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    Home » Chelsea Owner/EP Lisa Mehling To Chair AICP Show

    Chelsea Owner/EP Lisa Mehling To Chair AICP Show

    By SHOOTMonday, January 30, 2017Updated:Tuesday, May 14, 2024No Comments4810 Views
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    Lisa Mehling
    NEW YORK --

    Lisa Mehling, owner/executive producer of Chelsea, will serve as chairperson of the 2017 AICP Show: The Art & Technique of the American Commercial. The AICP Show is one of the tent-pole events of AICP Week, which also includes the debut of the AICP Next Awards, as well as various creative and educational sessions at the AICP Week Base Camp. AICP Week will take place in New York from June 5-7, 2017.   

    “After years of participating in the AICP Show as a judge, curator, and Show Committee member, I am honored to be chairing the Show in 2017,” noted Mehling. “Since it began in 1992, the AICP Show has been the industry standard for honoring craft and creativity, as well as being an archive of such amazing and groundbreaking advertising content.”

    Matt Miller, president and CEO of the Association of Independent Commercial Producers, said, “Lisa’s love of advertising, instincts for representing talent, and role as a well-respected member of the community makes her an obvious choice to chair the 2017 AICP Show. Under Lisa’s leadership, Chelsea has won numerous accolades, including a number of high profile pieces that are in the AICP Awards archive.” Among those ads are the blockbuster “#LikeAGirl” for Always and Chrysler’s “Halftime in America.”

    Mehling is an Emmy Award-winning producer who partnered with Allison Amon to acquire Chelsea in 2001. Together, they have cultivated a unique and diverse culture of producers and filmmakers who have become leaders across broadcast, digital, film, branded entertainment and print.  Chelsea’s list of celebrated work includes the paradigm shifting campaigns for Always #LikeAGirl directed by Lauren Greenfield for Leo Burnett, which in addition to being honored in the AICP Show and the AICP Next Awards, has amassed 200+ million views, 4 billion impressions, over 200 awards and the Emmy for Outstanding Commercial. Other notable credits include: “Listen,” for the NFL directed by Nadav Kander; “Halftime in America,” featuring Clint Eastwood, directed by David Gordon Green for Wieden & Kennedy; and Audi’s “The Heist,” for McKinney & Silver and ESPN/Sega’s “Beta-7,” for Wieden + Kennedy, both directed by the Haxan group.

    Call For Entries & 2017 AICP Show Committee
    The Call for Entries to the AICP Show is now open here. The deadline to enter work is March 3, 2017; eligibility dates are: February 29, 2016-February 26, 2017. There is no limit to running time, and work may have aired on any screen.

    As Show chair, Mehling oversees the AICP Show Committee, which is responsible for promoting and marketing the AICP Show, and facilitating the judging process and selection of judges.  She will also spearhead the selection of companies providing editorial, graphics and music to the AICP Show reel.  Mehling additionally serves on the AICP Show’s Board of Governors, which is the final arbiter of the AICP Show, charged with ensuring the quality of the Show and adherence to its rules.  The AICP Next Awards Judging Chair, Jury Presidents, and Judges will be announced shortly. 

    The Show Committee serving with Mehling includes:  Zu Al-Kadiri, The Mill;  Allison Amon, Chelsea;  Marlene Bartos, Yessian Music;  Denise Blate Roederer, RHODA;  Roe  Bressan, Navigating;  Craig Duncan, Cutters;  Ray Foote, Big Foote;  Shane Harris, Content Chemics;  Carolyn Hill, Carolyn Reps;  Barrie Isaacson, Barrie Isaacson Mgmt;  Adam Isidore, Taylor James;  Becky Jungmann, Mischief;  Julian Katz, BBDO New York;  Trevor King, RSA Films;  Charlie McBreaty, Shortlist;  Anthony Nelson, JWT;  Dante Piacenza, Mcgarrybowen;  Sarah Roebuck, Final Cut;  Adina Sales, Blacklist;  Jennifer Siegel, Framestore Pictures;  Doug Stephen, Doug Stephen & Partners;  Cara Wenig, Barrie Isaacson Mgmt;  and Virginia Williams, Bonafide.
     
    AICP Week
    AICP Week, which launched in 2013, is anchored by the premieres of the AICP Show and the AICP Next Awards, as well as educational seminars and events highlighting creativity and marketing. These sessions are held at the Helen Mills Theater, the AICP Week Base Camp venue in New York’s Chelsea neighborhood.

    Each year of The AICP Show, established in 1992, the best advertising appearing in the moving image is honored and made part of the archive of the Department of Film at MoMA.  The AICP Next Awards, launched in 2007, highlights the winners of the Next categories, which honor innovative marketing communications. The AICP Next Awards are also archived at MoMA. The AICP Next Awards will debut on June 6th at the Tisch Auditorium at The New School, and the AICP Show premieres during a screening and gala at The Museum of Modern Art in New York on June 7th.  

    2017 AICP Show Categories
    Technique
    Visual Style
    Performance
    Humor
    Direction
    Cinematography
    Animation
    Editorial
    Design
    Visual Effects
    Original Music
    Sound Design
    Licensed Soundtrack or Arrangement
    Music Video
    Production
    Production Design
     
    Concept
    Concept
     
    Specialty
    Public Service Announcement
    Cause
    Low Budget
    Student Commercial
     
    Overall Excellence
    Advertising Excellence/Single Commercial
    Advertising Excellence/Campaign
    Advertising Excellence/International 

    2016 AICP Next Awards Categories
    Integrated Campaign
    Experiential
    Experiential – Live Events/Broadcast
    Viral/Web Film
    Website
    Branded Content
    Mobile
    Cause Marketing
    Social
    Virtual Reality
    Innovation 
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    Category:News
    Tags:AICP ShowChelsea PicturesLisa Mehling



    A “Masters” Class In Branding and Fashion

    Saturday, April 11, 2026

    If the world of high fashion has Fashion Week in Milan, with sleek models dressed in avant-garde looks strutting down the runways, then the golf world has the Masters, where players bound down verdant green fairways in azalea-inspired polos, exotic bird prints, the yellows of jasmine and the pinks of the dogwoods.

    Over the last few years, golf apparel companies have begun treating the first full week of April as their moment to shine, unveiling lineups of Masters-inspired drops they hope can capture the attention of those focused on the season's first major.

    The surf-style company Johnnie-O, for example, dips into the Deep South with its classic, understated Azalea Collection. Rhobak likewise offers an Azalea Collection, though with bold flower patterns designed to invoke the feel of being on the grounds of Augusta National. Malbon Golf, meanwhile, offers a "Birds of Georgia" set featuring images of those typically found about the course.

    Yet none of them carry the iconic Masters logo. Or reference Amen Corner. Or use the words "Green Jacket."

    All of those are trademarked by the club — three of nearly 100 trademarks on file — and force outside apparel companies to creatively build their connections to both the tournament and Augusta National without infringing on their intellectual property.

    "Makers of products for mass market dream of becoming a supplier to Walmart. Likewise, high-end brands salivate at the idea of winning a mandate from the Masters," said John Sabino, author of "The Augusta Principles: Timeless Business Lessons from the World's Premier Golf Club." "Apparel companies want to tap into the Masters' high-quality association and leverage the club's exalted brand."

    Yet tapping into that association is... Read More

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