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    Home » Comcast Agrees To Buy DreamWorks Animation For About $3.55B

    Comcast Agrees To Buy DreamWorks Animation For About $3.55B

    By SHOOTThursday, April 28, 2016Updated:Tuesday, May 14, 2024No Comments2971 Views
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    DreamWorks' Jeffrey Katzenberg poses for photographers during a photo call for "How to Train Your Dragon 2" at the 67th international film festival, Cannes, southern France, Friday, May 16, 2014. (AP Photo/Thibault Camus)

    Once deal closes, DreamWorks will become part of the Universal Filmed Entertainment Group

    By Barbara Ortutay, Technology Writer

    NEW YORK (AP) --

    Comcast is buying DreamWorks Animation, the film company behind the "Shrek," ''Madagascar" and "Kung Fu Panda" franchises, for approximately $3.55 billion, strengthening its presence in the important and growing business of children's entertainment.

    DreamWorks stockholders will receive $41 for each share they own. That's a 24 percent premium to the company's Wednesday closing price of $32.20. The companies put the deal's value at about $3.8 billion.

    DreamWorks will become part of the Universal Filmed Entertainment Group, which includes Universal Pictures. The studio has churned out hit animated movies through its Illumination label, including the "Minions" sequel and it has some Dr. Seuss projects in the works such as "How the Grinch Stole Christmas."

    The nation's largest cable company said the deal gives NBCUniversal, a unit of Comcast Corp., a "broader reach to a host of new audiences in the highly competitive kids and family entertainment space, in both TV and film." In addition to the cartoon franchises, DreamWorks also owns what Comcast called a "thriving TV operation" with its AwesomenessTV network of online video creators and a lengthy contract to create shows for Netflix.

    The deal solves what Cowen and Co. analyst Doug Creutz "would have been a very difficult succession plan had DWA remained independent, as to a certain extent we think the company had been held together purely through (CEO Jeffrey) Katzenberg's force of will."

    The analyst said that while he is "skeptical about the strategic logic" for Comcast in inking the deal, it is an excellent one for DreamWorks.

    "Despite some positive recent developments with TV production and the Awesomeness asset, DWA remains a company that has not generated significant earnings since 2010," Creutz wrote. "We think DWA is worth far less than either Marvel or Lucasfilm, for which Disney paid comparable prices when they acquired those companies."

    Once the deal closes, DreamWorks co-founder and Katzenberg will become chairman of DreamWorks New Media. He'll also serve as a consultant to NBCUniversal. Creutz called it a "happy exit." Katzenberg owned nearly 10 million shares – meaning he'll receive over $400 million – and controlled 60 percent of the voting shares in the company, which spun off from DreamWorks Pictures as a publicly traded company in 2004. DreamWorks Pictures, backed by Steven Spielberg, produces live action movies like "Bridge of Spies" and is not part of the deal.

    Earlier this year, DreamWorks expanded a licensing deal with Netflix Inc. to have the online video service feature more of its series and movies. The expanded licensing agreement announced in January allows Netflix to showcase several new DreamWorks series, including "Trollhunters," a fantasy created by acclaimed movie director Guillermo del Toro. The deal gives Netflix more video likely to appeal to children, an audience segment that has played an important role in its growing its service to 81.5 million subscribers in the first quarter.

    The boards of both Comcast and DreamWorks have approved the transaction, which is targeted to close by year's end.

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    Category:News
    Tags:ComcastDreamWorksJeffrey Katzenberg



    Review: Writer-Director Ian Tuason Makes Feature Debut With “Undertone”

    Friday, March 13, 2026
    This image released by A24 shows Nina Kiri in a scene from "Undertone." (Dustin Rabin/A24 via AP)

    Writer-director Ian Tuason's feature debut, the sonic-driven horror "Undertone," has, at least at the outset, an appealingly stripped-down quality. The 30-something Evy Babic (Nina Kiri) lives with her dying, comatose mother (Michèle Duquet). The movie never leaves their small, two-story home. Upstairs, Evy's mother lies wordlessly in a bed. Downstairs, Evy, at 3 a.m. puts on headphones, sits in front of a microphone and calls up her paranormal podcast co-host Justin (Adam DiMarco's voice) to talk "all things creepy." It's a testament to Tuason's evident filmmaking talent that, with these bare bones, "Undertone" swells into a gripping and unsettling experience. This is a movie that summons many of its scares with a sudden boost in audio levels, the thunderous tick of a clock or the scream of … a tea kettle. It's even rated "R" not for bloodcurdling violence or satanic ghouls but, simply, "language." It's these subtle qualities that make "Undertone" a spare but deftly dense film and Tuason a filmmaker to watch. It's the movie's disappointing second half, though, that breaks its quiet spell. After conjuring a tapestry of tension through narrative drips, as well as literal ones, Tuason throws in the whole kitchen sink, drowning out "Undertone" with a cacophony of genre cliches. Ancient Christian lore is invoked, as are children's lullabies, and the riveting nuance of "Undertone" slips away in all the feedback. "I want it to be over," Evy tells Justin. "Is that a bad thing to say?" Evy's mother hasn't eaten in two days, and her emotional exhaustion is clear when she first connects with her London-based co-host. You might here be wondering if the movie digs into this guilt, but "Undertone" is better at leaving carefully placed clues than following... Read More

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