By Jake Coyle, Film Writer
CANNES, France (AP) --While the rest of the world, and the Academy Awards, were celebrating Pawel Pawlikowski's film "Ida" as one of the best films of 2013, the quiet, black-and-white film was swept up into political debate back in Poland, Pawlikowski's home country.
It still mystifies the filmmaker why Poland's ruling right-wing party, which took power in late 2015, painted his film as "anti-Polish." ''Ida" was about a young orphaned woman in the 1960s on the cusp of taking her vows to be a nun when she discovers her Jewish heritage and that her parents were murdered by a Polish peasant during World War II.
"Why did they get so heated up about 'Ida'? It's a black-and-white film. They turned it into a big campaign issue. It did help them win the election, unfortunately," Pawlikowski said in an interview. "We'll see what they come up with now."
Pawlikowski premiered his much anticipated follow-up to "Ida," ''Cold War," at the Cannes Film Festival, where it was immediately hailed as a companion piece to "Ida" and a likely contender for Cannes' top prize, the Palme d'Or. Like "Ida," it's gorgeously composed in black-and-white and a 4:3 "academy ratio." Also like "Ida," it depicts the ways an oppressive regime can warp and ruin the lives under it.
"Cold War" is the first Polish film in competition at Cannes in 37 years.
"I'm sure the minister of culture is really pissed off about this," said Pawlikowski. "They'd love to have a film in Cannes, but why this guy? 'Ida' was taken off the schedule on state TV because it was deemed to be "anti-Polish." I never meant it as anti-anything. But these people can't think in anything but ideological terms."
"Cold War," set during the 1940s and 1950s of Poland's communist rule, is about an ill-fated romance between Wiktor (Tomasz Kot), a composer and pianist, and Zula (Joanna Kulig), a singer. They meet at a newly formed academy dedicated to preserving Polish folk music traditions. Once nationalistic pressures descend on the school, they flee the country.
The film is dedicated to Pawlikowski's parents and the characters were named for them. They lived, he said, in a kind of "permanent war."
"There was a big love at first sight," the 60-year-old director said. "Then they quarreled and he betrayed her, she took revenge. Then they got together again and had me and then they quarreled again. He left the country, and then she married an English guy and left the country with me. Then they met again abroad, got together again and dumped the spouses. They started living together again and quarreled again."
"And of course exile has an impact on a relationship," he added. "Suddenly, you meet again and this person looks different in a different context."
Pawlikowski lived much of his adult life in London and Paris. After his first wife died from a sudden illness and their two children were grown, he returned to Warsaw. Following a career in international film (his "My Summer Love" was Emily Blunt's screen debut), going back to his native country transformed as a filmmaker.
"As soon as I touched down in Poland, I just felt on firm ground," Pawlikowski said. "Suddenly, there was a sense of conviction about all my choices. And also with age, I said, 'I want to just keep things simple.' I've complicated things again since because I got married. But at the time, I was living this monastic life, a bit like Ida."
He remains committed to working in Poland, though he notes with a chuckle, he's content not making films, too — just teaching and "living a life." Pawlikowski has a third black-and-white film in mind and is also prepping a movie on the Russian writer and political dissident Eduard Liminov.
Messages left with the office of Poland's culture minister, Piotr Glinski, for comment on Pawlikowski's film weren't returned over the weekend.
Andrzej Pawluszek, an adviser to Polish Prime Minister Mateusz Morawiecki, dismissed the director's assertion that he has been blacklisted or otherwise punished for his films.
"Poland has no blacklist of artists," Pawluszek said. "There is full creative freedom in Poland. Opponents of the current government, such as a great director Agnieszka Holland or an amazing actress Krystyna Janda, enjoy full creative freedom."
For Pawlikowski, "Cold War" reflects the current political climate in Poland. In February, President Andrzej Duda signed a bill making it illegal to blame Poland for Holocaust crimes committed by German Nazis. Israeli Prime Minister Benjamin Netanyahu called the law "baseless" and warned against Holocaust denial.
"In Poland, because of the politics there — which are not pleasant — it suddenly made sense to be making films there," he said. "Not political films, but just artistic films, films that deal with the human soul and its paradoxes. Films that don't slant history or try to explain it."
James Earl Jones, Lauded Actor and Voice of Darth Vader, Dies At 93
James Earl Jones, who overcame racial prejudice and a severe stutter to become a celebrated icon of stage and screen — eventually lending his deep, commanding voice to CNN, "The Lion King" and Darth Vader — has died. He was 93.
His agent, Barry McPherson, confirmed Jones died Monday morning at home in New York's Hudson Valley region. The cause was not immediately clear.
The pioneering Jones, who was one of the first African American actors in a continuing role on a daytime drama and worked deep into his 80s, won two Emmys, a Golden Globe, two Tony Awards, a Grammy, the National Medal of Arts, the Kennedy Center Honors and was given an honorary Oscar and a special Tony for lifetime achievement. In 2022, a Broadway theater was renamed in his honor.
He cut an elegant figure late in life, with a wry sense of humor and a ferocious work habit. In 2015, he arrived at rehearsals for a Broadway run of "The Gin Game" having already memorized the play and with notebooks filled with comments from the creative team. He said he was always in service of the work.
"The need to storytell has always been with us," he told The Associated Press then. "I think it first happened around campfires when the man came home and told his family he got the bear, the bear didn't get him."
Jones created such memorable film roles as the reclusive writer coaxed back into the spotlight in "Field of Dreams," the boxer Jack Johnson in the stage and screen hit "The Great White Hope," the writer Alex Haley in "Roots: The Next Generation" and a South African minister in "Cry, the Beloved Country."
He was also a sought-after voice actor, expressing the villainy of Darth Vader ("No, I am your father," commonly misremembered as "Luke, I am your father"), as... Read More