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    Home » Channing Martin named global chief diversity & social impact officer at IPG

    Channing Martin named global chief diversity & social impact officer at IPG

    By SHOOTFriday, May 20, 2022Updated:Tuesday, May 14, 2024No Comments1563 Views
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    NEW YORK --

    Channing Martin is joining Interpublic Group (NYSE: IPG) as global chief diversity and social impact officer.

    Reporting to IPG CEO Philippe Krakowsky, Martin will lead the strategy on all diversity-related matters and build upon IPG’s equity and inclusion practices, including the continued diversification of IPG’s senior ranks and talent pipeline, collaboration and partnership with IPG’s full network of agency brands, CEOs and DE&I leadership community. In her role, Martin will also support the advancement of social impact strategies and practices in partnership with the leadership of IPG’s integrated ESG team.

    Krakowsky commented, “IPG’s commitment to equity and inclusion have long been core to our culture. Diversity and inclusion are key elements in how we deliver extraordinary value to all our stakeholders–including our people, our clients and our owners. And while we’ve made meaningful progress in this area, there is still a great deal of work left for us to do. I look forward to partnering with Channing to advance our goals, and to harness the impact of her perspective, experience and passion to ensure that we become an organization in which fairness is at the foundation of everything we do, and in which opportunity and access are equally available to all of our people.”

    Martin will collaborate with senior management across IPG’s leading agency brands to develop, support and implement global strategies, resources and programs that ensure IPG’s talent is reflective of the marketplace at every level, and that IPG companies deliver inclusive experiences that allow all talent to thrive, with a culture that drives belonging, well-being and growth for all our people and fosters the cultural insights and sensitivity to help our clients make authentic and responsible connections with their customers.

    “Advertising and communications is a powerful platform–one that we’ve seen drive real change across the globe by exposing injustice, creating a more accepting and understanding society and broadening perspectives and understanding,” said Martin. “I’m thrilled to join an organization like IPG, that has proven its sustained commitment to opportunity for all in an industry with such great potential to promote equity and advance social impact.”

    Martin joins IPG from CSG, a global provider of consumer engagement and digital experience solutions, where she was chief diversity and social responsibility officer. Throughout her career, Martin has developed and executed measurable diversity initiatives that amplify employee voices, build diverse pipelines of talent, mitigate bias in hiring and performance reviews, and strengthen community partnerships to reach new audiences.

    Martin previously held the positions of diversity and inclusion manager at the Federal Reserve Bank of Chicago and diversity lead and strategic planner for the U.S. Department of State, and the diversity recruitment and assessment manager for the U.S. Office of Personnel Management.#

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    Tags:Channing MartinInterpublic GroupIPGPhilippe Krakowsky



    Review: Writer-Director Ian Tuason Makes Feature Debut With “Undertone”

    Friday, March 13, 2026
    This image released by A24 shows Nina Kiri in a scene from "Undertone." (Dustin Rabin/A24 via AP)

    Writer-director Ian Tuason's feature debut, the sonic-driven horror "Undertone," has, at least at the outset, an appealingly stripped-down quality. The 30-something Evy Babic (Nina Kiri) lives with her dying, comatose mother (Michèle Duquet). The movie never leaves their small, two-story home. Upstairs, Evy's mother lies wordlessly in a bed. Downstairs, Evy, at 3 a.m. puts on headphones, sits in front of a microphone and calls up her paranormal podcast co-host Justin (Adam DiMarco's voice) to talk "all things creepy." It's a testament to Tuason's evident filmmaking talent that, with these bare bones, "Undertone" swells into a gripping and unsettling experience. This is a movie that summons many of its scares with a sudden boost in audio levels, the thunderous tick of a clock or the scream of … a tea kettle. It's even rated "R" not for bloodcurdling violence or satanic ghouls but, simply, "language." It's these subtle qualities that make "Undertone" a spare but deftly dense film and Tuason a filmmaker to watch. It's the movie's disappointing second half, though, that breaks its quiet spell. After conjuring a tapestry of tension through narrative drips, as well as literal ones, Tuason throws in the whole kitchen sink, drowning out "Undertone" with a cacophony of genre cliches. Ancient Christian lore is invoked, as are children's lullabies, and the riveting nuance of "Undertone" slips away in all the feedback. "I want it to be over," Evy tells Justin. "Is that a bad thing to say?" Evy's mother hasn't eaten in two days, and her emotional exhaustion is clear when she first connects with her London-based co-host. You might here be wondering if the movie digs into this guilt, but "Undertone" is better at leaving carefully placed clues than following... Read More

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