes At Night," $2.6 million.

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
    1. "The Mummy," $53 million.
    2. "Wonder Woman," $39.5 million.
    3. "Alien: Covenant," $30.5 million.
    4. "Cars 3," $21.3 million.
    5. "Pirates of the Caribbean: Dead Men Tell No Tales," $18.8 million.
    6. "Baywatch," $13.2 million.
    7. "Despicable Me 3," $10 million.
    8. "Rough Night," $4.2 million.
    9. "A Day," $4 million.
    10. "Dangal," $3.1 million.
     

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    Category:News
    Tags:All Eyez on Mebox officeCars 3Wonder Woman



    The One Club Names 2026 Creative Hall Of Fame Inductees

    Monday, June 8, 2026
    Rosie Arnold

    The One Club for Creativity has announced the latest group of legends in advertising, design, and education to be named as 2026 inductees into the Creative Hall of Fame. The gala induction ceremony will take place on September 16, 2026 at Capitale in New York The Creative Hall of Fame has a rich heritage of honoring the lifetime achievements of creative luminaries, starting with the induction of Leo Burnett in 1961. This year’s inductees are as follows. Creative Hall of Fame --Rosie Arnold, one of the most awarded art directors in British advertising history, spent more than three decades shaping iconic work at BBH and championing creative excellence throughout the industry. --Janet Champ, Wieden+Kennedy copywriter behind Nike’s groundbreaking “If You Let Me Play” campaign, transformed how brands communicate with women through work rooted in truth, empathy, and cultural impact. --John C Jay, a visionary creative leader whose influence spans retail, advertising, fashion, and culture, helped shape brands including Nike and Uniqlo while pioneering a new model of culturally driven creativity. --Caroline R. Jones, formerly of J. Walter Thompson, BBDO, Caroline Jones Advertising, Zebra Associates, and Mingo-Jones, trailblazing copywriter, the first black female vice-president at a major agency. --Piyush Pandey, widely regarded as the father of modern Indian advertising at Ogilvy, transformed the industry by bringing the language, humor, and humanity of everyday India into the heart of brand storytelling. --Joyce King Thomas, the creative force behind McCann’s iconic “Priceless” campaign for Mastercard, helped redefine emotional storytelling in advertising while becoming one of the industry’s most respected creative leaders... Read More

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